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IMDbPro

A cada cual su propio infierno

Título original: All Fall Down
  • 1962
  • Approved
  • 1h 51min
CALIFICACIÓN DE IMDb
6.8/10
2.5 k
TU CALIFICACIÓN
A cada cual su propio infierno (1962)
Home Video Trailer from Warner Home Video
Reproducir trailer2:30
1 video
54 fotos
Drama

Agrega una trama en tu idiomaRalph (Karl Malden) and Annabell Willart (Dame Angela Lansbury) are a feuding couple who are constantly bickering over their worthless, good-for-nothing son Berry-Berry (Warren Beatty). When... Leer todoRalph (Karl Malden) and Annabell Willart (Dame Angela Lansbury) are a feuding couple who are constantly bickering over their worthless, good-for-nothing son Berry-Berry (Warren Beatty). When Berry-Berry begins yet another meaningless love affair, this time with an older woman nam... Leer todoRalph (Karl Malden) and Annabell Willart (Dame Angela Lansbury) are a feuding couple who are constantly bickering over their worthless, good-for-nothing son Berry-Berry (Warren Beatty). When Berry-Berry begins yet another meaningless love affair, this time with an older woman named Echo O'Brien (Eva Marie Saint), he really gets his parents at each others' throats.

  • Dirección
    • John Frankenheimer
  • Guionistas
    • William Inge
    • James Leo Herlihy
  • Elenco
    • Eva Marie Saint
    • Warren Beatty
    • Karl Malden
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    2.5 k
    TU CALIFICACIÓN
    • Dirección
      • John Frankenheimer
    • Guionistas
      • William Inge
      • James Leo Herlihy
    • Elenco
      • Eva Marie Saint
      • Warren Beatty
      • Karl Malden
    • 70Opiniones de los usuarios
    • 18Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Videos1

    All Fall Down
    Trailer 2:30
    All Fall Down

    Fotos54

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    Elenco principal49

    Editar
    Eva Marie Saint
    Eva Marie Saint
    • Echo O'Brien
    Warren Beatty
    Warren Beatty
    • Berry-Berry Willart
    Karl Malden
    Karl Malden
    • Ralph Willart
    Angela Lansbury
    Angela Lansbury
    • Annabell Willart
    Brandon De Wilde
    Brandon De Wilde
    • Clinton Willart
    • (as Brandon de Wilde)
    Constance Ford
    Constance Ford
    • Mrs. Mandel
    Barbara Baxley
    Barbara Baxley
    • Schoolteacher
    Evans Evans
    • Hedy
    Madame Spivy
    Madame Spivy
    • Bouncer
    Albert Paulsen
    Albert Paulsen
    • Captain Ramirez
    • (as Albert Paulson)
    Paul Bryar
    Paul Bryar
    • Manager of Sweet Shop
    • (escenas eliminadas)
    Robert Sorrells
    • Waiter in Sweet Shop
    • (escenas eliminadas)
    Alice Allyn
    • Bit Role
    • (sin créditos)
    Mary Benoit
    Mary Benoit
    • Clubwoman
    • (sin créditos)
    John Burnside
    • Highway Patrolman
    • (sin créditos)
    James T. Callahan
    James T. Callahan
    • Gas Station Attendent
    • (sin créditos)
    William Challee
    William Challee
    • Third Bum
    • (sin créditos)
    Georgine Cleveland
    • Clubwoman
    • (sin créditos)
    • Dirección
      • John Frankenheimer
    • Guionistas
      • William Inge
      • James Leo Herlihy
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios70

    6.82.4K
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    Opiniones destacadas

    8aimless-46

    A Unique Set of Characters

    "All Fall Down" combines the best elements of "Come Back Little Sheba" and "Splendor in the Grass"; which should not be a total surprise given that all three come at least in part from the mind of William Inge. It is interesting that while "All Fall Town" is the most ambitious of the three, it is also the least known. Probably because Director John Frankenheimer made something that is more art film than box office blockbuster (or academy darling).

    The storytelling technique is much like "Days of Heaven", both told from the point of view of the youngest member of their casts-in this case Clint (Brandon de Wilde-"come back Shane"). The film even goes so far as to cut in shots of Clint watching the other characters through windows and doorways, and then writing down what he has observed in a journal. This is very effective because the story has coming of age elements involving Clint and the viewer is meant to strongly identify with his character. Unfortunately Frankenheimer pulls his punch at the end and limits things to the traditional process of disillusionment found in this film genre. A much more satisfying ending was possible.

    I've never shared the view that "All Fall Down" lacks sympathetic characters. Clint is certainly likable as is family friend Echo (Eva Marie Saint), and even father Ralph (Karl Malden) to a certain degree. Mother Annabell (Angela Lansbury) is not but her purpose is to provide some explanation for this dysfunctional family.

