Damon y Pitias

Although I had heard of the titular historical characters – probably from a Greek mythology class I sat for in Secondary School – I had never read or seen their tale until now, via this rather lifeless and turgid peplum that was, until some time ago, a staple of TCM UK's schedule. The leads are likable enough as played by Guy Williams (from Disney's "Zorro" TV-series in his penultimate theatrical feature) and Don Burnett (also in his next-to-last film, he was a dead ringer for Rock Hudson but much less charismatic), their inevitable love interests are, respectively, attractive (Liana Orfei) and histrionic (Ilaria Occhini), while the villainous Tyrant of Syracuse (the film's original Italian title) was portrayed by a favorite Italian character actor who made his fair share of these things – Arnoldo Foa' who also speaks his own lines in serviceable English! Actually, the latter's belated introduction breathes new life into the film making the second half far more compelling as Greek Burnett defies his Sicilian enemies to prove that his Pythagorian creed of "The Brotherhood of Man" (perpetrated by persecuted philosopher Andrea Bosic) by replacing Sicilian thief Williams who has, uncharacteristically, exchanged places with Burnett on the executioner's block because of the latter's impending fatherhood! Therefore, it is rather unfortunate that, despite some interesting international credentials in the direction (German Bernhardt, who would curiously himself retire after making just one more film!) and screen writing (British playwright Bridget Boland and Hollywood veteran Samuel Marx) departments, DAMON AND PYTHIAS does not emerge a better movie in the long run – even when compared to most of the less-than-inspired product along the same lines being churned out by contemporary Italian B-grade film-makers.

While it looks like just another of those "sword and sandal" movies from the 1960s, this one has ambitions. Too bad. Instead of being a snappy, unpretentious piece of entertainment with beefcakey guys and bosomy babes racing their way through an action-filled plot, we get a long, slow, deliberate, almost thoughtful re-telling of the Damon and Pythias myth. Strange, you don't think you're going to miss the fire-breathing monster and the scantily-clad virgin chained to a rock and the bare-chested hero stretched between two chariots, but darn it, when these ingredients aren't present, you miss them!

The problems probably began with the choice of director, Curtis Bernhardt. He was fine for MGM's women's pictures such as "Beau Brummell" and "Interrupted Melody," but he's not well suited to this kind of material. Guy Williams isn't the right choice to play Damon, either. He's supposed to be one of those lovable rogue types such as Burt Lancaster or even Kirk Douglas used to play, but he just can't bring this off.

Don Burnett does better as Pythias. He plays the quiet, serious one and though the "mismatched buddies" formula usually works, it stumbles here because there simply isn't much chemistry between the two leads. And, curiously enough, neither of the two men gets to take his shirt off, not even in the climactic scene in which Damon is bound to a pillar for his impending execution. What's a sword-and-sandal movie without a generous helping of pecs?

The original title of this film is "The Tyrant of Syracuse", and as a study in tyranny in the days of classical antiquity, it is very interesting, as it poses Greek philosophy and its traditions from Pythagoras against the military autocracy with its rule by military force run by the dictator Dionysius in a kind of pre-Christian concept. Plato's disciple Dion actually went across to Syracuse in an effort to convert the tyrant Dionysius from his dictatorship to philosophical humanity, which noble effort of idealism pitieously failed - a tyranny is hopelessly a tyranny as long as it lasts. Here the friendship between one philosophical adherent and a reguilar opportunist of Syracuse is posed and tried against the rule of oppression with some interesting and positive results, as human feelings always will overcome any inhumanity. The actors are good enough apart from the women, who desperately try to turn it all into a sob story, which naturally isn't successful. The music is also excellent and gilds the story, which in itself is good enough to make this film more watchable than any crtical cineast would think. In brief, a dashing adventure of the antiquities.

Face the punishment of death or a friend that is a thief and liar (willing to lie and pretend to be a hostage). Not much of a choice, the only other choice I can think of would be suicide or to get the heck out of there fast, leave the country quickly and forget both. lol.

This is the story of "all men are brothers", treat each other right. Damon and Pythias of Greek mythology - the story of morality.

It's okay but moves at a snail's pace. I guess because there wasn't quite enough material for a typical full length film of the time era so they drug out the original story.

2/10

It's 400 BCE Greece. Protheus led the peaceful freedom-loving Pythagorian society in Athens until his death. Pythias is ordered to Syracuse, and recruit Arcanos to be their new leader. Only, Arcanos is hiding from city dictator Dionysius the Tyrant and and Cariso, the captain of the guards. In Syracuse, Pythias gets robbed by bandit Damon and they end up escaping together from the guards.

This is an Italian spaghetti toga epic based on an ancient Greek story. The first half of the movie is too slow. A spaghetti sword and sandal needs to have more action. It's an hour before there is a truly good action scene and it's a really good one. I love the western-like stunts. Some of them actually look dangerous. The stuntman could have been hurt by the flipping cart. Otherwise, I never connected with these characters.