Hércules a la conquista de la Atlántida

This is definitely a better movie than a lot of other Italian Hercules productions out there. Not that the quality of this movie is being exceptionally high though. It still is a movie that brings some nice entertainment, no matter how ridicules the movie often gets.

This was the first time that British Reg Park took on the Hercules role. Park was a multiple time Mr. Universe champion, just like Steve Reeves, who had played the character of Hercules in previous movie productions. His physique of course definitely helped him getting these sort of roles. His career also ended pretty soon after he started to age, like often happens to these types of 'actors'.

Like all these sort of Italian swords and sandals productions, it's a very cheap and often laughable looking movie, even though the movie is also being grand to look at with its enormous and colorful sets. The movie does use some silly early effects, though you just can not accuse this movie of not being creative. It just doesn't always works in the movie its own advantage.

I of course couldn't care less about the story of the movie and all that seemed to matter was that the movie. All that seems to matter for this movie is that it's being entertaining. The movie does really bring some silly fun, also long as you of course don't except a movie with class or of a very high quality.

A better movie than most other Italian Hercules productions and also certainly way better than its current reputation and rating.

6/10

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...why Atlantis disappeared! Although Hercules often calls upon his Father ,Zeus -note that his son never invokes his granddad-,this is as far from Greek mythology as it can be.

"The famous Four" best describes the plot: Hercules ,his son,Androcles (a Roman slave handed over to lions then granted an imperial pardon ,what is he doing here?) and a dwarf feel that Grece is in jeopardy.This is the beginning of an "epic" story which includes a rubber monster,a wicked queen (Antinea of course ,see one of the numerous versions of Pierre Benoit's " L'Atlantide" ),the ancestors of the clones (unless it predates Hitler's Aryan supermen),the perils of atomic radiations (?) The first scene is an interminable free-for-all in which Hercules,who is quietly enjoying his meal ,does not interfere ("help us dad!"screams his son) .Some not-so-bad scenes show a strange Androcles wandering in the queen's palace .

It's rather silly,but it's entertaining if you do not ask too much.

Vittorio Cottafavi's Hercules and the Captive Women recycles the standard Hercules plot structure. If you have seen any of its predecessors or descendants, you have seen something very much like this film. However, in this case, the entire army of evil-doers Herc must confront are immortals from Atlantis who have been secretly infiltrating Greek politics. Most of the action takes place on Atlantis after Herc, his son, and a couple of friends wash up there.

Hercules is played by Reg Park, a very beefy non-actor built like a comic book superhero. Park seems to spend the first 1/3rd of the film lounging about, and most of the second 2/3rds flexing and fighting. His occasional lines are clearly spoken, but without a great deal of enthusiasm. Most of the acting is OK. No real highlights in the cast, though.

The action sequences are fairly entertaining, but don't compare favorably to the special-effects saturated fight scenes of today. Like many Hercules films, Captive Women features lavish costumes and sets.The costumes are up to the series above-average standards and a few of the Atlantean sets are really nice. The script is on par with most of the series, which is to say that it is not very good.

Recommended for Hercules fans only.

For nothing else, CAPTIVE WOMEN is worth checking out because it's the Reg Park-starring Herc film that preceded the epochal HERCULES IN THE HAUNTED WORLD directed by Mario Bava -- which still remains, hands down, the best of the Italian Herc movies ever made. CAPTIVE WOMEN is extremely well produced -- excellent production design and visual FX by Hercules standards -- and that's both its big plus and its big minus. The Retromedia DVD is very, very good -- in 2.35 Cinemascope, nice transfer -- and it's terrific to see a Hercules film given this kind of loving treatment. BUT -- it does point out some of the shortcomings of CAPTIVE WOMEN. Which are, mainly, that not a helluva lot happens. Herc goes sailing, a buddy goes overboard ... and he winds up in Atlantis, where the Evil Queen (note: Queens are almost always evil, and extremely smokin' hot, in Herc movies) gives him a magic potion designed to make him fall in love with her. Second note: magic potions figure prominently in a LOT of Hercules films, and they're almost always administered by smokin' hot Evil Queens trying to get Herc to fall in love with them. That's what we love about these films. Anyhow ... great production values but a bit, well, stiff somehow.

Before James Bond.

Before Indiana Jones.

There was the Hercules series.

Or at least the series starring Reg Park. These Hercules films were big, colorful, full of action and fun. They are also shockingly maligned, just by looking at the IMDb rating for HERCULES AND THE CAPTIVE WOMEN, which is a joke.

HERCULES AND THE CAPTIVE WOMEN wasn't your average low-budget Sword & Sandal flick. It was shot in Technirama (expensive 70mm) and the look of it, in the widescreen version, is remarkable to say the least: big colorful sets, big cast, big action. The details, in some scenes, is stunning.

The whole production reminds me of old serials where our hero encounters one pitfall after another. HATCW is like the missing link that bridges the gap between old serials of the 1930s/1940s and RAIDERS OF THE LOST ARK. And like James Bond films (DR NO was made a year after this), this Hercules movie is replete with vast cavernous sets which dwarf the cast and are set on the side of spectacle.

CAPTIVE WOMEN has many highlights. My favorite part is when Hercules saves Iseme, daughter of Queen Antinea, from the clutches of Proteus. Psychedelia circa 1961, or psychedelia before psychedelia was in! The surreal look is great and precedes all other films made in the 1960s, including BARBARELLA or even Fellini films, like SATYRICON. In fact, HERCULES AND THE CAPTIVE WOMEN looks like an action film if it had been directed by Fellini. It doesn't shy away from combining odd imagery along with comic book action.

The cast is perfect. Steve Reeves was (and still is) the definitive Hercules but beefy Reg Park fits the bill here. Park is happy just to be an action hero as opposed to Reeves who wanted to be taken seriously as an actor. Fay Spain makes a memorable evil Queen. Laura Efrikian is beautiful as Iseme. Ettore Manni, a familiar face in Peplums and a pretty good actor, lends excellent support as Hercules' best friend, Androcles.

The film itself is not perfect. The story is a tad thin and the stock footage at the end is obviously just footage of an erupting volcano, and it definitely lacks a distinctive score to give the film that extra special character but even so, these things didn't diminish the fun I had while watching it.

HERCULES AND THE CAPTIVE WOMEN is the kind of movie I'll be watching again and again. It just rocks!