El esclavo Spartacus dirige una violenta revuelta contra la decadente República Romana.El esclavo Spartacus dirige una violenta revuelta contra la decadente República Romana.El esclavo Spartacus dirige una violenta revuelta contra la decadente República Romana.
- Dirección
- Guionistas
- Elenco
- Ganó 4 premios Óscar
- 12 premios ganados y 11 nominaciones en total
Resumen
Reviewers say 'Spartacus' is lauded for its epic scale, historical drama, and standout performances by Kirk Douglas, Laurence Olivier, and Peter Ustinov. Key themes include the fight for freedom, class conflict, and human resilience. However, some criticize historical inaccuracies, pacing, and the film's length. Love scenes and certain character arcs receive mixed feedback. Despite these issues, the film's spectacle, cinematography, and ensemble cast performances are widely appreciated.
Opiniones destacadas
This is Kubrick's farewell to Hollywood. I would have liked to be a fly on the wall. I don't believe for a minute that it was a cordial parting of the ways. I mean, Kubrick never returned, never! With "Paths of Glory" Kubrick gave Kirk Douglas, not just his best part as an actor, but his best movie. By the time Douglas called Kubrick to "take over" "Spartacus" Douglas was already a huge star with too much saying in the matter. Look at it, it's clear. "Spartacus" is more Douglas than Kubrick. Great fun to watch, yes, absolutely. A terrific script by black listed Dalton Trumbo. Some fight sequences unequalled in the history of film. Look at the fight between Douglas and Woody Strode and compare it to the ones in "Troy" or "Gladiator" for that matter. It is sad an embarrassing to realise how low we've fallen. Computer generated images or not. The cast is unbelievable but it's clearly not Kubrick's. The casting of his movies was part of his master plan. He would cast a Ryan O'Neil as Barry Lyndon for instance so he can blend perfectly with the magnificent tapestry, without adding any colours of his own. The same can be said of Keir Dullea, in 2001, a robotic non entity in a showdown with a voice. When he needed actors to be at the very pinnacle of his universe he went to Peter Sellers, Malcolm McDowell or James Mason. Even the casting of Tom Cruise made a lot of sense. He used the star and his wife to talk about the dreamlike powers of betrayal. In "Spartacus" Tony Curtis, plays Antoninus, a teacher of the classics. A campy idea never seen in a Kubrick film, before or since. To be fair, there are some spot on, brilliant pieces of casting. Charles Laughton is, as usual, superb. Peter Ustinov, terrific. Laurence Olivier manages to give a multifaceted portrait of weakness, fear and greed. Jean Simmons makes the reason to survive totally believable. But the cutesy love scene between her and a shiny muscular, coiffed Spartacus is truly terrible. As a final blow, the scene is enveloped in a sticky, corny music theme. Having said all that. Don't you dare missing this epic. I'ts Kubrick's goodbye to Hollywood and like everything else that the master said or do, he really meant it.
It is very much part of Hollywood folklore that having dispensed with the services of Anthony Mann, producer and star Kirk Douglas brought in Stanley Kubrick with whom he had worked so effectively in 'Paths of Glory'. This represented a daunting challenge and Kubrick passed with flying colours. The rest as they say is history although Douglas always felt that Kubrick was not as grateful as he should have been!
It would be well-nigh impossible now to assemble a cast of such substance and quality. There were bound to be clashes of temperament of course and the animosity between Olivier and Laughton has been amusingly recounted by Peter Ustinov who picked up an Oscar as Best Supporting actor. Olivier here is in his physical prime and is magnificent in the role of Crassus. He is ruthlessness incarnate but tender in his scenes with the Lavinia of Jean Simmons. He had previously directed her in 'Hamlet' and their professional bond is palpable.
There are scenes which are indelibly etched notably the gladiatorial combat between Douglas and Woody Strode and the scene where the slave army watches the legions of Crassus forming for battle which must surely have been inspired by Eisenstein's 'Alexander Nevsky'. The score by Alex North although harsh captures perfectly the brutality of the times whilst Russell Metty's cinematography is outstanding.
Forget the others, this is the only gladiator film that really matters and it will never be surpassed.
It would be well-nigh impossible now to assemble a cast of such substance and quality. There were bound to be clashes of temperament of course and the animosity between Olivier and Laughton has been amusingly recounted by Peter Ustinov who picked up an Oscar as Best Supporting actor. Olivier here is in his physical prime and is magnificent in the role of Crassus. He is ruthlessness incarnate but tender in his scenes with the Lavinia of Jean Simmons. He had previously directed her in 'Hamlet' and their professional bond is palpable.
