CALIFICACIÓN DE IMDb
5.3/10
591
TU CALIFICACIÓN
Agrega una trama en tu idiomaChronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.
- Dirección
- Guionistas
- Elenco
Gino Marturano
- Melad
- (as Luigi Marturano)
Raf Baldassarre
- Mareb
- (as Raffaele Baldassarre)
Bruno Ariè
- Un soldato
- (sin créditos)
Omero Capanna
- Un'egiziano
- (sin créditos)
Opiniones destacadas
This is an unpretentious Italian Historical Epic film based on the figure of the Egyptian queen Nefertiti. The story is acceptable -don't look for historical accuracy- and deals with the romance of the queen to be with a poor sculptor and the dilemma she has to face when forced to choose between her love or duty. Locations, settings, colour and gowns are acceptable too.
Italians were fully dedicated to this kind of "B" epic productions in the early 60's and they often hired well known American or British performers -usually after their best years- in order to raise the level of these films and make them more suitable for international markets (Orson Welles, Broderick Crawford, Victor Mature and Basil Rathbone were among them).
Jeanne Crain was always a just correct actress, but she looks beautiful here as Nefertiti and you prefer to feast your eyes on her than to analyze her performance. Vincent Price -just before his deservedly successful association with Roger Corman in Poe's based horror stories- plays without effort a villainous high priest. The love interest of the queen is Edmund Purdom in his usual dull and wooden acting; I can't recall another actor that was given so many chances to reach stardom with -if not great- rather expensive products and failed ("The Egyptian", "The Prodigal", "The King's Thief" or later "The Yellow Rolls Royce"). He ended up in "B" European films and no more than that.
All in all, this is a movie to see if you like historical Epics but it surely won't make history in the genre.
Italians were fully dedicated to this kind of "B" epic productions in the early 60's and they often hired well known American or British performers -usually after their best years- in order to raise the level of these films and make them more suitable for international markets (Orson Welles, Broderick Crawford, Victor Mature and Basil Rathbone were among them).
Jeanne Crain was always a just correct actress, but she looks beautiful here as Nefertiti and you prefer to feast your eyes on her than to analyze her performance. Vincent Price -just before his deservedly successful association with Roger Corman in Poe's based horror stories- plays without effort a villainous high priest. The love interest of the queen is Edmund Purdom in his usual dull and wooden acting; I can't recall another actor that was given so many chances to reach stardom with -if not great- rather expensive products and failed ("The Egyptian", "The Prodigal", "The King's Thief" or later "The Yellow Rolls Royce"). He ended up in "B" European films and no more than that.
All in all, this is a movie to see if you like historical Epics but it surely won't make history in the genre.
one of many historical theme "B" films from "60. not memorable but correct. a dramatic love story, the beauty of Jeanne Crain, the duty, more important than the love, Vincent Price in a role using his skills for bad guys. and decent atmosphere, funny fight scenes, Edmund Purdom in a role who remains sketch for a Charming Prince. Nefertiti has the virtue to be perfect answer to the nostalgia of films "B" fans. large slices of romanticism, lost historical accuracy, seductive - and unrealistic - end. enough for a nice show.
Mickael Curtiz did in 1954 an overlooked underrated adaptation of Mika Waltari's mammoth novel "the Egyptian".It already dealt with a monotheism close to Christianity which we find again here.The star was also Edmund Purdom but with a more celebrated supporting cast (Victor Mature,Jean Simmons,Gene Tierney).The slaughter of the new faith followers was much more impressive in "the Egyptian"and its screenplay more complex with a lot of subplots .Here it treads a rather tenuous line:Nefertiti -before she was called so- was in love with a sculptor (the one who made the famous bust ?)but alas her ambitious father,a priest, is busy making other plans for her.So she will go down in history ,but what price glory?
It's fairly entertaining,but I would rather recommend Curtiz's work which was ,before "ten commandments" and " land of the pharaohs" the renaissance of the Egyptian sword and sandal.
It's fairly entertaining,but I would rather recommend Curtiz's work which was ,before "ten commandments" and " land of the pharaohs" the renaissance of the Egyptian sword and sandal.
Altough much liberty is taken with history (in all fairness, there is still a great deal that is not known about this period) an interesting story has been concocted about the mysterious queen. It seems the sculptor who made the famous bust was enamored of her before she became the royal wife and was a mere High Priest's daughter who was cruelly forced to marry Amenophis IV unconvincingly played by Amadeo Nazzari, who is not in the least like Ahkenaton. But the costumes and sets are gorgeous, and Miss Crain is lovely. Vincent Price is credible as the nasty priest of Amon-Ra.
Queen of the Nile is the story of the the making of Queen Nefertiti of ancient Egypt. Its a loose story without details or specifics, but the sets and costumes and overall performances come together to make this slight picture actually kind of entertaining. The script is week and like I said it doesn't really feel in the least bit historical, but visually I find these type of films interesting and uniquely fun. Jeanne Crain and Edmund Purdom both give strong performances, and while Vincent Price is an underutilized secondary character, he is also good and together these three elevate this production to one worth checking out if you're curious.
¿Sabías que…?
- TriviaSubmitted to the British Board of Film Censors by E. J. Fancey and passed with a "U" certificate (for all ages) on 19 April 1963. Eventual distributors S.F. managed to get the film a three week run in London's West End and it opened at the Gala Royal on 25 April 1963. Hardly appropriately, S.F. selected German X-film Unser Wunderland bei Nacht (1959) as the supporting feature. Queen of the Nile did not get a general release on the major circuits in the UK, but was distributed on an optional basis to a fair number of cinemas. After disappearing for 25 years it re-surfaced on the ITV network in 1991.
- ErroresAmenhopis IV changed his name to Akhenaten after converting to the worship of the Aton, and his capital was Akhet-Aton, not Thebes.
- Versiones alternativasWest German theatrical version was cut by approx. 14 minutes. Only in 2020 the uncut version was released on Blu-ray/DVD.
- ConexionesFeatured in Kolossal - i magnifici Macisti (1977)
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- How long is Queen of the Nile?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 46min(106 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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