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I have seen a number of Ralph Bellamy films where he was cast as a looser type tied to his mother's apron strings. The problem is he did too good of a job. Can you say type casting? I am a huge fan of classic films because I believe it was a time when a movie was judged as good or bad by the skill of the actors and not insane special effects. There is a place for special effects that can take people to new worlds or bring us back to the past so well we feel we are there. All the special effects in the world can save a movie if the acting is bad or if a part is given to the wrong person. Sometimes the only special effects needed is in the magick kit and the imagination of the make up artist. A gifted director can bring out the best in any actor. When everything comes together at the right time and real magick is made and the viewer is entertained. When Ralph Bellamy was cast in the play and the movie he was able to show how much talent he really had. I was amazed how he transformed himself. I believe he showed the very essence of the man. He should have at least received a nomination for this grand performance.

For anyone remotely interested in the history of U.S. presidents, SUNRISE AT CAMPOBELLO does an outstanding job of recreating the period of time during which Franklin Deleano Roosevelt coped with his victory over suffering polio in his forties, just as his political ambitions were taking shape.

RALPH BELLAMY repeats his stage role and makes you forget that all he ever played in his earlier movies were the hapless saps who lost the girl in the last reel. He gives a full-bodied portrait of the man and is ably assisted by an actress who seemed a most unlikely choice for her role--GREER GARSON as Eleanor Roosevelt.

With a striking supporting cast headed by HUME CRONYN as Roosevelt's closest friend and adviser, the only weak point of the whole enterprise is the length of time it takes to tell the story. 144 minutes is a long time to sit through a tale such as this, crammed as it is with some static scenes and full of dialog exchanges that go on for some length of time.

But all in all, it's a fascinating history lesson in that all of the events unfold using a lot of historical background as to the politics of the time. Oddly enough, Bellamy himself did not win an Oscar nomination but Greer Garson did. She also won awards from The National Board of Review and the Golden Globes as Best Actress.

Well worth seeing, although it seems to wear out its welcome during the last twenty-five minutes or so.

Before Franklin D. Roosevelt could lead the nation in overcoming economic depression and fascist aggression, he had to overcome one of the greatest of personal challenges any would be president ever had to overcome. The years 1921 to 1924 in his life are the subject of Dore Schary's play Sunrise At Campobello which won a Tony Award for Best Play and for Ralph Bellamy as FDR.

Bellamy and Alan Bunce as Alfred E. Smith are the only ones who repeated their stage roles in this film. Bellamy, a most respected player was certainly not a leading man in a traditional sense nor any kind of box office. Mary Fickett who played Eleanor Roosevelt on stage was replaced by Greer Garson. I'm not sure why Henry Jones who also won a Tony for playing Louis McHenry Howe was replaced, but Hume Cronyn certainly did an admirable job as the asthmatic, cigar smoking former reporter who became FDR's devoted acolyte and one of the very few whom he vested 100% trust in during his life.

You can read the various biographies of Roosevelt by James McGregor Burns, Frank Freidel, Emil Ludwig and a host of others and most recently by British author Conrad Black and you'll find that Schary sticks very closely to what exactly happened in those four years. For people who grew up in the Roosevelt era like Schary, like my parents, Roosevelt approached almost deification in their minds. I would have expected nothing less than that from Dore Schary, a certified New Deal liberal in his politics.

One summer after spending a day swimming in the Bay of Fundy on Campbello Island where the Roosevelts had a summer home, Roosevelt was taken down with chills which quickly developed into paralysis, infantile paralysis, a dread scourge back in those days.

Roosevelt's career was thought to be over. At the time the disease struck him he was contemplating his next move after having run for Vice President with James M. Cox in 1920 on the Democratic ticket. It was thought he was finished then, he would retire to his estate at Hyde Park with people occasionally remembering what might have been. That was certainly what mother Sara, played by Ann Shoemaker wanted.

