Comedia de situación que presenta las alocadas travesuras de los mejores neoyorquinos.Comedia de situación que presenta las alocadas travesuras de los mejores neoyorquinos.Comedia de situación que presenta las alocadas travesuras de los mejores neoyorquinos.
- Ganó 1 premio Primetime Emmy
- 2 premios ganados y 4 nominaciones en total
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Taking a cue from his previously screened and highly successful SGT. BILKO series(aka YOU'LL NEVER GET RICH 1955-59), creator Nat Hiken went to the extensive pool of existing talent in the comedian /comic/funny man line. It was here that he found names like Jimmy Little, Joe E. Ross and even BILKO Star Phil Silvers had his comedic roots on stage in either Vaudeville or Burlesque.
In the casting of the players, Mr.Hiken and company made use of the available and eager New York stage actors. What could be more natural? After all, CAR 54 would be a Sitcom that was set in New York City about the Policemen of New York. Ergo, it would behoove any creative persons involved to add a certain otherwise unattainable degree of realism by using native born New Yorkers! (Duh!) The use of what must be described as "Obvious Humor" was a regular element of the series. Often the gags could be spotted coming from a ways out, yet the execution of the dialog by the players and the practice of milking a running gag for all its worth before finishing with it.
Hence we had a situation in one episode where Officer Francis Muldoon(Fred Gwynne) laments childhood experience wherein the kids at school referred to him as "Horse Face." Officer Gunther Toody(Joe E. Ross), his partner consoles him by telling him: "Don't worry Francis, kids just repeat what other people say!" And if this wasn't enough, Toody later adds: "After all, Francis, everybody liked Black Beauty!" They would sometimes take it beyond twice, but no matter it would be "resolved" in one way or another. And the charm of it was all was done straight-faced and serious.
The use of Cops as a Comic Foil has been around been with us ever since there has been Authority to deal with. When Mr. Mack Sennett gave us his Keystone Kops(and their immediate ancestor, Sennett's BANGVILLE POLICE)the use of the Cop as an outlet for humorous purposes was already a well established tradition on stage;be it in Vaudeville, English Music Hall, Burlesque, Stage Drama or Broadway Musical.Looking back further, we see in newspaper cartoons (not Comic Strips)be they straight humor or the Editorial type, this in heavy evidence.
There is one other area that CAR 54, WHERE ARE YOU? makes points that may not be apparent to a viewer. Unless you have been a Cop or had close family "on the job" it might completely miss you. (And this is no fault on anyone's.) Most of our TV Cops were characterized as little more than some sort of law enforcing robots. Oh, there were some exceptions, but for the most part series like Jack Webb's ADAM 12, portrayed what could almost pass for training film conversations. The team of Reed & Malloy seemed more interested in discussing street cop secrets and department procedure than sports, movies, where to get your car fixed or broads, even.
Mr. Hiken's crew not only humanized Cops, but took them a step further in showing some human foibles. And that,in the bigger picture of the Cinema & TV, may well be the greatest contribution that Nat Hiken and CAR 54, WHERE ARE YOU? provided.
This Cop Sitcom/Farce is one of the best representative series of its period(The early to mid 1960's). If you are not familiar with it, it's high time you met. If not on an outlet like NICK AT NIGHT, then try VHS or DVD's. Even a purchase would be well worthwhile.
In the casting of the players, Mr.Hiken and company made use of the available and eager New York stage actors. What could be more natural? After all, CAR 54 would be a Sitcom that was set in New York City about the Policemen of New York. Ergo, it would behoove any creative persons involved to add a certain otherwise unattainable degree of realism by using native born New Yorkers! (Duh!) The use of what must be described as "Obvious Humor" was a regular element of the series. Often the gags could be spotted coming from a ways out, yet the execution of the dialog by the players and the practice of milking a running gag for all its worth before finishing with it.
Hence we had a situation in one episode where Officer Francis Muldoon(Fred Gwynne) laments childhood experience wherein the kids at school referred to him as "Horse Face." Officer Gunther Toody(Joe E. Ross), his partner consoles him by telling him: "Don't worry Francis, kids just repeat what other people say!" And if this wasn't enough, Toody later adds: "After all, Francis, everybody liked Black Beauty!" They would sometimes take it beyond twice, but no matter it would be "resolved" in one way or another. And the charm of it was all was done straight-faced and serious.
The use of Cops as a Comic Foil has been around been with us ever since there has been Authority to deal with. When Mr. Mack Sennett gave us his Keystone Kops(and their immediate ancestor, Sennett's BANGVILLE POLICE)the use of the Cop as an outlet for humorous purposes was already a well established tradition on stage;be it in Vaudeville, English Music Hall, Burlesque, Stage Drama or Broadway Musical.Looking back further, we see in newspaper cartoons (not Comic Strips)be they straight humor or the Editorial type, this in heavy evidence.
There is one other area that CAR 54, WHERE ARE YOU? makes points that may not be apparent to a viewer. Unless you have been a Cop or had close family "on the job" it might completely miss you. (And this is no fault on anyone's.) Most of our TV Cops were characterized as little more than some sort of law enforcing robots. Oh, there were some exceptions, but for the most part series like Jack Webb's ADAM 12, portrayed what could almost pass for training film conversations. The team of Reed & Malloy seemed more interested in discussing street cop secrets and department procedure than sports, movies, where to get your car fixed or broads, even.
