¡Combate!

Cineastes, just listen to Robert Altman's commentary on "Survival," one of the several early episodes of 'Combat!' that he directed. "If this is not one of the best things I've ever done, I don't know what is," he says (I'm paraphrasing). And he's right. This sixties WW II series is remarkable for its consistently good writing, direction, and acting -- especially acting. Vic Morrow is, in my book, one of the great, underrated, Method-trained actors of his generation. If his career had been on the large screen, he'd be celebrated in the company of Brando, Dean, Clift. With one look Morrow was able to convey exhaustion, disgust, concern, love for his men, and the burdens of duty. There's no one on television today with his subtlety and range. Somebody get that man his star on the Walk of Fame! Or how about a posthumous Emmy award (do they exist?).

From its pixellated artillery airbursts above fixed bayonets title sequence, that seguéd into its rousing march theme, to the end of each show I was one fascinated child. Of course the core of Sgt. Saunders's squad lived through more combat than most WWII infantrymen (casualty figures for the period tell that it was extremely unusual for a unit to have made from Normandy to the Siegfied Line with all its members in combat-ready mental & physical health). And you knew that nearly every guest actor (fresh from the repo depot) would be the casualty in nearly every episode.

I used to think that Rick Jason as Lt. Hanley was soooo handsome! But I best loved Pierre Jalbert as Caje - ruggedly handsome, stoical, lethal to Germans in a firefight. "Caje, take the point," said it all: when Chip Saunders's chips were down he put Caje out front. (Jalbert is a Québecois, not a Louisiana Cajun, which explains his squad-saving fluency in French.)

There was another WWII TV series, 'The Gallant Men', that debuted the same season as 'Combat!' Even as a child I picked up on the rifle fire sound effects paradox between the two shows: in 'Combat!' the M-1 Garands made the the sound of the German Mausers in 'The Gallant Men', but in 'The Gallant Men' the sound effects swapped weapons & armies! I always liked 'Combat!' better than 'The Gallant Men' so that when 'The Gallant Men' was cancelled after one season I thought the better show had survived.

'Combat!'s' writers & directors did well for their time. This was long before gore was shown graphically on TV or in cinema, but the scripts tried hard, and often succeeded, in conveying the privation, filth, & stress of infantry fighting. My uncle is a veteran of Omaha Beach & he didn't think 'Combat!' was realistic, though he never said a word about his own wartime experiences: I suspect they were more like those of the first thirty minutes of 'Saving Private Ryan' & that he wasn't eager to revisit those times even though it's certain they never left him.

'Combat!' often made the German soldiers look like robotic dolts - which they most certainly were not (stats tell grimly that German soldiers inflicted more casulaties per man than any other WWII army). But it's important to be mindful that 'Combat! is Hollywood, not the European Theater of Operations.

For now, gang: "Checkmate King Two to White Rook: Out." (Not bad for a girl, huh?!)

I was a grade schooler during the years that Combat showed on Tuesday nights. My father was wounded and captured in the Battle of the Bulge and served four months as a POW, before being liberated on April 14, 1945. He always said the show was very realistic and now that I am in my mid-forties and a WWII buff virtually my entire life, I fully agree with him. The men in the squad are very similar to those in Saving Private Ryan. They are scared, weary, and somewhat disillusioned, but nevertheless determined to carry out their roles in the great World War II. Uniforms, equipment, and the sets all look authentic. I have a question for those who enjoyed this series. Where does it show on television these days? I have access to many tv channels but cannot find Combat anywhere. Please advise.

I grew up watching Combat!. So much had it been a part of my youth that I knew the names Sgt. Saunders, Lt. Hanley, Kirby, Littlejohn and Caje, and could picture them in my mind, long after I had forgotten most of the stories I had seen. They had made nearly as much impression on me as my own family; their teamwork, leadership and unshakable sense of honor and fair play became priceless examples to follow.

Around Christmastime last year I rediscovered the series on the Encore Action Channel, just after becoming a DirecTV subscriber.