It's not what Eleanor wanted and definitely not what Louis Howe wanted who gave him the spark to overcome the limitations the disease put on him, if not the disease himself. That's the story of Sunrise At Campobello.

Sunrise at Campobello got four Oscar nominations, Best costume design, best art&set direction, best sound and for Greer Garson, best actress. Greer unfortunately was up against a sentimental vote for Elizabeth Taylor who had battled back from disease herself that year for Butterfield 8.

However the film is best remembered for Ralph Bellamy as FDR. He became the actor most identified with the role even though many like Dan O'Herlihy and Arthur Hill have played FDR in other venues. Bellamy got to repeat his portrayal of FDR in the acclaimed mini-series The Winds Of War. It's certainly something better to remember him by than what he had done before in films, usually the earnest goof who loses the leading lady in the end.

I highly recommend this film, especially for younger viewers who want to get a glimpse of incipient presidential greatness. It holds up well and will continue to for centuries.

'Sunrise at Campobello' is an adaptation of the Broadway stage play that was a success back in the day, detailing Franklin D Roosevelt's (one of America's most interesting and prolific presidents) battle with polio. It was very interesting seeing Ralph Bellamy in a very different and more dramatic role to usual, when thinking of Roosevelt Bellamy doesn't automatically come to mind looking at him and his previous roles but there have been plenty that have played against type and done brilliantly.

While not a film that blew me away, though Bellamy's performance did, 'Sunrise at Campobello' is an interesting film and a moving one that does really well at showing Roosevelt's struggles in an accessible way. It may not be a perfect translation from stage to film, but in this regard considering how many films based on stage plays struggled making their source material more cinematic this is a worthy effort that is to be applauded in my view.

It isn't perfect, with its stage origins being betrayed in some static character interaction, some creaky pacing and parts where it gets a bit too theatrical.

Especially in the rather overstretched and meandering last half an hour.

However, a lot is great. Bellamy is extraordinary in an authoritative and deeply felt performance that makes Roosevelt a compellingly real character and not a caricature. Not at least nominating him for an Oscar was a big mistake. Greer Garson, who was nominated, supports him more than ably and sympathetically and the supporting cast are just as on the money. Hume Cronyn being particularly first class. The script is also very intelligent and thoughtful, without being too talky.

Although the storytelling isn't perfect, it does a great job making Roosevelt's struggles with polio and how he copes with it very poignant and inspiring, as a disabled person this aspect resonated with me. It is a well filmed and far from static or overblown looking film, a lot of it being sumptuous. The direction is generally very skilled and the music doesn't come over as melodramatic or stock.

Concluding, well executed and worth seeing for particularly Bellamy. 7/10.

"Sunrise at Campobello" enacts early events in the personal life of Franklin Delano Roosevelt with fine production values, including solid performances.

Certainly both Ralph Bellamy and Greer Garson had their work cut out playing, respectively, Franklin and Eleanor. They got their characterizations down pat, and their work is of a high calibre.

The talented supporting cast is headed by Hume Cronyn as Franklin's best friend and Ann Shoemaker as his doting mother. Jean Hagen is seen as a good-natured secretary.

It may be that Dore Schary's script from his play was too lengthy, or that Vincent J. Donahue's direction was too slow. Whatever the case, running at 144 minutes this seems a pretty long haul for the average viewer.

Bellamy's work is consistently exectued, with all of the famous FDR mannerisms--it is also slowly-paced. Garson's Eleanor captures her distinctivly slow, deliberate speech cadence. Likewise, both principals' makeups are subtely effective.

The script begins in 1921 when Franklin was 40 and wisely ends just three years later with his politically important nominating speech for Al Smith. While there may be some dramatic modifications of factual material, the basic flavor of the period and characters are well handled.

Fraklin's overcoming of physical adversity to become a four term US president is a story of great interest, from both a human and professional perspective. "Sunrise at Campolbello" skillfully presents this inspired period of American history.