Mr. Hiken's crew not only humanized Cops, but took them a step further in showing some human foibles. And that,in the bigger picture of the Cinema & TV, may well be the greatest contribution that Nat Hiken and CAR 54, WHERE ARE YOU? provided.
This Cop Sitcom/Farce is one of the best representative series of its period(The early to mid 1960's). If you are not familiar with it, it's high time you met. If not on an outlet like NICK AT NIGHT, then try VHS or DVD's. Even a purchase would be well worthwhile.
I grew up in the Bronx when this was a prime time series in New York. In fact, I lived a block away from the old Biograph studio where the series was filmed; some of the location scenes were filmed in the Tremont section of the Bronx (the 53rd precenct). Watching the old episodes, you will see such actors as Maureen Stapleton, Nipsey Russell, Charlotte Rae, Mel Stewart, and Ossie Davis who were based in the New York area at the time. New York was the television broadcast capital at the time until the mid '60s before productions left for Hollywood. (Other studios like Filmways in Harlem produced shows like "Naked City"). The closing credits of the "53rd precinct" is actually the exterior of the Biograph studio-The show is still funny after all these years due to the writing of Nat Hiken and you can hear the old radio influence in the dialogue and story plots( A good book to read about Hiken: " King of the Half Hour" sold at Barnes & Noble). Thanks for the memories
I was much too young to enjoy this when it was on (I was 3 when it went off the air) but was blessed to see it on Nick at Night. I wish they would bring it back again or if it's on DVD, I must have it! This show about two 'hard working' New York City cops was witty and intelligent. Many of my generation think of the sitcoms of the 1950s and early 1960s and picture simple, basic and not terribly funny humor. Picture "Small Wonder" in black and white. This show had heart and some very clever writing. The simplest of everyday situations that a cop can face were turned into comedy gold. It was the "Barney Miller" of it's day. If any of you dear readers ever get a chance to see any of these episodes, check out the one where Toody and Muldoon have a chance to go out fishing on a boat. The lengths they go to to arrange their schedule so as to be free to go out, and the ONE thing that fouls it up are complex and hilarious.
The cast was wonderful as well, and of course they would be, otherwise this terrific writing would have been wasted. It's not.
The cast was wonderful as well, and of course they would be, otherwise this terrific writing would have been wasted. It's not.
Car 54 was the funniest show ever to grace the airwaves. The acting was dead-on perfection and the writing far superior to anything we have on-air today. The funniest episode involved a parrot that Captain Block had for years but was unable to teach it to talk. After one day with our heroes, the parrot ends up saying "I hate Captain Block", repeatedly. This is the funniest show I have ever seen! My husband first showed it to me shortly after I came out of the hospital for surgery. I laughed so hard that I thought my stitches would pop and I had to beg him to shut it off until later! If you have never seen this show you are in for a tremendous treat!! I love this show; when will it come on DVD? I can't wait to show all the episodes to our children.
"There's a holdup in the Bronx. Brooklyn's broken out in fights. There's a traffic jam in Harlem that's backed up to Jackson Heights. There's a scout troop short a child. Kruschev's due at Idlewild. Car 54, Where Are You?"
In the mixed Jewish and Italian 53rd precinct of the Bronx, two mismatched police officers, Gunther Toody and his partner, Francis Muldoon, patrol their section in Car 54. Gunther, a married man, is short, heavyset, and, a dummy. Francis, a bachelor living with his mother, is tall, skinny, and cultured. Practicing an early form of community policing, these two kind-hearted, childish men are beloved in the neighborhood. But their efforts to circumvent stern law usually backfire and embarrass their precinct commander, Captain Block.
This program, a gem of Jewish humor, packed a half-hour of riotous laughter into every show. Each character in it was well-formed and extreme. The guest stars were just as hilarious. Although "I Love Lucy" is remembered as the premier TV comedy series of the 1950's, "Car 54, Where Are You?" extracted more humor out of normal situations. One cannot watch it without getting a belly-ache. It was the funniest show on television.
In the mixed Jewish and Italian 53rd precinct of the Bronx, two mismatched police officers, Gunther Toody and his partner, Francis Muldoon, patrol their section in Car 54. Gunther, a married man, is short, heavyset, and, a dummy. Francis, a bachelor living with his mother, is tall, skinny, and cultured. Practicing an early form of community policing, these two kind-hearted, childish men are beloved in the neighborhood. But their efforts to circumvent stern law usually backfire and embarrass their precinct commander, Captain Block.
This program, a gem of Jewish humor, packed a half-hour of riotous laughter into every show. Each character in it was well-formed and extreme. The guest stars were just as hilarious. Although "I Love Lucy" is remembered as the premier TV comedy series of the 1950's, "Car 54, Where Are You?" extracted more humor out of normal situations. One cannot watch it without getting a belly-ache. It was the funniest show on television.
¿Sabías que…?
- TriviaThe theme song to the show: "There's a hold-up in the Bronx, Brooklyn's broken out in fights / There's a traffic jam in Harlem that's backed up to Jackson Heights / There's a Scout troop short a child, Khrushchev's due at Idlewild! / Car 54 where are you?"
- ErroresIn some versions of the opening credits, most notably the version in which Toody and Muldoon are playing checkers in the car, the bubble light atop the squad car jumps when the car shakes. It should be bolted in place.
- Citas
Officer Gunther Toody: Ooh! Ooh!
- ConexionesFeatured in Prime Times (1983)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Snow Whites
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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