Vuelo del globo perdido

I remember seeing this film on television multiple times in the early 1960s. It is roughly in the same style and genre of another Jules Verne story and film, "In Search of the Castaways" (1962), which was made into a film at almost the same time and was also shown multiple times on television around 1962-1964. As children, my sister and I were captivated by both these films, and we loved to re-watch both of them on television in those years whenever they were shown.

By today's standards the effects and acting are weak, but the film is still captivating, memorable, and fires the imagination. The film has a lot of particularly memorable imagery: a basket balloon, a castle-like fortress on a beach, chained gorillas in a dungeon, the lost treasure of Cleopatra, a very tall and eerie black man who can't speak because his tongue was torn out, a torture chamber with a stretching rack, a woman threatened with torture, a man jumping into a lake from the basket balloon, being chased by African natives with spears, cannibals, a shrunken head hanging on a rack, a fight with a medieval mace, a condor attack, having to dump priceless treasure overboard, and so on. Some scenes border on film mastery. For example, it is surprising how much tension could be put into a simple scene of a man gathering water at a river to take back to the balloon while the audience knows that cannibals are watching him from behind the coconut palms. The aerial photography is reasonably inspiring, although admittedly the filmed backdrop effects aren't high quality.

To clear up some common misperceptions: the basket balloon in the plot is actually a hydrogen balloon, not a hot air balloon. In the story, acid and water are carried on board to generate hydrogen, which is obviously dangerous and this fact figures into the plot since it is too dangerous for the balloon's occupants to fire the musket that they brought along, which leaves them largely at the mercy of attacking condors, spear-throwing African cannibals, and an unwanted guide. Also, the date of Friday, April 7, 1878 is shown at the beginning of this film, on the sign outside the lecture hall, so this is definitely not the medieval period.

The plot is solid and the imagery great. If only the acting and effects were improved, this could be an outstanding film.

I recently saw this film on a huge screen. And I was impressed by the imagery and the impressions.

I gave 8 stars, but from experience this Film would normally make 6.4 on ImdB. 4.6 is very underrated and I cannot believe what I see here therefore I give 8.

This is a typical 60s Film where there is a big focus on imagery. The play is average sixty like and if you had your youth in 60ties and 70ties you would know this is the kind of play you will find in many movies of that time.

I saw this movie when I was young but forgot most of it. So I was keen to see it again and I liked it. It does not fit in modern times at all. But it fits in the world of my childhood perfectly.

The underrating here is nothing more that this society lost empathy with what the creators of that time wanted to express. And I feel sad that this society lost these values. But on the other hand you will find hidden treasures you can take home not polished up in musea but in the dirt.

So if you want to relive, revive the 60ties and you are looking for great adventure style movies with nice imagery and happyness and loving feelings you used to have in the 60ties and 70ties, watch this and take it home. If you want to play battle and shoot games on your gaming computer you should do that instead.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed and Screenplay by Nathan Juran; Produced by Bernard Woolner, for Woolner Brothers Pictures. Photography by Jacques Marquette; Edited by Rex Lipton; Music by Hal Borne; Stop-Motion Animation by Jim Danforth. Starring: Mala Powers, Marshall Thompson; Douglas Kennedy, James Lanphier, Robert Gillette and Felippe Biriel.

Extremely poor science fiction adventure lifted from a Jules Verne story. Our heroes travel along the African continent in a balloon and have numerous scrapes with danger, against poorly processed stock footage.

While I agree with those reviews that found nothing redeeming in The Journey of the Lost Balloon, and am bemused by those that tried to find pieces of cheap quartz in the rough, the film was deeply offensive as it played on the long US history of pervasive, oppressive racism. That the balloon comes down in a jungle and a shoreline where black tribal people live merely sets up the writer and director to show people of color as ludicrous, repugnant, vicious, utterly brainless sub-humans. The clichés are unbearable to watch, including the cliché of the euro-guy outrunning the natives (ha!) and hiding in foliage that the dozen or so indigenous people (otherwise to be assumed as masters of their environment) entirely miss, and then, like dogs, run together after a stick the euro-guy throws to create a diversion. Add to this yet another white guy playing an East Indian named "Hindu" with brown-face on all but the back of his white neck, and we literally have a documentary of racist ideology paraded in minute detail over the course an entire film. Of course we don't want to make such films illegal, but we do want to create a culture where such films are not even imagined.

To the brown shirts who will counter that these were simply conventions of an earlier and more innocent time, we can only say that this tripe is the cultural flag that flies over such conventions as slave trade, slavery, the Klan, segregation, ghettoization, and mass incarceration. Of which, in addition to this film, the brown shirts are very proud.

Flight of the Lost Balloon is one of the more interesting failures in the 50s/60s Jules Verne cycle. Rarely seen today, the movie has a game cast, a director with excellent genre credentials, and some outstanding widescreen photography to display. You can tell that the filmmakers wanted desperately to emulate the major epics that had gone before, offering a Verne-inspired plot, lots of stock Verne situations, and a lilting theme song crooned over elaborate animated title work. Unfortunately, you can also tell that they didn't have nearly enough cash on hand to follow through with these grand ambitions. Flight of the Lost Balloon is not only a low-budget film, it's a cheap film--and way too cheap to have attempted anything like the continent-spanning adventure story we see sketched out here. The movie seems to be based, if only in spirit, on Verne's very first novel Cinq Semaines en ballon (Five Weeks in a Balloon). Commissioned by the London Geographical Society, Dr. Joseph Faraday (Marshall Thompson) attempts an aeronautical voyage across Africa to rescue a lost explorer. Along the way, a mysterious, nameless "Hindu" commandeers the expedition for purposes of his own. Despite a lengthy cannibal episode played mostly for laughs, Flight of the Lost Balloon was definitely intended as a straightforward action-adventure movie (quite unlike the "official" version of Five Weeks that would appear a year or so later). The story features several interesting plot twists and includes some effective villainy by James Lanphier, in an oily performance reminiscent of Vincent Price. Sadly, the meager budget ruins everything. The production, apparently, couldn't even afford a real hot-air balloon: every single aerial shot in the picture appears to have been accomplished with the miniature balloon Thompson proudly displays (as a "test model") in the first reel! Actually, I wonder whether the budget wasn't cut drastically during the shooting of the film itself. That's the only way I can account for several of this movie's many curiosities. The music score, for instance, disappears completely about half way through, leaving nothing but a long inexplicable silence. Likewise, a major special effects sequence seems half-finished. In fact, I wouldn't be surprised to learn that the giant condor attack over Lake Tanganyika had originally been intended as a stop-motion set piece ala Ray Harryhausen. Director Nathan Juran had just scored a hit with Harryhausen's 7th Voyage of Sinbad, and the "Projects Unlimited" effects group hired for Lost Balloon included several expert stop-motion animators. As it stands however, the episode is laughably bad, with two or three see-through condors-on-a-stick buzzing the miniature balloon to no apparent effect. The scene must have looked especially ridiculous on theatre screens. Marshall Thompson went on to star in the "Verne-flavored" Around the World Under the Sea later in the decade, and Juran made one of the best pictures in the entire cycle with 1964's First Men in the Moon. But Flight of the Lost Balloon is little more than a curio. Yet who knows what it might have been like with just a bit more finance available?