La maldición del hombre lobo

I think that more than anything, "The Curse of the Werewolf" does what too many werewolf movies fail to do: offer an explanation of how the first werewolf got created. Apparently, if someone is conceived under rather unpleasant circumstances, that person is a lycanthrope. After a beggar gets imprisoned in 18th century Spain, he rapes the jailer's daughter. She dies in childbirth, but her son Leon is raised by a nobleman. Sure enough, Leon is a werewolf. As an adult, Leon (Oliver Reed) tries to control himself, but unfortunately can't.

This is another addition to Hammer's cool filmography. It shows Leon's inner torment, knowing what will happen every full moon. As for associating Spain with werewolves, that country of course produced actor Paul Naschy, who has made a career out of playing werewolves; Portland's own Movie Madness even has a section devoted to him.

Extremely Gothic terror intent in the Universal vein and walks a fine line between romance , camp , Wolfman's classic and horror . It displays excellent set design , ambitious screenplay with too many eerie scenes and adequate interpretation for all casting . Terror picture that is renowned for ferocious departure from the stereotypical portrait of the beast . It is set in Europa , dealing with a 19 Century European werewolf , as it happens in Spain , Leon is born on Christmas day to a mute servant girl (Yvonne Romain) who was imprisoned by a nobleman (Anthony Dawson) and raped by a beggar (Richard Wordsworth stated that in the original screenplay his beggar character was a werewolf) . His mother dies giving birth and he is looked after by Don Alfredo (Clifford Evans) and his maid . As a child Leon turned into a werewolf after having been taken hunting . Leon (Oliver Reed in his first horror movie), transformed by the full moon, heads for the forest and a fateful meeting with the villagers . He is developing an extraordinary force and aware himself has a horrible curse who cannot to control . As a young man he works in a wine cellar and falls in love with the owner's daughter named Cristina (Catherine Feller). The curse will be passed on to him at the next full moon and he again turns into a werewolf and terrifies the town.

This exciting motion picture displays drama , suspense, terror with mysterious touches and is quite entertaining ; being the only werewolf movie made by Hammer Studios . It's a crossover with a little of the classic version ¨Lon Chaney's Werewolf¨, the novel ¨Wolfman in Paris¨ by Guy Endore and wrapped in a Hammer style . Atmospheric, slick terror film , creaky at times but it's still impressive . The notorious screenwriter John Elder or Anthony Hinds provides a well-knit plot with mystery and horror, giving full rein to Terence Fisher natural talent for the terror genre . However , being censorshipped , as over five minutes were cut by the censor for the British release and even more for the American version ; the censor had problems with the notion of a werewolf/rapist, so out it went . It's some different but with clear reference to previous vintage film . Good performances from Oliver Reed as a creepy wolfman and Clifford Evans as his mentor . The transformation of man into werewolf is complex and is made by expert make-up artist Roy Ashton who based his makeup for this film on Jack P. Pierce's makeup for The Wolfman by George Waggner (1941) that starred Lon Chaney Jr and Bela Lugosi . Frighteing and thrilling musical score by Benjamin Frankel . Colorful and shining cinematography by Arthur Gant , Hammer's ordinary , being filmed in Bray Studios. The motion picture was masterfully directed by Terence Fisher who filmed classic horror films as ¨Dracula¨, ¨Dracula , prince of darkness¨ , ¨The brides of Dracula¨ , ¨The mummy¨ , ¨Phantom of opera¨, ¨The Gorgon¨ , ¨The devil rides out¨ and many others . Rating : Top-drawer terror film , upscale horror spectacle with a suitable climax at a church . Essential and indispensable watching for Hammer lovers . It's an above average terror and sometimes graphically exciting and turns out to be a good attempt to cash in the werewolf sub-genre . Rating : 6,5 Good .

This was a highly unusual werewolf film and I am actually surprised that Hammer films went on to make many Dracula sequels but not werewolf ones, since this film was well made and quite enjoyable.

