En el Outback australiano, a principios del siglo XX, la empobrecida familia Carmody lleva una vida nómada en su carromato, pero la madre y el hijo quieren establecerse, mientras que el padr... Leer todoEn el Outback australiano, a principios del siglo XX, la empobrecida familia Carmody lleva una vida nómada en su carromato, pero la madre y el hijo quieren establecerse, mientras que el padre se opone.En el Outback australiano, a principios del siglo XX, la empobrecida familia Carmody lleva una vida nómada en su carromato, pero la madre y el hijo quieren establecerse, mientras que el padre se opone.
- Dirección
- Guionistas
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- Nominado a 5 premios Óscar
- 4 premios ganados y 13 nominaciones en total
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Opiniones destacadas
A film wise for the honest portrait of a reality easy to be recognized, in a form or other, by large audience.
Maybe, this is the basic virtue of The Sundowners - proposing the truths defining each character, truths reflected by ordinary situations, by hard work, dreams, projects, a money jar and an Englishman living as a tortue in Australia.
Splendid portrait of determined Ida offered by great Deborrah Kerr .
In short, just a great movie.
The acting is solid (in particular, Ustinov really "completes" the cast nicely), the cinematography is excellent and all in all, it's a good film for a rainy night. I'd agree with the poster who pointed out that you probably won't want to watch it over and over again, but to me, this isn't necessarily a knock on it; after all, think how tedious it would be if all films were as arcane as, say, "Pulp Fiction."
A solid 7 out of 10.
"The Sundowners" was perhaps the best 'Australian' film made up to that time, and was, incidentally, a perceptive study of a marriage: Deborah Kerr was the wife who wanted to settle down, and Robert Mitchum the husband who didn't It reveals much about their life-style and the land in which they live Their good teenaged son Sean (Michael Anderson Jr.) explains the meaning of a sundowner as someone whose home is wherever he happens to be when the sun goes down
So Paddy (Mitchum) and Ida (Kerr) are a warm and well-adjusted couple with one grown son, except for one argumentthe struggle between his love of being a wanderer and her fundamental desire for the stability of a home Paddy was a man who couldn't settle in one place For him, most places were fit only for arrivals and departures
The filmwhich constantly endeavored to show the Australian woman's compassion for the problems of women in a big male societyis also a happy celebration with other notable participants being Glynis Johns as an awfully pleasant barmaid-innkeeper who loves men's company and knows how to deal with them; Peter Ustinov as an educated but slightly mysterious Englishman, a likable drifter, a kind of an elderly turtle who wears a nautical cap, with wealth of experience, but not much of a mind to make use of it This turtle signs on as a drover with Paddy, apparently not so much for a job but for something to pass the time
Outstanding is a scene in which Ida, as a woman with no makeup, sitting on the wagon, spots in the window of a stationary train a well-dressed woman who obviously has all the things she doesn't... They look at each other for an instance as the rich woman applies powder to her face Ida gently lifts her fingers over her cheeks They stare at each other and we rapidly notice Ida's thoughts
"The Sundowners" is one of the very best of Mitchum's films In the pub sequence, he is at his best when he sings "Botany Bay" and "Lime Juice Tub."
Deborah Kerr gave the role both a touch of delicacy and a touch of sensuality She wins, for her impressive performance, her sixth and last Oscar nomination
The motion picture, splendidly photographed in Technicolor and with a nice atmospheric music, contains fires in the dry forests, shearing contests, fist-fights, the Aussie's love of beer, a game of two-up, a big race meeting, much of the beautiful Australian landscape and the life on sheep farming stations
Debora Kerr's wife was what I, as a male, sympathized with. Tis is not comparable to "Thousand Mile Fence"having to do with Aboriginal experiences. In a way it is a mirror of it in those who had taken over the land in their struggles to survive. My wife and I were there a few years ago, on the east coast, the barrier reef from Kairns down to Sydney, never getting to the outback, so after that we watched every Australian film we could.
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- TriviaAlthough studio head Jack L. Warner wanted to shoot the movie in Arizona, director Fred Zinnemann insisted on shooting the exteriors on-location in Australia. The shoot did not go well. Zinnemann spent twelve weeks filming scenery and shepherding scenes in the outback before the cast arrived. Once the cast got there, the weather began alternating daily between hot sun and cold rain, which resulted in several extra weeks of filming. Robert Mitchum was so harassed by fans, that he had to move onto a boat to get away from them.
- ErroresAfter Ida and Sean cross the bridge to escape the fire, they look into the flames for Paddy. Through the smoke, a man can be seen tending the fire.
- Citas
Ida Carmody: This is a good country for sheep and it's not bad for men, but it's hard on us women. The men come here because of the sheep, and we come here because of the men, and most of us finish up looking like the sheep. Wrinkled faces, knotty hair, and not even much of a mind of our own.
- ConexionesFeatured in On Location with the Sundowners (1960)
- Bandas sonorasThe Lime-Juice Tub
(uncredited)
Traditional
Quoted in the background score and played by the band at the first race meeting and also sung at Mrs Firth's hotel
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Detalles
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- The Sundowners
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- Tiempo de ejecución2 horas 13 minutos
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- Relación de aspecto
- 1.85 : 1