What incredible serendipity! Only weeks before I had been thinking about Combat! and the characters that were so familiar to me as a boy. When I saw the series on the listings I thought, "Maybe I'll tape it and see if it was really as good as I remember it. Can my cloudy kid's memory have inflated its quality, the way our reminiscences often do to the pleasant times of our youth?" I would find out.

I played back an episode "Any Second Now," where Lt. Hanley was trapped in a bomb-damaged church, next to the very unexploded bomb that cratered the interior of the sanctuary. His only hope for release lay in the unsteady hand of a British bomb defuser who had lost his nerve. While this episode turned out to be far from the best Combat! episode filmed, it was good enough to eclipse most of the finest episodes of television dramas of the last 30+ years. I was so impressed with my re-introduction to this WWII drama that I had to share it with my wife. She, as I, had become hooked.

Over the last three months we have seen nearly every episode of this classic series. We are left with many impressions, among them the sad thought of what an immense artistic talent was lost when Vic Morrow met his untimely death. His direction of several Combat! episodes shows as much cinematic vision as three Spielbergs put together. The two-part Combat story "Hills are for Heroes," which Morrow directed, is more solid and inspired than even most theatrical movies of the last three decades.

That said, "Hills are for Heroes" has to be the finest two hours ever written (by Gene L. Coon) and filmed for television. This is not hyperbole. I challenge anyone who has seen it to confess to me that they were NOT totally emotionally drained after sitting through it. The performances of both the regulars and the guest stars are far more gripping and immediate than conventional TV performances of the day, or even today. Even better than most performances in theatrical movies, as well.

(A special note must go to the performance of Jack Hogan as the emotionally harried Private William G. Kirby, who truly let us, the audience, feel what it was like to be ordered to take a hill that you knew only God and His angels could take.)

There are dozens of Combat! episodes that deserve status nearly as high on my list as "Hills are for Heroes," but I could ramble even further if I try to name them here. Better to see the show for yourself. No show captured the human side of World War II the way Combat! did.

I encourage anyone who has not yet seen this superb classic war drama to give it a try. You WILL be hooked. And you will feel that, for a brief time, you really were a member of King Company's heroic Second Platoon, serving under Lt. Hanley and Sgt. Saunders, driving the Germans from occupied France in the summer and fall of 1944.

As of this writing, you can see two episodes back-to-back per weekday on the Encore Action Channel, noon Eastern (USA), 9:00 a.m. Pacific (USA).

Recently I began viewing the episodes of "Combat!" in sequence. I had loved this series as a kid, but was concerned that my return would result in serious disappointment. However, I've been really surprised at how strong the show really is, even after all these years!

The early episodes are a bit shaky because the show is still trying to find its feet. The use of Shecky Greene for comedy relief was an interesting idea, but those situations don't really seem to fit the rest of the show. But as I progress, the shows keep getting stronger, more confident. Yes, more happens to this platoon than would happen to any other unit that size. But, it's TV after all and they keep trying to mix up the scenario to add different plot lines.

Some of the themes considered in what I've seen so far: -The struggle of a new man replacing an old vet. -Challenging a collaborationist to help the resistance (with a good ending!) -How the constant stress of war can break men (a popular theme). -A child trying to join the war, then finding out what that really means.

I also beg to differ with one of the comments made by another reviewer. The platoon doesn't always have what they need. On the contrary, many of the episodes have, at the their heart, the platoon struggling with what they don't have or can't do. I applaud the folks who put this show together. I especially applaud the fact that Germans regularly speak German and French characters regularly speak French and there are no subtitles. Yes, these characters speak English when needed. However, the show often has the men struggling with basic communication and "Caje" is always being asked to translate. A nice touch.

So, if you rent this show, you'll get a pretty decent experience. These episodes will not have the graphic violence of today's military pictures. But the show was perfectly ready to grapple with some pretty complex and tough questions. An admirable effort for its time!