There are scenes which are indelibly etched notably the gladiatorial combat between Douglas and Woody Strode and the scene where the slave army watches the legions of Crassus forming for battle which must surely have been inspired by Eisenstein's 'Alexander Nevsky'. The score by Alex North although harsh captures perfectly the brutality of the times whilst Russell Metty's cinematography is outstanding.
Forget the others, this is the only gladiator film that really matters and it will never be surpassed.
I know my summary may sound opinionated...but I couldn't help being entertained by this film. If I had any complaints it would be there are one or two parts that suffer from uneven pacing and in the latter half especially there are a lot of wordy speeches from Kirk Douglas. That said, it is very well made, with sweeping cinematography, beautiful costumes and well constructed sets. The score is triumphant and bombastic, Kubrick's direction is secure and the script is surprisingly intelligent and knowing. Also the action is brilliantly done, and the performances are to be much applauded, with Kirk Douglas believable and sincere in the title role, Jean Simmons alluring as Varina and Laurence Olivier, Peter Ustinov and Charles Laughton stealing every single scene they are in.
Overall, maybe not Kubrick's very best, but a fine historical epic. 9/10 Bethany Cox
Overall, maybe not Kubrick's very best, but a fine historical epic. 9/10 Bethany Cox
10bb_org
A very moving and compelling story of epic proportions. The plot is relentless, propelled by a dazzling screenplay. Kubrick draws some of the greatest performances of the cast, and fills the screen with images that fascinate throughout. Well paced for a movie of this magnitude.
To those who complain of anachronisms and poetic license with historical events, I say to them, 'Remember, it is a movie.' To be truly accurate, the cast would be delivering their lines in Latin and ancient Greek, with English subtitles. Whatever Kubrick might lose with historical inaccuracies, he gains far more in his ability to convey the story to the viewer. Even though it is over forty years old, the film tells us more of the present day than it does of the past.
To those who complain of anachronisms and poetic license with historical events, I say to them, 'Remember, it is a movie.' To be truly accurate, the cast would be delivering their lines in Latin and ancient Greek, with English subtitles. Whatever Kubrick might lose with historical inaccuracies, he gains far more in his ability to convey the story to the viewer. Even though it is over forty years old, the film tells us more of the present day than it does of the past.
Another Kubrick's masterpiece and very influential movie in it's genre.
Kirk Douglas did great job as Spartacus but for me the best charachter in this movie was Laurence Olivier as Crassus. He brings on of the best villain performances I've ever seen. Spartacus had a lot of influence on Ridley Scoot's Gladiator, from way of acting (especially the similarity between Joaquin Pheonix and Laurence Olivier's character) to the way camera moves and shots are taken. This is truely a great historical film and a classic you should see. It will be hard for me to rank it amongst other Kubrick's films but I will try it (don't get angry if you disagree).
¿Sabías que…?
- TriviaStanley Kubrick was brought in as director after Kirk Douglas had a major falling out with the original director, Anthony Mann. According to Sir Peter Ustinov, the salt mines sequence was the only footage shot by Mann.
- ErroresA truck drives along the hills behind a battle scene.
- Citas
Herald: I bring a message from your master, Marcus Licinius Crassus, Commander of Italy. By command of His Most Merciful Excellency, your lives are to be spared. Slaves you were and slaves you remain. But the terrible penalty of crucifixion has been set aside on the single condition that you identify the body or the living person of the slave called Spartacus.
Antoninus: [stands up] I'm Spartacus!
[everyone around Antoninus and Spartacus stands up and shouts "I'm Spartacus!"]
- Créditos curiososThe six main cast members are accompanied by an item that represents their character (a chain, a Roman eagle, a wine jug, a couple of hands - one wielding a snake, and a sword).
- Versiones alternativasAfter its premiere the film was heavily cut and wasn't shown in its complete form until 1991, when a restored version was re-released. Among the restored scenes is one where where Marcus Crassus (Laurence Olivier) tries to seduce Antonius (Tony Curtis) in the bath. The soundtrack was damaged, so Anthony Hopkins was called in to dub Olivier's lines. In addition, several scenes of violence preview audiences reacted to negatively were restored, including Crassus bloodily stabbing Draba, Marcellus being drowned in the stew, Spartacus stabbing a Roman soldier in the pool, and several gory shots in the final battle, notably Spartacus lopping off the arm of a Roman soldier.
- ConexionesEdited into Hércules: Los viajes legendarios: Les Contemptibles (1997)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Spartacus
- Locaciones de filmación
- Hearst Castle, San Simeon, California, Estados Unidos(Crassus' villa)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,830,650
- Fin de semana de estreno en EE. UU. y Canadá
- USD 92,162
- 28 abr 1991
- Total a nivel mundial
- USD 1,855,491
- Tiempo de ejecución
- 3h 17min(197 min)
- Color
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