    Older brother Berry-Berry (Warren Beatty) is not likable but is certainly interesting. Smothered by his mother he has a phobia about ending up like his parents. Which has sent him on the road where he lives by his wits and good looks. Beatty really doesn't seem to know how to play Berry-Berry and his performance is mostly a repeat of his "Splendor in the Grass" character. But the uncertainty in his performance ultimately works to his advantage, as Berry-Berry is a conflicted mess of mixed motivation. His behavior is compulsive and contradictory, a sociopath with a conscience. And he is concerned with the welfare of his little brother, who idolizes him (as do his parents).

    Starting out in Key West, where Clint meets his brother's ex-girlfriend (played by Frankenheimer's real life wife Evans Evans) in a strip club. In a great scene she tries to get the underage Clint to buy her a drink-but her debilitated coughing spoils any superficial sex appeal.

    The action soon shifts to an older middle class neighborhood in Cleveland. Beatty appears briefly in the beginning and is mostly unseen until after the midpoint of the film. De Wille has far more screen time and introduces us to the remaining three characters.

    Saint's character is a spinsterish free spirit of 31 (another contradiction) who Clint falls in love with until his older brother claims her. Saint was always difficult to cast. Not earthy enough for the Julie Harris-Elizabeth Hartman type of roles and not sexy enough for the standard starlet stuff she was limited to icy librarians or dowdy girlfriend stuff until Hitchcock drew her out in "North by Northwest". She is physically perfect for the Echo O'Brien role, someone confident and playful, yet very fragile; pretty enough to make Berry-Berry's attraction credible.

    This is a slick little film but only if you like productions that could easily transfer to the stage.

    Then again, what do I know? I'm only a child.
    gregcouture

    Definitely worth a look (with minor reservations)

    I saw this one when it was first released, responding to some justly deserved positive reviews. Recently Turner Classic Movies showed it and my memories were confirmed: terrific cast beautifully responding to John Frankenheimer's astute direction; impeccable black-and-white cinematography by Lionel Lindon, especially that opening on-location sequence in Key West, Florida; one of Alex North's most apposite scores, not at all too florid (Was any Hollywood composer better at enhancing a story filled with neuroses in full bloom?); and a story whose downward spiral seems inevitable, despite some slight excesses on the part of the scriptwriter.

    Minor reservations: Karl Malden's being required to vociferously refer to his son, Berry-Berry, as "The Big Rhinoceros" and as other assorted wildlife creatures (Why? Never really explained and seemingly inappropriate, given Warren Beatty's rather sleek appearance); the given names of the characters played by both Warren Beatty (Berry-Berry) and Eva Marie Saint (Echo O'Brien) - pure flights of fancy on the part of the writer(s), when compared to the more down-to-earth names given the other Midwesterners in the story; the frustration of seeing the doomed character, Echo, often expressing her affection for the younger brother, Clinton, while pathetically succumbing to the brutish abuse of his older brother, Berry-Berry.

    But the interplay of all the cast (including some excellent supporting players) makes this somewhat forgotten gem a real must-see. It's one time when Angela Lansbury, running on all cylinders, is easily and compatibly matched by her fellow actors. This one's a keeper!
    9Spuzzlightyear

    TOTALLY skipped over classic!

    This is exactly why I go to the library and rent movies. See all the movies you know about, watch the dreck that questionably pass for entertainment, and sometimes discover buried gems that nobody has heard of, yet stars people like Warren Beatty and Angela Lansbury.

    'All Fall Down' is a tale of a family that are about to be ripped apart at the seams because of their oldest son. Warren Beatty plays Berry-Berry, a drifter if there ever was one. Going from town to town, from job to job, and usually winding up in jail, but this is all unknown to his family, who see him as a hero, mainly because he got away from town mostly. When his younger brother, played so achingly innocently by Brandon DeWilde, visits him in Florida only to wind up bailing him out of jail, he still loves him. Berry-Berry does wind up back home though, where Mom and Dad (played excellently here by Lansbury and Karl Malden) and unsettled house-guest Eva Marie-Saint await him diligently. His relationship with all 4 members of the household are all different, which results in the conclusion, which you're wondering what will happen to the family now.

    I'm just amazed at Beatty's performance here, smoldering with machismo, yet unsure of everything else, Beatty easily wows everyone he sees, family included. Although Brandon DeWilde is largely ignored now, he was one of the brightest young stars in Hollywood once, and this is a great vehicle for him.

    Find this one if you can!
    7LeonLouisRicci

    Adult Anti-TV Melodrama…Worth a Watch for the Cast and Director

    The Early Sixties was an Awkward Period for Movies. The Hays Code was Flirted with in the Fifties, but No One Seriously Challenged the Watchdog Behemoth. But when the next Decade Flipped Over things seemed Different and the Movie Industry started to take some Real Chances.

