Cone of Silence

Just as jet engine-powered aircraft were starting to take to the skies, veteran "Capt. Gort" (Bernard Lee) is involved in a near miss trying to take off in his new, state-of-the-art "Phoenix" aircraft. At the subsequent inquiry, he faces thinly veiled criticism from "Sir Arnold" (George Sanders) but is nonetheless cleared to keep flying by his senior colleague "Dallas" (Michael Craig). This earns both of them the chagrin of fellow pilot "Judd" (Peter Cushing) who's convinced of operator error and makes no bones about expressing his suspicions about "Gort" - especially when a landing at Calcutta reveals some foliage in the undercarriage. Thing is, both "Gort" and "Dallas" are convinced they are following the rules, to the letter, so what's wrong? When a tragedy ensues, the most convenient solution would seem to be to simply blame the pilot, but perhaps the foliage might reveal more clues as to what actually went wrong? There's a rather unnecessary romantic sub-plot with Craig and Elizabeth Seal's "Charlotte", but otherwise this is quite tautly directed thriller that uses some decent photography to illustrate the perils of the pilots and the claustrophobia of their tiny cockpits. The setting in India also presents us with an almost palpably hot and humid scenario for these airborne shenanigans. Cushing delivers best, I thought, as the man who comes across as jealous, or concerned, or ambitious or maybe all three? It's a simple story well acted and told and maybe isn't a film to watch if you have the slightest fear of flying (or, indeed, want one!).

Top pilot Bernard Lee is being investigated after his plane crashed killing his co-pilot. Flight trainer Michael Craig, falling for Lee's daughter, starts to question what really happened.

Very stiff upper lip British fare maybe a little stilted, but is nonetheless quite exciting with plenty of twists and turns and is well played by a strong cast - pretty much every face is familiar. Definitely good afternoon matinee viewing.

I haven't seen this film for years, which is a pity because all i remember are a few powerful scenes thanks to the very impressive cast. Based on true events, but subtly changed to avoid law-suits, its actually a compelling little drama, a shame it hasn't been shown more often. The story on which it is based, the KNOWN Design Flaws in the Comet which were Covered up by the De Havilland company, and the subsequent "sacrifice" of an entire airline and its passengers in Italy, is actually screaming out to be remade! In this case, the truth is far worse than fiction...in the film, decent noble people save the day, in the reality alas...less noble and darker motives won...and people died needlessly. The performances in this little melodrama were so good, i actually remembered this film for at least 25 years...thats when i last saw it i think..well worth catching.

As a former BOAC pilot David Beaty certainly knew his stuff and must surely have been pleased with this adaptation of his novel.

Has the crash of a jetliner flown by Captain Gort in which a co-pilot is killed been caused by a design fault or pilot error? That is the question. Although the captain is hung out to dry by a clever lawyer representing the airline at the tribunal of investigation he is still allowed to fly. As the film progresses it becomes clear that the aircraft designer has not been entirely forthcoming......

Charles Frend is a capable, workmanlike director and has done a good job here with a limited budget and some excellent actors. This was made at a time when there was a wealth of first class English actors upon which to draw. Peter Cushing and Andre Morell were no strangers to each other and had recently played Sherlock Holmes and Dr. Watson. I consider Morell to be a superlative Watson and arguably the best Quatermass. Here Cushing has the showiest part and exhibits his customary style. This film can only work of course if the character of Captain Gort is sympathetic and here the casting of Bernard Lee is inspired. He achieves so much by doing so little. George Sanders is as always immaculate and although he only has two scenes as the lawyer Sir Arnold, undoubtedly pocketed the biggest salary.

It comes as no surprise that the airborne scenes are the most effective and that in which Lee and his crew hit a freak hailstorm is especially gripping.

The culpability of a pilot for an airline disaster was to be depicted in Ralph Nelson's excellent 'Fate is the Hunter' of 1964. Whilst Frend's film has neither the production values nor the starry cast of the later film, it still manages in its own quiet way to pack quite a punch.

1960's "Trouble in the Sky" (British title "Cone of Silence") is an excellent airplane drama featuring as fine a cast as could be found in British films that year. At the center of it all is future 'M' in the James Bond series, Bernard Lee as Captain George Gort, who is found guilty of pilot error after a recent crash of the new Phoenix resulted in the death of his co-pilot. Captain Edward Manningham (Andre Morell) leaves Gort's fate in the judgment of examiner Hugh Dallas (Michael Craig), whose subsequent test is passed with flying colors, enabling Gort to continue his career, having logged more miles in the air than all the other pilots combined. One such pilot is Captain Clive Judd (Peter Cushing), who believes in Gort's guilt, conspiring to undermine him and have him reassigned to a ground position. Gort's rock solid convictions are so trustworthy that we too believe him to be innocent of any negligence, so it's quite a shock when similar circumstances result in an identical crash, this time killing the dedicated pilot. By now, Dallas too is convinced that the fault lies elsewhere, with the comeuppance of the arrogant Judd a key factor in finding the truth. Based on the actual 1953 case of the DeHavilland Comet, Britain's first passenger jet airliner, the remainder of the cast comes off like a Who's Who of vintage 60s cinema: Gordon Jackson, Charles Tingwell, Noel Willman, Marne Maitland, Jack Hedley, Charles Lloyd Pack, Anthony Newlands, Gerald Sim, and Geoffrey Bayldon. Of special mention is the supporting presence of George Sanders, coming off the heroic "Village of the Damned" and the villainous "Bluebeards Ten Honeymoons," here in more typical form as smarmy attorney Sir Arnold Hobbes, his damning courtroom highjinks convicting the innocent Gort. As for second-billed Peter Cushing, he makes just one appearance before the film's second half, beginning a string of nine consecutive non genre features in a failed effort to avoid the horror typecasting that Christopher Lee also feared.