Agrega una trama en tu idiomaUnbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.Unbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.Unbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.
- Dirección
- Guionistas
- Elenco
- Frank Bowen
- (as A. J. Brown)
- Lohman
- (as Andre Charise)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In order to divert German troops from an attack site, Paul is chosen because according to his psychological profile, he will break under torture and give the Germans the information the Allies want them to have.
Paul knows his mission is risky, but Lucy, an assistant to the captain (Andrews) who thought up this scheme, knows the entire story. She's enlisted to go out with Paul, since he seems interested, and evaluate if he's really the man for the job. She becomes a little more involved than planned.
Filmed in black and white, this isn't a big budget movie, but it's good. Dillman was a young star then under contract to 20th Century Fox, but despite being both attractive and a good actor, with the studio system abolished, he found most of his success in television.
Parker, one of the first supermodels, was a staggering beauty who was given several opportunities in Hollywood. She was lousy in every one of them.
Like Grace Kelly, she had a cool, sophisticated look, and also like Grace Kelly, in person she had a fantastic sense of humor and a wonderful personality - and like Grace Kelly, she never got one role to showcase them.
Though Dillman and Harry Andrew are both very good, it's Robert Stephens as the German captain who imprisons Paul that gives the most chilling performance. A brilliant stage actor, he's a knockout in this, and one wishes he had pursued more film work before his death in 1995. He could have had an Oscar-level career.
All in all, "A Circle of Deception" is very good, and the black and white helps to keep up the British wartime atmosphere. Dillman and Parker met during the making of this film, married in 1963, had 3 children, and stayed married until Parker's death in 2003.
Parker's last work on film was in a 1970 "Night Gallery" episode, in which she looked absolutely gorgeous, but through the '50s, '60s (and possibly into the '70s) she was on every magazine cover and in every fashion layout imaginable.
The torture scenes are not for the feint of heart - to be honest, I fast-forwarded through them. The rest of the movie is both interesting and suspenseful.
I must admit I wasn't sure what to believe until I came to the part where the author claimed he was used by M-Section to persuade the Germans that the Allied invasion of Europe would focus on the Pas de Calais rather than Normandy. His superiors betrayed his identity as a British agent to the SS so that under torture he would confirm the story, which he thought to be true. He was then rescued by M-section and returned to Britain.
That's when I thought, "I know this story". It was the plot of "Circle of Deception" starring Bradford Dillman, which I had seen in the 1960's. My belief in the book lessened considerably after I made that connection.
"Circle of Deception" was a forerunner of the more cynical, anti-hero films about WW2 that hit with a vengeance in the 1960's. Then WW2 movies often became surrogates for the Vietnam War, which didn't get its own movies until it was over.
"Circle of Deception" didn't have massive stars. Bradford Dillman seemed a modern sort of actor mainly from television. His character, Captain Paul Raine, is chosen for the mission because it is believed he will crack under torture and give the Nazis the misinformation the British want them to have. Whatever baggage Dillman carried in 1960 is long gone; now he is convincing as the operative who struggles to overcome his fears.
Harry Andrews as Captain Rawson the intelligence chief who devised the mission is perfect. Head of Section roles were an Andrews' specialty.
Suzy Parker played Lucy Bowen, Rawson's assistant who becomes romantically involved with Raine. Suzy had the look of those beautiful women that artists painted for the glossy magazine illustrations of the day; the camera loved her.
The interrogation scenes gave the film an edge, especially Robert Stephens as the urbane German intelligence officer who played good cop against the vicious Gestapo guys. Only the prison escape at the end smacked of standard movie heroics.
However, even after 50 years, this well-made film is still a bit of a downer with its rather ruthless sacrifice of a British agent for the greater good.
Told in flashback, we are already informed from the outset what is going to happen, but not how we are going arrive there, which when it comes is quite satisfactory. Suzy Parker's usual glacial exterior is here well employed (and co-star Bradford Dillman plainly succeeded in melting it, since they married in 1963). Richard Shaw and Michael Ripper appear in separate scenes as a Nazi torturer and a member of the maquis, ten years before they were reunited as heavies Ryan & Burke in the TV adventure series 'Freewheelers' (for which Ripper again wore a beret).
Captain Paul Raine (Bradford Dillman) has been selected for a spy mission behind enemy lines during WWII. They say it's because he speaks French...but it's really because they think he'll crack under pressure and they arrange for his mission to fail. Why? Because they've fed him false information and hope to convince the Nazis of this lie. However, they never tell Raine...and a woman who has fallen for him knows the truth but she's ordered not to tell. What's next? Well, he's captured and tortured....but what's next might just come as a surprise to everyone.
The acting is good, the film well made. I have no real complaints other than the story makes for unpleasant viewing...and the very end, the final scene, didn't seem very realistic to me.
¿Sabías que…?
- TriviaBradford Dillman and Suzy Parker met on this shoot and later married.
- ErroresWhen Paul Raine is remembering events that took place in the war, there is a caption "Occupied France 1944". However when a despatch rider arrives at the Combined Services Catering Research office in London, apparently in the same time period, a Morris Minor car is seen in the background. This did not start production until 1948, well after the date in that caption.
- Citas
Capt. Thomas Rawson: The instructions our agent were to carry to Ballard were that on a certain day, on receipt of a certain signal, he and the Maquis were to attack all major roads and bridges in the Marignon sector. It didn't matter if they didn't destroy them so long as they attacked them. What was important was that the Germans would deduce from this attack that the invasion of France would take place in that area, thereby forcing them to hold troops there which would be more useful elsewhere.
Maj. William Spence: Well, it won't work now Ballard's arrested.
Capt. Thomas Rawson: But the Germans don't know we know that. It'll still work.
Maj. William Spence: But they have his radio.
Capt. Thomas Rawson: Yes, and they'll be sitting there, waiting for a signal. Well, we'll send them one. We'll say that one of our people is coming in with orders for Ballard. He'll land, the Germans will pick him up and try to beat out of him what those orders are.
Maj. William Spence: Plant a phony agent on them?
Capt. Thomas Rawson: So he breaks, he talks. And gives away to the Germans the plan to destroy communications in that area.
Maj. William Spence: The Maquis can't make the attack now.
Capt. Thomas Rawson: But the Germans will draw exactly the same conclusions as if they could - which is what we want.
Maj. William Spence: Would the phony agent get away with it?
Capt. Thomas Rawson: He won't know he's phony. He'll really believe he's got vital information. He'll try his hardest not to talk. Then things will get too tough for him. He won't be able to take it and he will talk.
Maj. William Spence: What, deliberately let them get a man of ours and break him?
Capt. Thomas Rawson: Yes. But he must be a man trying to do his duty; devoted, brave, utterly convincing. Well?
Lucy Bowen: He'd be a sacrifice.
Capt. Thomas Rawson: [he's handed a message] This is on Ballard's radio and in his code. The Germans don't know we know.
Capt. Thomas Rawson: Get on the phone to Holding Centre and tell Taylor we'll be down this afternoon.
Capt. Thomas Rawson: We've been trying to find men who won't crack under pressure. Now we've got to find one who will. But not too easily.
- Créditos curiososOpening credits prologue: LONDON - JUNE 8TH 1946
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Detalles
- Tiempo de ejecución1 hora 40 minutos
- Color
- Relación de aspecto
- 2.35 : 1