Otra vez adiós

Wow! what a film! I cannot believe I never saw this movie until this evening.

Great performances by all. The script is perfect in my opinion. The cinematography by Armand Thirard is simply beautiful; giving a real Parisian early 60's Be-Bop nuance. Auric's film score is great. Ingrid is in excellent acting form & stunning. Yves plays his character very close to the vest which is exactly how this kind of personality needs to be played. Diahann Carroll is so beautiful & cool as the nightclub singer. Jessie Royce Landis is wonderful as Perkins' mother. I've only seen Anthony Perkins in 3 other films & he in my opinion is always excellent. He was obviously a very intuitive actor & so very gorgeous & I think his incredible looks may have hampered others from seeing his incredible acting talents.

What else can I say without giving away this magnificent story? A must see for all young girls. The ending scene is so moving I couldn't even cry although I understand why so many other viewers wrote that this is a movie where you need to have plenty of tissues handy. It was a shocking film for me to watch on so many levels because it offered exactly what you expected & then it didn't - too true to life in a most poignant way. Heart wrenching - a definite must see.

Good Bye Again (1961)

Wow, such a beautiful and poignant look at fidelity and sacrifice in a relationship, just as the world is teetering from mid-20th Century stability to the 1960s and the free-for-all that meant for many. And the movie itself is one of the last, like "The Apartment" on this side of the Atlantic, to be made in the old Hollywood style, with invisible editing, gorgeous black and white photography, tight story construction, and a full, rounded sensibility that might, without being derogatory, be called "classic." I could watch it again today just for its perfect blending of acting, writing, filming, and tragic themes, which struck me hard.

It's hard to believe this kind of movie didn't fly at the time, and hasn't made an impression since. Anthony Perkins is at his charming, disarming best here (he had just finished filming "Psycho"), and in some ways steals the show from the much bigger headliner, an amazing (as always) Ingrid Bergman. They make an unlikely screen couple, but a great one. The tensions between them are not only reasonable, their inevitable, or so the writing has made it seem. Which is perfect. The third star is a paradigm of old school suave European manliness, Yves Montand, quite wonderfully appealing and disgusting at the same time. Everyone is dressed great, thanks to costume design by Christian Dior. (There's even a comment by a rich older woman who says she's going shopping "to Dior's.")

This is a very European feeling film, though it is of course an "American" movie in that it's in English, but it was officially made by the small production company, Argus, which otherwise made only French films. This was the era of the declining and disappearing studios, and one way a movie got made was exactly like this, patching together talents and money and location shooting. Making it a European film had the advantage of pushing some adult issues, which is what helps the film have relevance today. The director, Anatole Litvak, though an immigrant to the U.S., was thoroughly a Hollywood director, and overall this has the feel of the best of the great Golden Age movies, though updated of course by the realities of 1960s Paris. Along those lines, there is a great appearance of club jazz singer Diahann Carroll.

For a really nice detailing of the film see the TCM article here: http://www.tcm.com/this-month/article/88170%7C0/Goodbye-Again.html or just google the title and TCM.

I've only just read the other comments on this beautiful film. I first saw it on its release in 1961 - and nearly spent a whole week of evenings at the cinema.I was 16 I'd become a fan of Ingrid Bergman two years before this, on seeing her in "The Inn of the Sixth Happiness, which was her best film [in my opinion!]. Also then saw and loved "Indiscreet", but was bowled over by her next film -"Goodbye Again". I wish they had kept the original French title: "Aimez-Vous Brahms?". It evokes the atmosphere and meaning of the film and you don't have to be fluent in French to understand it - so why change it? Once again, Ingrid hardly seemed to be acting - she just swept you along with her character, Paula. Some people said that the film didn't work because Ingrid was 45 at the time, supposed to be 40 and looked younger. True! Her make-up artist, John O'Gorman, had to put in a suggestion of dark circles under her eyes and lines on her neck, in order to make her seem 40! All through the film I felt so much for the character of Philip [Tony Perkins], because you could understand why he fell totally in love with Ingrid . You also wondered if Roger [Yves Montand] was out of his mind, drifting around from girl to girl, when he had the most beautiful woman in the world. This was another reason why some people thought the story didn't work. But I don't care - I'll always love it! Ingrid never acts, she just IS her characters, and she always cries "for real". That's why there has never been anyone like her and there never will be. This film should be issued on DVD [as I have already suggested for "A Walk in the Spring Rain" ]. Owning the video is all right, but it deserves to be preserved for future generations on DVD, so that they can see what a GOOD film really is!!!! Mary

Ingrid Bergman's excellent performance is what makes this film. She sincerely deals with the problem of September love; I've never seen her more beautiful or more committed. Anthony Perkins as the young spoiled mama's boy is excellent, and the scenes with the two of them are very believable. (It's called acting) Yves Montand is terrible---he's longing to be speaking in French. The scene at the end between Bergman & Perkins from the top of the stairs could move a stone to tears. Only Bergman could convincingly pull off a perfect soap opera--there will never be anyone like her.

Francoise Sagan apparently wrote about people and personalities with whom she was familiar and had a talent for depicting them very well. It always seemed to be about upper class, shallow, and confused types, revolving on a no-win merry-go-round.

There are certainly are such people, and their relationships are as much worthy of consideration, empathy and sympathy as anyone's. The main trio in "Goodbye Again" are very much these prototypes: confused, bored and trapped. Is it any wonder they just can't seem to get their lives together?

For me, this is a sad film, given superlative treatment in all departments. Brahms' rich melodies are embroidered by George Auric's sensitive original score. Armond Thirard's black and white photography is beautifully atmospheric. Samuel Taylor's screenplay is true to Sagan's original novel, and Anatol Litvak's direction wraps everything up neatly.

The cast can't be bettered: the combined star-power trio of Ingrid Bergman, Anthony Perkins and Yves Montand is perfect, and these three bring great pathos to the proceedings. The level of significance of these characters may be rather inconsequential in the long run--but the emotions they themselves feel are genuine. This fine acting trio embodies these roles and the result is a most engrossing two hours.