El espía

This is a very late noir and very noir indeed, dealing with the aftermath of the war in 1946, when an earlier woman officer of intelligence tries to trace a lost war hero and finds him drinking in Tangiers. He treats her badly although they became all but lovers and tells her to go home and leave him alone - he even returns his Victoria Cross (or some medal) to her, totally bitter and disillusioned. After his bravery as a spy in France, being tortured by the Gestapo and SS and surviving it without breaking, for which he got his medal, he was sent to Burma and then was lost. But as she reappears in his life as a total surprise he starts to remember and finds it worth while to make a clean breast of what actually happened, and it is a fearful story. This is not for sensitive hearts, as the film implies a heart-breaking risk. But the story is extremely interesting and impressing, it brings oceans of afterthoughts, - mind you, it was towards the very end of the war when enterprises like Dresden, Hiroshima and Nagasaki were carried through deliberately with planned fire storms and no regard for the lives of civilians, and that mentality dominates the film, which will shock you, as it shocks Suzy Parker from beginning to end, but she fights it, and ultimately wins.

"A Circle of Deception" is an unusual and good film...though I don't heartily recommend you see it. This is because the story has a portion where the lead is tortured. It's not as vivid and brutal as the Nazis would have been...but it's still darned unpleasant.

Captain Paul Raine (Bradford Dillman) has been selected for a spy mission behind enemy lines during WWII. They say it's because he speaks French...but it's really because they think he'll crack under pressure and they arrange for his mission to fail. Why? Because they've fed him false information and hope to convince the Nazis of this lie. However, they never tell Raine...and a woman who has fallen for him knows the truth but she's ordered not to tell. What's next? Well, he's captured and tortured....but what's next might just come as a surprise to everyone.

The acting is good, the film well made. I have no real complaints other than the story makes for unpleasant viewing...and the very end, the final scene, didn't seem very realistic to me.

Bradford Dillman is a soldier chosen for a dangerous mission in "A Circle of Deception," a 1960 film also starring Suzy Parker, Harry Andrews and Robert Stephens. The story is told in flashback as Paul Raine (Dillman) remembers his assignment after a visit by his ex-lover, Lucy (Parker).

In order to divert German troops from an attack site, Paul is chosen because according to his psychological profile, he will break under torture and give the Germans the information the Allies want them to have.

Paul knows his mission is risky, but Lucy, an assistant to the captain (Andrews) who thought up this scheme, knows the entire story. She's enlisted to go out with Paul, since he seems interested, and evaluate if he's really the man for the job. She becomes a little more involved than planned.

Filmed in black and white, this isn't a big budget movie, but it's good. Dillman was a young star then under contract to 20th Century Fox, but despite being both attractive and a good actor, with the studio system abolished, he found most of his success in television.

Parker, one of the first supermodels, was a staggering beauty who was given several opportunities in Hollywood. She was lousy in every one of them.

Like Grace Kelly, she had a cool, sophisticated look, and also like Grace Kelly, in person she had a fantastic sense of humor and a wonderful personality - and like Grace Kelly, she never got one role to showcase them.

Though Dillman and Harry Andrew are both very good, it's Robert Stephens as the German captain who imprisons Paul that gives the most chilling performance. A brilliant stage actor, he's a knockout in this, and one wishes he had pursued more film work before his death in 1995. He could have had an Oscar-level career.

All in all, "A Circle of Deception" is very good, and the black and white helps to keep up the British wartime atmosphere. Dillman and Parker met during the making of this film, married in 1963, had 3 children, and stayed married until Parker's death in 2003.

Parker's last work on film was in a 1970 "Night Gallery" episode, in which she looked absolutely gorgeous, but through the '50s, '60s (and possibly into the '70s) she was on every magazine cover and in every fashion layout imaginable.

The torture scenes are not for the feint of heart - to be honest, I fast-forwarded through them. The rest of the movie is both interesting and suspenseful.

It sometimes resembles "orders to kill " in which Eddie Albert was sent on a mission in France ,a mission in which nothing happens as planned.

The soldier (Bradford Dillmann) ,shunning the honors when the troops parade on the Champs Elysées has fled to Africa where his former flame ,a WAAF, meets him ; he tells her his story, he seems disillusioned ,he' s seen it all before ;then a very long flashback : one attends scenes between the superiors in which the hero wasn't but it does not matter ;like in "orders to kill",there's a long time given over to the training ,the instructions (the lethal tooth ,which is not an invention,French resistant fighters would often carry a cyanide capsule);Dillmann is chosen because of his perfect command of French ,but later on ,he does not utter a single word in that language .

Nevertheless , the screenplay is tricky : everyone is deceived ,from the enemy to the hero,hence the excellent movie title .Gripping and well acted .

Bradford Dillman is an American tapped for a dangerous mission behind enemy lines in the campaign of deception leading up to D-Day--except that he's only been told half the story by his superiors. The story is based on real-life exploits documented in Anthony Cave Brown's book *Bodyguard of Lies,* (the title of which was based on Churchill's famous comment, "In wartime, truth is so precious that she must always be attended by a bodyguard of lies"). Dillman is completely convincing as the spy who is selected precisely because his psychological profile shows that he *will* eventually break under torture. The depiction of torture itself is pretty grueling, by the way, especially for 1961, and one scene in particular was parodied in the 1984 Abrahams-Zucker movie *Top Secret!* (with Val Kilmer in the Dillman part). Incidentally, Dillman and his co-star, Suzy Parker, who was the top model in America at the time, and embarking on a film and television career, fell in love while making this movie and married shortly thereafter; she gave up both her modeling and acting career for domestic life as Mrs. Dillman not long afterward.