Los naipes marcaron su muerte

the verdict on this picture seems to be that it's a fizzle because of Janssen's performance as Rothstein, the most interior portrayal of an organized crime figure this side of John Garfield in Abe Polonsky's magnificent FORCE OF EVIL. Well, Janssen's no Garfield and KING OF THE ROARING TWENTIES is no FORCE OF EVIL, but this Allied Artist's spin-off of the popular "Untouchables" series with Robert Stack deserves a few more props from the peeps at the IMDb website than it has already gotten. It's not quite as droll as Boetticher's very similar looking RISE AND FALL OF LEGS DIAMOND (which came out at about the same time) but the director, Joseph M Newman, is an underrated dude who, (like Joseph H. Lewis), is long overdue for cultish discovery. The scene in this picture where Mickey Rooney pleads to his childhood buddy, Rothstein, for his life is proof alone of how good he was with actors. Newman worked extensively in television, especially on the ALFRED HITCHCOCK PRESENTS series. One episode in particular, titled SEE THE MONKEY DANCE starring Efrem Zimbalist and Roddy McDowell is a marvelous example of what can be done within the imperatives of a weekly commercial format. His work deserves a little more recognition than it's been given thus far.

By 1961, splatter guns, bouncing flappers, and real gangsters of the 1920's were a hit on TV, especially with The Untouchables (1959-1963). So it's not surprising the formula would find its way into the movies. Real life gangster Arnold Rothstein (Janssen) gets the treatment here, except there're no splatter guns or much action, but there is lots and lots of talk. Spread out over nearly 2-hour time frame, that's a tough challenge for any 20's crime film. Then add Janssen's turn that's notably low-key and generally emotionless, and the upshot is a disappointingly listless crime film.

I guess the film is best taken as a character study built around a favorite Hollywood theme of one man's rise and fall on the ladder of success. The narrative's mainly about how slickly Rothstein maneuvers through the echelons of urban crime. There's some interest in his conniving, but the account gets draggy with too much slow pacing and mechanical editing. Then too, Dianne Foster's role as AR's ladylove further stretches out the narrative. It's like the producers are also using the movie to promote her career.

Anyway, Janssen was soon to star in that classic chase series The Fugitive (1963-67), where his thespic skills could really shine. On the other hand, I'm not sure what the producers were reaching for here, perhaps an abrupt departure from the Cagneys and Robinsons of old. But what they got instead was a sluggish result that now dwells in well-deserved obscurity.

I am hardly a fan of national film critics, but they are right on the money with this one - it stinks.

One major objection is having David Janssen playing the gangster Arnold Rothstein. What kind of casting is that? He couldn't be less credible in that role. Other cast members don't fit in here, either. The whole thing is a mess.

The first half hour of this movie doesn't exactly grab your attention, but when the romance sets in, it really puts you to sleep....and really never recovers. "King of the Roaring Twenties" sounds like an interesting, exciting gangster film but is just the opposite. Don't waste your time.

Is it a buddy picture? A romance? A rise-and-fall story of a big time operator in Prohibition era America? Impossible to tell, because it keeps going back and forth between the different genres. I actually like crime and mystery, so I was hoping to see a crime story in early 60s spartan black and white. But no, this ultimately meaningless romance between Arnold Rothstein and his wife just keeps eating up celluloid.

I don't expect consistency in films about Arnold Rothstein. I've seen four films tackle this material so far, and from the script you couldn't tell that any of them were talking about the same person, but I'm OK with that as long as the script is compelling and coherent. This one is neither. Rothstein takes actions, in particular in regards to his childhood friend grown to partner, Burke (Mickey Rooney) that just make no sense. Even when he tries to explain his actions they make no sense.

The performers are what saves this from being a four out of ten. Even if the director can't seem to convey to the players who exactly they are supposed to be, it is interesting to see them try.

David Janssen is Arnie Rothstein, running the bookie racket with Burke ( Mickey Rooney is grown-up Burke. and keep an eye out for his son Tim, as a young Burke.) the awesome Jack Carson, who could play anything, is in here as Mister Big. William Demarest and Regis Toomey are here in supporting roles. Keenan Wynne. the usual gangsta antics of the 1920s and 1930s. in this one, we see how bored his wife is, while Rothstein is busy raking in the dough, or getting busted. Original novel by Leo Katcher. Directed by twice-nominated Joe Newman. based on the the real Arnie Rothstein. it's okay. and LONG.