    The Result was at first Subtle Inclusions but also some Daring Attempts to be Bold. You can find some of that here in the John Frankenheimer Directed and William Inge Penned Melodrama about a Dysfunctional Family.

    The Strong Cast of Angela Lansbury, Warren Beatty, Karl Malden, Brandon De Wilde, and Eva Marie Saint are Actors Actors and Frankenheim lets Them Act, and boy do They. The Director Plays around with the Setups and the Camera and Cinematically makes this a Movie when by all that is Witnessed in the Story, it is Essentially a Play.

    Heavy on Dialog and Emoting, Dramatics, and Personality the Film Plays Out on the Surface as a Domineering Mother, a Socialist Father, and an Innocent Teen Brother, all Worship the "Lady Killer" in the Family, a Cad and Narcissistic Hunk named Berry-Berry (you know, like a disease), and He Infects Anyone in Close Proximity.

    Not Top Frankenheimer, but Worth a Watch for the Cast and the sometimes Uncomfortable Look-See at the Realities of Real Middle-Class Life, where the People are Beaten Down, Scarred, and Myopic. It's not a Fun Thing to Watch, it's all Nervous Tension and Gut-Wrenching, and this Type was Not Available to Watch on TV Screens at the Time.
    7bandw

    Stagy and a bit dated, but not without interest

    When you get a writer like William Inge, who is a playwright by nature, to write a screenplay you get a movie like "All Fall Down" that seems like it is an adaptation of a play. The black and white photography and confined spaces provide an air of claustrophobia which is appropriate for this close examination of the Willart family. The father, Ralph (Karl Malden), is an alcoholic real estate broker who is a rather simple but decent soul; Clinton (Brandon De Wilde), the younger son, is a sensitive teenager who likes to write; Berry-Berry (Warren Beatty), the older son, is a handsome wastrel who lives off his good looks; Annabell (Angla Landsbury), is the controlling mother who obsesses over Berry-Berry and has pretty much wrecked the family. Things get off to a rather slow and awkward start, but when you throw Echo (Eva Marie Saint) into the mix, things get rocking when both sons are taken with her.

    De Wilde is called upon to carry a good part of this movie. Hardly anyone is better at playing the clean-cut innocent and good natured youth ("Shane, come back!") than De Wilde, and he puts that talent to use here. I was struck by how similar De Wilde's Clinton is to Lonnie, the kid he would play opposite Paul Newman the next year in "Hud." Just as in this movie, in "Hud" he would play a young man who idolizes a more experienced relative, and ultimately comes to be totally disillusioned with him. Overall, the casting for "All Fall Down" is near perfect and the acting excellent.

    I was expecting more from the Alex North ("Spartacus", "Goodfellas") score, but it is pretty much early 60s generic. The Sibelius symphony that accompanies the only romantic scene (higly scaled down by modern standards) is a bit over the top.

    This movie would appear to be Inge's "Long Day's Journey into Night," but it is not nearly as powerful as the O'Neill play that was made into a brilliant movie in the same year.

    I assume there is some significance, lost on me, to the fruit theme and the hyphenated "Berry-Berry." In any case, that name quickly started to bug the hell out of me.

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    Argumento

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    • Trivia
      With its impeccable pedigree, before and behind the camera, this is generally regarded as one of the most underrated dramatic movies of the 1960s. Much of its critical and commercial rejection was laid at the feet of the book's author, James Leo Herlihy, who, with the subtlety of a sledgehammer, named his toxic lead character "Berry-Berry", after the tropical disease known for causing "inflammation of the nerves and heart failure." To make matters worse, the origin of the highly improbable name was never explained - even his mother addressed him by the use of it. Whereas Screenwriter William Inge could have either changed the moniker or, at the very least, minimized its use, his otherwise strong adaptation did just the opposite; indeed, the phrase "Berry-Berry" was voiced relentlessly over the course of the story, a whopping seventy-four times in all, which means it's mentioned once every 1.5 minutes of this movie's running time.
    • Errores
      When Mrs. Mandel waves a $50 bill at Berry-Berry, the bill turns upside down between the long shot and the close-up.
    • Citas

      Bouncer: Madame Spivy -

      [Due to his young age, Clinton's presence in a strip bar alarms the hostess behind the bar]

      Bouncer: Have you lost your feeble mind? He's still got his baby teeth!

      Hedy: [Nonchalantly] Well, it ain't MY job to check birth certificates!

    • Conexiones
      Featured in Biography: Angela Lansbury: A Balancing Act (1998)

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    Preguntas Frecuentes15

    • How long is All Fall Down?Con tecnología de Alexa
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de enero de 1963 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • All Fall Down
    • Locaciones de filmación
      • Key West, Florida Keys, Florida, Estados Unidos
    • Productora
      • John Houseman Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,200,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 51min(111 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.85 : 1

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