Simon Templar, un pudiente aventurero, conocido como El Santo, viaja con su Volvo P1800S blanco.Simon Templar, un pudiente aventurero, conocido como El Santo, viaja con su Volvo P1800S blanco.Simon Templar, un pudiente aventurero, conocido como El Santo, viaja con su Volvo P1800S blanco.
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I have been watching this one for several months on satellite TV: one channel broadcasts the color episodes, the other, the black-and-whites...
Still, these episodes are captivating. Roger Moore is the reason why he's the true "Simon Templar": charming, brave, suave and true knight for justice. If you watch the series, if you overlook the period (using dial phones mostly...), it hasn't changed a bit. The stories are actual and well written. Sometimes the Saint has to face real (and even surreal) dangers all over the world.
Lots of stars and actors have passed here. Donald Sutherland was one of them, so's Barry Morse and even Oliver Reed. Even Mr.Moore shared the screen with Ms.Moneypenny (from James Bond), Lois Maxwell.
The women are quite pretty in there, whether good or bad side. For the rest, Leslie Charteris made us travel around the world (even Montreal, Toronto and Vancouver were featured in a couple of episodes...) and we were in with lots of surprises (even if sometimes, it is noticeable that the same set was used to represent many locations...)
But The Saint is Roger Moore's Signature role. Way over James Bond !
And no need to imagine the Halo over the head when we recognized the famous Simon Templar at the beginning of each show... The Saint Lives !
Still, these episodes are captivating. Roger Moore is the reason why he's the true "Simon Templar": charming, brave, suave and true knight for justice. If you watch the series, if you overlook the period (using dial phones mostly...), it hasn't changed a bit. The stories are actual and well written. Sometimes the Saint has to face real (and even surreal) dangers all over the world.
Lots of stars and actors have passed here. Donald Sutherland was one of them, so's Barry Morse and even Oliver Reed. Even Mr.Moore shared the screen with Ms.Moneypenny (from James Bond), Lois Maxwell.
The women are quite pretty in there, whether good or bad side. For the rest, Leslie Charteris made us travel around the world (even Montreal, Toronto and Vancouver were featured in a couple of episodes...) and we were in with lots of surprises (even if sometimes, it is noticeable that the same set was used to represent many locations...)
But The Saint is Roger Moore's Signature role. Way over James Bond !
And no need to imagine the Halo over the head when we recognized the famous Simon Templar at the beginning of each show... The Saint Lives !
As a devoted 1960's Anglophile, I have been delighted by the re-release of Britain's best adventure series, The Saint, starring Roger Moore. Looking back on the series after all these years, I find it superior to similar ITC entries such as The Avengers, Secret Agent, or The Prisoner because of its realism and intelligence. The mixture of stock travelogue footage and cheesy ITC sets and backdrops works because of the believabilty of Roger Moore as the principal protagonist, Simon Templar. The big-hearted, flamboyant actor is every bit the character he portrays and more. The authenticity of the performance is what still appeals after 42 years. The props and the hairstyles may be dated and the set pieces might never make muster in today's productions, but when Moore is on screen it doesn't matter. I can't wait to acquire the 63'-64'episodes.
It's May 2004 and I was absolutely delighted to see yesterday that BBC America has begun running Roger Moore's The Saint again Monday through Friday.
As much as I enjoyed Moore as Bond, Simon Templer was his.
George Sanders was so dry (Louis Hayward and other one-timers don't really count here). Ian Ogilvy was actually a fine Templer.
However, Moore nailed it. Unlike Sanders, who played Templer like a fop that no one could possibly find the least bit threatening, intimidating or dangerous, Moore was suave and sophisticated without being above it all. Moore brought a needed sense of humanity to the role - and you could see that he could get tough if action & toughness were called for.
Moore had a hand in writing and contributing to the screenplays and the episodes he directed may be my favorites.
There was something comforting and familiar about the show's lower budget production values that just agreed with me. They were solid, professional. And Ed Astley's music was perfect. I'd love to get the soundtrack if it's available.
Ivor Dean as Inspector Claude Eustace Teal was an ideal foil. He was at times Templer's ally, his antagonist, amused and bemused and angered and frustrated at Simon to the point of full red-faced boil-over.
Too bad the kids of today aren't treated to this form of stylish entertainment on their boob tubes, because you can bet your bottom dollar that only 1 in 10,000 will discover it while channel surfing and become a fan.
As much as I enjoyed Moore as Bond, Simon Templer was his.
George Sanders was so dry (Louis Hayward and other one-timers don't really count here). Ian Ogilvy was actually a fine Templer.
However, Moore nailed it. Unlike Sanders, who played Templer like a fop that no one could possibly find the least bit threatening, intimidating or dangerous, Moore was suave and sophisticated without being above it all. Moore brought a needed sense of humanity to the role - and you could see that he could get tough if action & toughness were called for.
Moore had a hand in writing and contributing to the screenplays and the episodes he directed may be my favorites.
There was something comforting and familiar about the show's lower budget production values that just agreed with me. They were solid, professional. And Ed Astley's music was perfect. I'd love to get the soundtrack if it's available.
Ivor Dean as Inspector Claude Eustace Teal was an ideal foil. He was at times Templer's ally, his antagonist, amused and bemused and angered and frustrated at Simon to the point of full red-faced boil-over.
Too bad the kids of today aren't treated to this form of stylish entertainment on their boob tubes, because you can bet your bottom dollar that only 1 in 10,000 will discover it while channel surfing and become a fan.
During the 1960's, there were two imports that represented everything that is sophisticated and elegant in British TV: The Avengers and The Saint. The Saint is not as well known as The Avengers, but it should be. The Saint, Simon Templar, played to perfection by Roger Moore, is the hero of many mystery novels by Leslie Charteris. Roger Moore's Simon Templar is charming, suave, sexy and smart. Simon is less cynical and more caring than James Bond and relies on his wits rather gadgets to get himself out of trouble. He is a semi-reformed thief who uses his burglar skills to outwit rich and powerful evil doers and rescue the innocent. If you have the chance, please see The Saint. If you liked The Avengers, you will not be disappointed.
Watching the first series again after a gap of 30 years I must admit I'm surprised at just how enjoyable the b&w TV episodes were. By now I've read loads of Charteris's original novels, and in them Roger Moore was always the Saint for me - he never matched Templar with his later Bond, imho going to prove yet again you can't do everything by throwing money at it. Even if as Bond he had a more sensible haircut! At the end of episode "Luella" he's mistaken for Bond by a female admirer, but he regretfully points to the halo above his head as the clue to his "real" identity.
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
¿Sabías que…?
- TriviaRoger Moore was doubled for almost all long shots, even when just walking down the street. This was to save production time and money, meaning the star was free for closer work which couldn't be shot around him, and was common practice on all ITC series.
- ErroresIn many episodes, the beam from a flashlight does not follow the movement from the flashlight, indicating that a spotlight was instead used.
- ConexionesEdited into Derrick contre Superman (1992)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Saint
- Locaciones de filmación
- Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, Inglaterra, Reino Unido(Studio, episode "Vendetta for the Saint")
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución50 minutos
- Color
- Mezcla de sonido
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