The film begins with a very long prologue--telling a sad tale about an evil man who was responsible for the curse that eventually made poor Oliver Reed become a werewolf. The entire story was quite interesting and VERY different from the Universal Studios vision of how one becomes a werewolf. Instead of being bitten by another werewolf, it was a rather convoluted curse. The only problem with this story, though, is logical. You see, Oliver Reed's adoptive father narrates the prologue BUT how he knew most of the details is quite impossible--as Reed's mother was a mute and didn't have communication skills to explain most of the story. Plus, parts of it she couldn't have known! I guess the narrator just read the script, because there was no other way he could have been privy to the information! Despite this serious logical flaw, the rest of the film was very compelling--with Reed making a very sympathetic creature. Plus, like the old Universal films, Hammer did a good job of not showing too much--only letting you see the creature near the very end of the film.

Excellent acting and production values combined with a very interesting though flawed script make this an excellent movie for fans of Gothic horror.

I was so afraid of plugging this in. Not of being scared but movies coming from the fifties and sixties aren't my thing. The effects used were laughable. I rather would go for those old Universal flicks or even Nosferatu (1922). But two reason made me buy this flick. Terence Fisher and Hammer Horror. I guess I don't have to introduce both names to the geeks of the genre. Terence really delivered the best Hammer flicks. Strangely, it took awhile before this flick got a proper release and finally in 2012 it got a DVD release.

The story reminded me a lot of The Wolf Man (1941) but this is really enjoyable to watch. I was never bored with the story. But it's the way it was directed by Terence and the use of lighting that gave it a creepy atmosphere, I would even say a Gothic feeling. The effects used are very low, it was all done in a way the camera was used. So you really doesn't see the werewolf changing and that's were this still works up to today. The only effects I was surprised by is the way they used the red stuff. it isn't gory of course but when the werewolf is being shot the blood do sputter out of his body.

I can't go in on the way the acting went because acting back then was more theatrically then nowadays but one name I looked at closely, Oliver Reed. Oliver played the werewolf and he did great. This was a flick at the beginning of his career (1958) and his first leading role, just look what he did here. He really looked believable and you could care for him. He went further to make classics like for example The Brood (1979). Sadly it went downwards with him due his drinking problems and he past away in 1999 while shooting for The Gladiator. One to surely watch not only for the directing but also for Reed's performance. Classic.

Gore 1/5 Nudity 0/5 Effects 2/5 Story 3/5 Comedy 0/5

The Curse of the Werewolf is directed by Terence Fisher and written by John Elder (producer Anthony Hinds), loosely based on the novel The Werewolf of Paris written by Guy Endore. It stars Clifford Evans, Oliver Reed, Yvonne Romain, Catherine Feller and Anthony Dawson. Out of Hammer Film Productions it's a Technicolor production with photography by Arthur Grant and music by Benjamin Frankel.

Hammer's only venture into the lair of the Werewolf proves to be a tragic-romance-cum-nightmarish fairytale more than a film dealing with the savage roamings of a lycanthrope. Off the bat it has to be noted that the film is not overtly horror, something that may result in disappointment for any potential first time thrill seeker. That said, this is still a cracker-jack of a movie, boasting the best of a Hammer production (sets, music, colour, direction) with a narrative of cruel markings and links to puberty, sexual awakenings/urges and Jesus Christ! It's strongly cast, with Reed effective with his brooding good looks, Romain piercing the eyes with her Technicolor sexiness and Dawson knocking it out of the park as a vile bastard son of Ebenezer Scrooge! British fans also get the added bonus of catching familiar TV faces Warren Mitchell and Peter Sallis in secondary support slots.

Paced as it is, very much on the slow burn with a good portion of the picture dealing in the origins of Reed's cursed Leon character, much of the film lacks tension and suspense. This lures one into expecting a barn-storming finale by way off a pay off for the viewers patience. Sadly it's no crowning glory, yes it doffs its cap to the old Universal Creature Features of the 40s and 50s; and there's definitely some emotional heft for the bell tower closure, but it just lacks the dynamism needed to lift it into the upper echelons of Hammer's best output. There's also the small matter of Catharine Feller, who is weak as one of the films crucial female characters. These are problems, even if ultimately they don't detract from the expert story telling of the makers and the fact that visually it's a gorgeous and alluring movie.

With a different spin on the Werewolf legend to be applauded, The Curse of the Werewolf, one or two missteps aside, is still an essential Hammer movie. Even if it could and should have been a little more than that. 7.5/10