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When this movie came out, World War II had been over for nearly 16 years. Time, with God's mercy, had healed most wounds of those who had lost loved ones and of those who had suffered as German prisoners of war. Of course, the horrors of war, especially the atrocities committed by the Nazis in the Holocaust, are never forgotten by those who lived through them. But, enough time had passed that civilized peoples could now look back on some of the times and situations of the war years with some humor. Allied military prisoners in POW camps were treated far better than were the civilians in the notorious Nazi concentration camps. So, the POW camps are the milieu of the first and many of the humorous films about the war that were made in the 1960s and later. This British film is one of, if not the first comedy set in a POW camp.

It's not a comedy of witty dialog or humorous lines, but one that is mostly situational, based on various characters. James Robertson Justice plays the main character around whom the whole plot plays out. He is Sir Ernest Pease, a brilliant, no-nonsense scientist who is the director of Applied Aeronautical Science in England. When he wants to fly over Germany to see how well his latest project is working, he is given the identity of Lt. Farrow of the Royal Navy. His plane is hit by flak and he falls through a hole blown in the fuselage. That's how he came to be in a POW camp after his parachute got caught in a tree.

A number of other characters contribute to the humorous situations. Stanley Baxter has a double role, playing Jock Everett, the master tunnel digger, and the camp commander, Kommandant Stamfel. There's more to this than is said here, but that's to be seen in watching the film. Leslie Phillips plays Flying Officer Jimmy Cooper, and Jeremy Lloyd plays his friend Flt. Lt. Bonzo Baines. Several others have lesser supporting roles, but the best among them is John Le Mesurier who plays the escape officer, Piggot, and Eric Sykes who plays the sports officer, Willoughby..

"Very Important Person" was the original title of the film, and considering the subject and plot it seems much more on point than "A Coming-Out Party." The April 1961 film was released in the UK under its original title. The revised title may have been chosen to reflect on the TV celebration of the main character's life as well as his getting out of a POW camp. Perhaps someone thought the connection to a popular TV show would draw more audience.

Most of the film takes place in a flashback as Sir Pease is on the popular TV program, "This is Your Life." An American live radio show by that tittle began in 1948 and ran through 1952 when it then became a live TV program. The BBC copied the program and began airing its live version, under the same title, in 1955. This was one of the most popular shows in the history of TV in both the U.S. and England. The English program ran, with some short interludes when it changed productions, until 1987.

More to the point on this movie, though, is the fact that it seemed to spark interest in POW camps of WW II, for both drama and comedy in movies and TV programs. Two years later, probably the most popular POW drama movie of all time was made by the Mirisch Company in Germany and distributed by United Artists. "The Great Escape" was one of the most star-studded films of all time, with top American and British actors of the day. Steve McQueen, James Garner, Charles Bronson and James Coburn head the American cast. Richard Attenborough, Donald Pleasence, Gordon Jackson, and David McCallum head the UK cast.

The next big POW story success was the TV comedy series, "Hogan's Heroes." It was hugely popular and made stars of a number of actors including Bob Crane, Werner Klemperer and John Banner. The series ran seven years on CBS, 1965-1971.

So, "A Coming-Out Party," or, "Very Important Person" had an effect beyond the entertainment of audiences in 1961. It helped open the door for more than three decades of POW and escape movies, for situational comedies in POW films, and for outright comedy in TV programs. While this movie isn't anywhere near the level of "The Great Escape" for drama, or "Hogan's Heroes" for comedy, most people should enjoy it. War film and history buffs, especially, should find it entertaining

Here are some favorite lines from this film.

Lt. Farrow, "Cooking requires no intelligence. Whereas otherwise, women would be no good at it."

Kommandant Stamfel, "Move on, English Swine." Jock Everett, "Scottish swine!"

Jock Everett, "Who'd be damn fool enough to start a tunnel under a bunk?... Yes, well."

Jimmy Cooper, 'Now look here, Farrow. If dear old Winston wants you home, I'd be only delighted to give you some of my filthy food."

Lt. Farrow, "There is enough air in that tunnel to last any normal man between 12 and 16 hours. For a man like myself in a state of suspended animation, it's possible to remain even longer."

Jock Everett, "What are you lookin' at me like that for?" Jimmy Cooper, "The height's right. The same build. The same shifty eyes. He's a natural." Everett, "You mind your own business, Cooper."

Very Important Person is a well-written, and enjoyable British comedy that really belongs with other classic 1950s films. 1935 - 1962s British Comedies are my absolutely favourite genre as they hold their charm and wit even now and Very Important Person has a great deal of the essentially British humour in tough straights.

The plot of the genius scientist - JRJ - who ends up in a POW camp and must escape at all costs is a good vehicle to hang some nice character acting from Stanley Baxter and let Leslie Philips do his bounder at play act.

There are a ton of recognisable faces from John Le Mesurier to Eric Sykes, and the terrific part actor Richard Wattis, who everyone in Britain would recognise but few can name, all making the time fly by to perfection.

Above all, there's James Robertson Justice. Justice ironically nearly always played characters that looked and sounded true Tory but was the child of two of Britain's better Socialists (They did a lot in educational reform). He, himself, stood for parliament in Scotland as a Labour MP. Thank goodness he lost! His curmudgeon, which he had already perfected as Sir Lancelott Spratt in the Doctor series, is at its best here; he takes rude to a comic art form - and we love him for it.

Ken Annakin directs, and given that his list include Battle of the Bulge and Those Magnificent Men in their FLying Machines and Monte Carlo or Bust you know you're in excellent hands.

All in all, this is very reminiscent in style to The Wooden Horse but with laughs, a classic of its style and one that will still bring a wry smile to the face.

This comedy-thriller gives an unexpectedly authentic look to a German prisoner of war camp, suggesting a practical knowledge of the subject from some of those involved in the making of the film.

I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.

James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.

A funny film which has maintained its humour since being made in 1961. James Robertson Justice is excellent as an morose and unfriendly POW who must be helped to escape back to England. Well made and with some excellent exchanges between James Robertson and the other POWs.

I've seen a few James Robertson Justice/Leslie Phillips/Stanley Baxter films recently (thanks, Amazon Rental!), such as THE FAST LADY and FATHER CAME TOO, and compared with such absurd and dated fluff this works well. The 'This is Your Life' framing device is simple but neat; Annakin keeps thing moving, without allowing any of his cast to go over the top, even James R-J's role has more depth and less bluster than usual; various comedy stalwarts (Eric Sykes, Richard Wattis, John Le Mesurier) do their thing in ways that make sense in plot terms; Baxter's dual role is brilliantly handled, with tiny adjustments in gait and expression making it quite clear which is which when they appear in the same scenes. Even Leslie Phillips (with the possible exception of Kenneth Connor the most annoying of all the British comic actors of the 50s & 60s) brings something to the party this time. In some ways it stands up better than 'serious' POW stuff like THE WOODEN HORSE.