Los implacables

THE FRIGHTENED CITY is one of the films that Sean Connery made in the year before he found fame and success as James Bond in 1962's DR. NO. This one's a crime epic with a much more complex plot than is usual for the British B-picture genre: it involves rival gangsters setting up extensive criminal operations and subsequently falling out and gunning for each other over turf and business.

Connery is the young tough brought in to restore order and he brings plenty of warmth and charisma to what is otherwise a pretty tough role. The supporting cast is very good and well worth tuning in for. Herbert Lom isn't in it too much unfortunately but Alfred Marks, who I've only previously seen in comic fare like DESERT MICE, is fine as a really hateful character. John Gregson slips into the well-worn shoes of the detective with ease. Yvonne Romain (THE CURSE OF THE WEREWOLF) is an arresting femme fatale. Patrick Holt plays another cop and George Pastell a put-upon Italian who is the subject of one or two racist gags. Kenneth Griffith bags the most sympathetic part as the crippled friend. Marianne Stone, Bruce Seton, and even Stephen Lewis (Blakey from ON THE BUSES!) appear in bit parts. There isn't a wealth of action in THE FRIGHTENED CITY, but the plot feels fresh, involved, and fast-moving, and the ending is particularly strong.

A better than average script from Leigh Vance and director John Lemont and a highly charismatic performance from a pre-Bond Sean Connery give this British gangster picture something of a lift. It's hardly ground-breaking and the plot offers nothing new but it's tough and well cast, (as well as Connery there is excellent work from Herbert Lom and Alfred Marks as villains even if we do have to put up with the dull John Gregson on the right side of the law), and it passes ninety or so minutes pleasantly enough.

The film is above average, well made, but lacking the style or brio that makes a good US or Italian crime film really fun. Sean Connery is great to look at in his leaner, pre-Bond form, and Herbert Lom is excellent. Connery plays a low-level mobster, and Lom is the criminal mastermind behind the mobs. It's interesting to contrast the portrayal of violence in this early 60s British film with American or other later portrayals. The approach here is so banal, and the mobsters are obviously pulling their punches in the fight scenes. The director seems completely uninterested in making the violence realistic or exciting. The final fight, however, has some choreography to it and a few interesting touches. In summation, a paint by numbers job, competent British B film, uninspired film making, but good nostalgic fun.

The Frightened City is one of several films where Sean Connery is getting more and more noticed, leading to the stardom he would obtain the following year as James Bond. Though he's third billed in The Frightened City, it's his performance you'll remember.

Herbert Lom, a seemingly respectable businessman, is asked to launder some money by Alfred Marks one of London's top crime bosses. It occurs to Lom he's in unique position to make some really good money off all the crime bosses of London if they can be organized. Using Marks as a front, Lom does just that and the two of them hire Connery to be their chief enforcer in their protection racket.

It all works out really well when the hoods are muscling small businessmen for protection, but when they start going after bigger targets David Davies becomes squeamish and Lom and Marks decide he's to be eliminated. They use Connery to set him up and when Connery realizes he's unwittingly helped do in a friend he becomes a man with a mission. It's never good to have Sean Connery with a mission after you.

I think you can figure out the rest of the film. The Frightened City is a plot done many times over in American noir films which cycle had ended about five years earlier in America. This one gives you a nice glimpse of the seamier side of London. It was interesting by the way to hear the objections to going after big targets who might have influence with members of Parliament and the Home Office. Crooks are the same all over the world, pick on those you think can't fight back.

John Gregson is the Scotland Yard inspector who heads what we would call the organized crime unit there. He represents the good guys, but it's the bad ones that make The Frightened City an interesting film.

Just pre-Bondage, I find it beyond incredible that in all the years the IMDb has been around, only ONE person thus far, has commented on this film!

True, it was no groundbreaker even in its time - a bit of the old "know wot I mean?" crime drama, but hell it was a solidly made little piece and carries what I believe is an appropriate rating here. One that would probably gain it an inclusion in the top 4000 movies which is better than many can claim! (the greater majority actually)

You may note the film score here was in the capable hands of top Brit musical director (at the time) Norrie Paramor. Now Norrie was the musical arranger in 1961 for somewhat popular pop icon Cliff Richard, whose backing group THE SHADOWS (hands up anyone remembers Hank Marvin and Jet Harris!) had a huge hit in 1961 with....you guessed it - THE FRIGHTENED CITY! I even have a copy!

A slimmer Connery but he delivers the goods here along with veteran Brit great Herbert Lom, both of whom were previously seen together in 1958's HELL DRIVERS!

As withnail-4 (New England) correctly observes...gives nostalgia a boost, if nothing else!