CALIFICACIÓN DE IMDb
5.4/10
391
TU CALIFICACIÓN
Los padres de un adolescente finalmente se dan cuenta de lo mala que es su vida familiar cuando arrestan a su hijo por merodear.Los padres de un adolescente finalmente se dan cuenta de lo mala que es su vida familiar cuando arrestan a su hijo por merodear.Los padres de un adolescente finalmente se dan cuenta de lo mala que es su vida familiar cuando arrestan a su hijo por merodear.
- Dirección
- Guionista
- Elenco
Jacqueline Kluger
- Martha
- (as Jacqueline Kruger)
Benjie Bancroft
- Police Officer
- (sin créditos)
Jim Jacobs
- Pool Party Guest
- (sin créditos)
Helen Kelly
- Pool Party Guest
- (sin créditos)
Monty O'Grady
- Pool Party Guest
- (sin créditos)
Ray Reese
- Pool Party Guest
- (sin créditos)
Norman Stevans
- Pool Party Guest
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Although this movie contained some unrealistic moments, I thoroughly enjoyed it. It was like a time capsule of 1961, a time I well remember! Women were expected to be only housewives, the men cheated, and the cops! The movie is an off-beat criticism of the era (which deserved criticism, believe me), and had strong performances, including by Paul Anka.....Who knew he could act? It also had a pretty good screen play with some good lines.... It captured the claustrophobic angst of the era, when women were trapped in marriages, and all of the old traditions were on the line. It was inexpensively made, I know, and this added to the gritty realism of the result. More money and technicolor would have ruined it, I'm sure.
I'm almost surprised that Paul Anka, who was a hit teen singer when he made this, didn't worry about being type-cast forever as a peeping tom, even though his parents are pretty worthless. Nevertheless, this little exploitation (TEEN) flick about social generation-gap stuff is right on the money, especially since most of the actors were professions.....But this has some creepy (not really sleazy) scenes but they always lead into TRYING TO DEAL WITH THE PROBLEM. The parents are drunks, cheating on their spouses, unattentive, and Paul Anka's character is similar to Tony Perkins in PSYCHO except he's not crazy or a murderer..he's just curious how other people live. Ruth Roman..I won't even go into how "cool" they cast the adults in this (for once) and the teenager characters do a good job.
This is not some Perv movie or anything (even for then) and I'm in my 50's and am an artist and Don't thinks it's some creepy thing...AND THERES VERY little humor to fake it. It's unfortunate how real these families in this little movie were (at the time in America) in an affluent, I guess, neighborhood, with the adults (FOR REAL) kind of being the screw-ups, teen-agers, lost, whatever), but if you can find it. I don't know if it's on DVD or Video, but it's a slice of somebody's life (well told) with a Zero budget..Check it!
This is not some Perv movie or anything (even for then) and I'm in my 50's and am an artist and Don't thinks it's some creepy thing...AND THERES VERY little humor to fake it. It's unfortunate how real these families in this little movie were (at the time in America) in an affluent, I guess, neighborhood, with the adults (FOR REAL) kind of being the screw-ups, teen-agers, lost, whatever), but if you can find it. I don't know if it's on DVD or Video, but it's a slice of somebody's life (well told) with a Zero budget..Check it!
This little 1961 movie has a trashy feeling to it, not helped by its very low budget. Yet it has a kind of sincerity as well, of the sort one used to find in high school civics classes. It's an odd mix of a movie, worth watching once. It's evocative of its era, the waning of the Eisenhower years, just past, and the start of the New Frontier, just beginning. The movie has the conservative mood of the fifties in some scenes, while in other respects it feels almost like a low budget attempt to make a Euopean-style art film in America. Director William Alland's style suggests a touch of Nicholas Ray here, a little John Cassavettes there, with a dash of John Frankenheimer and Arthur Penn thrown in for good measure.
Okay, enough name dropping. From what I recall of the story it revolves around a troubled teen (Paul Anka) who has become a "peeing tom", a voyeur in other words. What drives him seems not to be sexual urges so much as a desire to understand what "normal" is (I'm with you there, Paul). In this sense the story, though semi-sensational for its day, must come off as a little sad today. Since I haven't seen the film in decades I can't say for sure. As at least an attempt to probe into the true nature of dysfunctional or, if you will, troubled families, the film deserves praise for at least bringing the (at the time) hot topic up in the first place.
It's too bad that Paul Anka wasn't much of an actor. What's worse, there's something unappealing about him, not quite creepy but unsympathetic, that makes his troubled teen come off as stranger than he should. As the hypocritical grownups, Ruth Roman, Alex Nicol and, especially Jack Cassidy, are all fine. The latter is surprisingly unhammy, and his playing here much stronger than it would be a decade later, when his acting got slicker and somewhat campy. I find his work in the movie actually touching at times, which is not, I suspect, what the actor or director intended.
