The Defenders

Even though it only ran between 1961-1965 on CBS,this was one of those shows that broke ever taboo with subjects that were too rowdy for television back then. This show was the forefront other successful courtroom shows to follow,even though it came out at the height of the Civil Rights Movement and the overall turbulance of the Vietnam War. Based on a Studio One play of the same title(which starred Ralph Bellamy and William Shatner) its premise was similiar to that of "Perry Mason",but with amazing results. E.G. Marshall and Robert Reed(long before he became one of the "Brady Bunch") were terrific as the father and son defense team who tackle issues head on in the courtroom and outside the premise as well. Great show!!!

There are heavy residuals on this great show, which I sure would like see again. Currently I have 32 stories, 29 of which are very good. If anyone has any episodes, please let met know. The ones I have are 30 listed "caseyguy", the Locked Room, and The Nonviolent. Of the remaining 100, I would like all but the the 2 part episode The 600 Year Old Gangm and Poltergest. Both of these were bad. Almost all of the old shows on video stores or cable were not worth watching even once. Somebody out there has the brainpower and pull to make them available to those willing to pay the price. This show caused you to think about conditions in your country. E.G. Marshall as excellent as were the frequent guest stars such as Frank Overton, Viveca Lindfors, Judson Laire, Jack Klugman, Harold Stone, Richard Kiley, Gene Hackmen, Edward Binns, Sylvia Sidney, Robert Webber, Malcom Atterberry, and others. This was the most socially conscious show ever.

"The Defenders" realistically portrayed issues of the day, often in a court room setting. They produced the show in New York City with, if memory serves, location exteriors. The court room scenes were well written and directed, usually the high point of each program.

At its best, the acting could be very good indeed. E.G. Marshall and Robert Reed worked well together as father and son attorneys. Their roles in this series provided them with career high points. The guest stars added further strength to the show.

As a teenager then, I thought it was a cutting edge show. It would probably be dated if viewed today, since it was filmed mostly in black and white (though the last season might have been color), and production values were different then. One of the best shows of its era, it should be released on DVD, but probably won't be because of onerous residuals obligations.

My elder brother (who is now a Metropolitan Trial Court judge) and I used to watch this every week back in the early '60s. I don't remember much of the episodes except I know I enjoyed most of them. It has a very inspiring trumpet led theme music as the camera took a long bird's eye view panning shot of a majestic courthouse with Greco-Roman architecture.

I do remember Atty. Preston, the elder, (E.G. Marshall) often arguing on the basis of principles over strict or often shystery interpretation of the law used by his court opponents.

One episode I distinctly remember is the one that involves a leader of an American neo-Nazi organization who organized a counter-demonstration to a Jewish rally or parade. Dressed in what looked like approximations of Sturmabteilung ("shock troops" or SA)uniforms, they peacefully stood on the sidewalks and shouted "Hitler had the right idea" repeatedly. They got arrested and charged with something in court. The Preston father and son lawyer team had the rather unpleasant but legally correct task of defending the neo-Nazi leader on the grounds of freedom of speech.

This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.

The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.