Car 54, Where Are You?

Taking a cue from his previously screened and highly successful SGT. BILKO series(aka YOU'LL NEVER GET RICH 1955-59), creator Nat Hiken went to the extensive pool of existing talent in the comedian /comic/funny man line. It was here that he found names like Jimmy Little, Joe E. Ross and even BILKO Star Phil Silvers had his comedic roots on stage in either Vaudeville or Burlesque.

In the casting of the players, Mr.Hiken and company made use of the available and eager New York stage actors. What could be more natural? After all, CAR 54 would be a Sitcom that was set in New York City about the Policemen of New York. Ergo, it would behoove any creative persons involved to add a certain otherwise unattainable degree of realism by using native born New Yorkers! (Duh!) The use of what must be described as "Obvious Humor" was a regular element of the series. Often the gags could be spotted coming from a ways out, yet the execution of the dialog by the players and the practice of milking a running gag for all its worth before finishing with it.

Hence we had a situation in one episode where Officer Francis Muldoon(Fred Gwynne) laments childhood experience wherein the kids at school referred to him as "Horse Face." Officer Gunther Toody(Joe E. Ross), his partner consoles him by telling him: "Don't worry Francis, kids just repeat what other people say!" And if this wasn't enough, Toody later adds: "After all, Francis, everybody liked Black Beauty!" They would sometimes take it beyond twice, but no matter it would be "resolved" in one way or another. And the charm of it was all was done straight-faced and serious.

The use of Cops as a Comic Foil has been around been with us ever since there has been Authority to deal with. When Mr. Mack Sennett gave us his Keystone Kops(and their immediate ancestor, Sennett's BANGVILLE POLICE)the use of the Cop as an outlet for humorous purposes was already a well established tradition on stage;be it in Vaudeville, English Music Hall, Burlesque, Stage Drama or Broadway Musical.Looking back further, we see in newspaper cartoons (not Comic Strips)be they straight humor or the Editorial type, this in heavy evidence.

There is one other area that CAR 54, WHERE ARE YOU? makes points that may not be apparent to a viewer. Unless you have been a Cop or had close family "on the job" it might completely miss you. (And this is no fault on anyone's.) Most of our TV Cops were characterized as little more than some sort of law enforcing robots. Oh, there were some exceptions, but for the most part series like Jack Webb's ADAM 12, portrayed what could almost pass for training film conversations. The team of Reed & Malloy seemed more interested in discussing street cop secrets and department procedure than sports, movies, where to get your car fixed or broads, even.

Mr. Hiken's crew not only humanized Cops, but took them a step further in showing some human foibles. And that,in the bigger picture of the Cinema & TV, may well be the greatest contribution that Nat Hiken and CAR 54, WHERE ARE YOU? provided.

This Cop Sitcom/Farce is one of the best representative series of its period(The early to mid 1960's). If you are not familiar with it, it's high time you met. If not on an outlet like NICK AT NIGHT, then try VHS or DVD's. Even a purchase would be well worthwhile.

I agree with Gilda, Car 54 is a classic that has not been given the same credit as "I Love Lucy" or "The Honeymooners", also some of my favorites.

The writing on Car 54 was superb. One of my favorite episodes is about the evil landlord "Pocrass." I love it!

Some of the warmest and funniest humor that was ever put on television came from the fertile pen of Nat Hiken when he created Car 54 Where Are You. As it came out at the beginning of the Kennedy presidency and only lasted two seasons, it can be said that it was a perfect fit for the Camelot years. After November of 1963 a gentle show like this albeit about cops would not have made it any longer.

In fact I can hardly believe it only lasted for two seasons, it seemed to go on forever in syndication. Speaking of JFK there was one episode I remember vividly about a patrolman who got a reputation as a jinx and no one wanted to ride with him. He did however pick up a certain VIP in 1960 and deliver him to a television broadcast. The VIP was Richard Nixon on the way to his debate.

The leads were Joe E. Ross and Fred Gwynne. Ross was a veteran of that other Nat Hiken creation the Phil Silvers Show where he played Mess Sergeant Rizzo. Ross played Gunther Toody who was an amiable goof who was assigned to give the benefit of his street wisdom to new partner Francis Muldoon. Gwynne as Muldoon was a tall shy almost backward kid and the only one who Toody might have seemed to have wisdom to impart. The funny thing is that somehow these two got through some very interesting situations and many times came out on top if not always by the book. They drove precinct Captain Bloch (Paul Reed) to total distraction.

The mark of a great show is the fact that even after almost 50 years I can still remember some individual episodes. I remember Molly Picon as Mrs. Bronson who simply would not be dispossessed from her home. I remember an episode with a parrot who learned from Ross to say I hate Captain Bloch. I remember a really wonderful episode where Toody and Muldoon try to get a decent bar mitzvah turnout for the son of Pokrass the landlord played by B.S. Pully. That was difficult because the stingy Pokrass was probably the most hated man in the Bronx. Still they managed in something not covered in the police manual.

You can see a lot of Car 54 in the Barney Miller Show in the next decade and I've a feeling that Toody and Muldoon may have wound up as instructors at the Police Academy.

I so wish the TV Land Channel would run this show.

I was much too young to enjoy this when it was on (I was 3 when it went off the air) but was blessed to see it on Nick at Night. I wish they would bring it back again or if it's on DVD, I must have it! This show about two 'hard working' New York City cops was witty and intelligent. Many of my generation think of the sitcoms of the 1950s and early 1960s and picture simple, basic and not terribly funny humor. Picture "Small Wonder" in black and white. This show had heart and some very clever writing. The simplest of everyday situations that a cop can face were turned into comedy gold. It was the "Barney Miller" of it's day. If any of you dear readers ever get a chance to see any of these episodes, check out the one where Toody and Muldoon have a chance to go out fishing on a boat. The lengths they go to to arrange their schedule so as to be free to go out, and the ONE thing that fouls it up are complex and hilarious.

The cast was wonderful as well, and of course they would be, otherwise this terrific writing would have been wasted. It's not.

I grew up in the Bronx when this was a prime time series in New York. In fact, I lived a block away from the old Biograph studio where the series was filmed; some of the location scenes were filmed in the Tremont section of the Bronx (the 53rd precenct). Watching the old episodes, you will see such actors as Maureen Stapleton, Nipsey Russell, Charlotte Rae, Mel Stewart, and Ossie Davis who were based in the New York area at the time. New York was the television broadcast capital at the time until the mid '60s before productions left for Hollywood. (Other studios like Filmways in Harlem produced shows like "Naked City"). The closing credits of the "53rd precinct" is actually the exterior of the Biograph studio-The show is still funny after all these years due to the writing of Nat Hiken and you can hear the old radio influence in the dialogue and story plots( A good book to read about Hiken: " King of the Half Hour" sold at Barnes & Noble). Thanks for the memories