Milagro por un día

Bette Davis turns in a great performance as "Apple Annie". Peter Falk, as has been noted, gets the best lines. Glenn Ford shows his talent for comedy. The young Ann-Margret is as cute as can be. But if i can be permitted a bit of Trivial Observation: I had to watch the next to last scene (the police-escorted motorcade) again because i could not believe it on the first viewing. Did anyone else notice the rear projection in the back windows of the cars? The story is set in the 1930's, the cars are of that era but the automobile following in the back window looks like a 1950 Cadillac! Either that car window was a time tunnel or someone used the wrong film clip for the rear projection. That's why studios have a Continuity Department.

This Frank Capra directed film is actually Capra's second attempt with the movie. POCKETFUL OF MIRACLES is actually a remake of LADY FOR A DAY (1933), and I've got to say that nothing in this remake made me favor it over the original. May Robson and Warren William just did a better job with the material than Bette Davis and Glenn Ford. In particular, Ford is more selfish and nasty when compared to the "nice" scoundrel played more gracefully by William. Plus, overall, it looks like everyone just tried and emoted too much in the remake. The original was slow and graceful and also quite beautiful. The remake is just LOUDER and brash--like it is a "dumbed-down" version of the original.

However, despite my complaint, the basic story itself is still excellent and couldn't help but produce a good movie. This one is sure worth watching, but if at all possible, find LADY FOR A DAY--it's a much better example of the magic of Frank Capra.

Apple Annie (Bette Davis) makes her living as a gin-sauced, basket-carrying, apple-selling NYC street woman. This motion picture is in color which makes Davis's famous facial expressions, especially her eyes, all the more effective.

The people Apple Annie hangs out with are other street vendors who are social misfits of various sorts; but, they have one thing in common: poverty.

Apple Annie is well connected with a mobster known as The Dude. Fortunately, he's superstitious. The tough mobster (Glen Ford) believes Apple Annie's apples bring him daily good luck because she says, "God Bless You," to everyone who buys from her.

All along Apple Annie's been writing her daughter on stationary from an upper-crusty city apartment complex, in order to pretend that she's a well-to-do lady. When her daughter, Louise (Ann Margaret, in her film debut) writes that she's coming to the city with her potential fiancé', whose father is a Spanish count, Apple Annie's pretense is not only about to be exposed but it could ruin her only child's chance for marrying well enough so that she'll never live in poverty as her mother has.

The rest of the story is fabulous: humorous, ingenious, well-casted, scripted and acted. It's anything but a typical mob story.

For me, the priceless scenes are between the veteran actor Bette Davis and upstart Ann Margaret. Imagine being able to claim that in your first film you starred as Bette Davis's daughter? Margaret gives a fine first film performance face-to-face with the Queen of the Screen. Peter Faulk does his mobster version of "Columbo," in top form. Davis, in Technicolor, delivers one of the most realistic, heart-felt, truly dramatic metamorphosis characters I've seen.

The film centers about the boozy as well as brassy elderly female called Apple Annie (Bette Davis , though before Bette accepted the role , Shirley Booth was Capra's first choice for Annie , but she politely declined the role) . She is an old , ugly and poor woman on his own resources , she splits luck to a mobster (well played by Glenn Ford who helped finance the movie through his production company) giving him apples . Ford (who asked his sweetheart Hope Lange as Queenie) has a beautiful girlfriend and helps Annie and he sets up a masquerade for her daughter Louise (Ann Margret's first movie) , who has lived all her life in a Spanish convent, is coming to America and she goes to marry to a high class man and for him to believe than Bette/Annie is a countess . You've got to see it to belove it! . Warmth, schmaltz, heart, whatever it is, this motion picture's got it - that certain something that turns the screen hilariously and miraculously wonderful!

In the film there is a mingle of comedy , drama and humor , it's a very amusing movie . Although this is not as good remake as ¨ Capra's Lady for a day ¨ , the former and early classic movie . First-range acting , especially by main actors : Bette Davis , Glenn Ford , Hope Lange , Peter Falk , Ann Margret but the secondary actors are also excellent : Edward Everett Horton , Thomas Mitchell , Arthur O'Connell , among others . The original version of the film, ¨Lady for a day¨(1933) -also directed by Frank Capra- was pretty good , and even had Oscar-nominated performance for May Robson as Annie . According to the Bette Davis biography, 'Fasten Your Seatbelts', the actress was furious when she read a Glenn Ford interview in which the actor claimed to have gotten her the part because of the boost she had given him years before . Direction by Frank Capra , in his last film , is very good , he had a lot of experience because of his previous classic films, such as ¨It's a wonderful life¨, ¨ Meet John Doe ¨, ¨ Mr Smith goes to Washington ¨ and several others. Rating : 7 , above average , well worth watching .

in this case, the name of director is the best definition for the movie. like many of movies by Capra, Pocketful of Miracles is a superb fairy tale. but not only. Bette Davis does an admirable job and Ann Margret is charming at whole at first steps on screen. Glen Ford is a special gangster and Hope Lange far to be a surprise. a family film who represents gate to another time. a film about values, hopes and mankind . and, sure, about magic in a profound and lovely sense. a film who, out of artistic value, is a trip in an useful atmosphere heart. that is its best virtue. and the source of delicate joy after its end. because the romanticism and the friendship are essential pillars. always. for everybody.