Okay, enough name dropping. From what I recall of the story it revolves around a troubled teen (Paul Anka) who has become a "peeing tom", a voyeur in other words. What drives him seems not to be sexual urges so much as a desire to understand what "normal" is (I'm with you there, Paul). In this sense the story, though semi-sensational for its day, must come off as a little sad today. Since I haven't seen the film in decades I can't say for sure. As at least an attempt to probe into the true nature of dysfunctional or, if you will, troubled families, the film deserves praise for at least bringing the (at the time) hot topic up in the first place.
It's too bad that Paul Anka wasn't much of an actor. What's worse, there's something unappealing about him, not quite creepy but unsympathetic, that makes his troubled teen come off as stranger than he should. As the hypocritical grownups, Ruth Roman, Alex Nicol and, especially Jack Cassidy, are all fine. The latter is surprisingly unhammy, and his playing here much stronger than it would be a decade later, when his acting got slicker and somewhat campy. I find his work in the movie actually touching at times, which is not, I suspect, what the actor or director intended.
A teenager terrorizes his neighborhood by prowling around at night wearing a mask.
Paul Anka plays Craig the troubled teen, he also sings the title song which takes on a weird creepy feeling when played while he wanders aimlessly around town , stopping to look at romance magazines. It was not a hit though Anka had several successful songs around that time. His mother is played by Ruth Roman, a sexy and flirtatious woman and his father is a weak alcoholic (Alex Nicol). There is also an odd couple pair of cops looking into the prowling case, one a veteran who believes in beating confessions out of suspects and his young partner who is more understanding since he studied psychology.
This is a strangely effective film is made more sleazy because of the low budget and being filmed in black and white. It is almost like a David Lynch film if he were making films in the early 1960s. It is hard to find, I own it on a VHS copy made by the video company The Fang. It was transferred from a jumpy 16mm copy. This is worth seeing if you like low budget films about the darker, more lurid side of suburbia in the 1960s.
Paul Anka plays Craig the troubled teen, he also sings the title song which takes on a weird creepy feeling when played while he wanders aimlessly around town , stopping to look at romance magazines. It was not a hit though Anka had several successful songs around that time. His mother is played by Ruth Roman, a sexy and flirtatious woman and his father is a weak alcoholic (Alex Nicol). There is also an odd couple pair of cops looking into the prowling case, one a veteran who believes in beating confessions out of suspects and his young partner who is more understanding since he studied psychology.
This is a strangely effective film is made more sleazy because of the low budget and being filmed in black and white. It is almost like a David Lynch film if he were making films in the early 1960s. It is hard to find, I own it on a VHS copy made by the video company The Fang. It was transferred from a jumpy 16mm copy. This is worth seeing if you like low budget films about the darker, more lurid side of suburbia in the 1960s.
It's the suburbs and a peeping Tom is on the loose. He scares people with a disturbing mask. Craig Fowler (Paul Anka) is a disinterested teen and the only son of a loveless marriage.
Paul Anka may be a teenage music icon at the time but he's not a charismatic actor. Quite frankly, he would barely be cast as a supporting actor if not for his name. The problem is that he's way before my time and holds no nostalgic value for me. He's just another stiff amateur actor and he's not holding the screen. I do have to admire that a pop idol is willing to play a creepy character but nothing else.
Paul Anka may be a teenage music icon at the time but he's not a charismatic actor. Quite frankly, he would barely be cast as a supporting actor if not for his name. The problem is that he's way before my time and holds no nostalgic value for me. He's just another stiff amateur actor and he's not holding the screen. I do have to admire that a pop idol is willing to play a creepy character but nothing else.
¿Sabías que…?
- TriviaJack Cassidy is the father of future teen idol David Cassidy who is best known for La familia Partridge (1970). George Dolenz is the father of future teen idol Micky Dolenz who is best known for Los Monkees (1965).
- ErroresAfter Mr. and Mrs. Lowell have an argument and Mr. Lowell leaves the house, Mrs. Lowell throws herself onto a couch, sobbing. The shadow of a crew member can be seen on the nearby curtain.
- Citas
Gareth Lowell: Ah, you're just like your mother. I've done everything in the world for the both of ya'. I guess we just don't talk the same language any more.
Eileen Lowell: To speak any language, Daddy, you have to start early and practice often.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Look in Any Window
- Locaciones de filmación
- 7751 Melvin Ave, Reseda, California, Estados Unidos(front exterior of house)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 27min(87 min)
- Color
- Mezcla de sonido
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