CALIFICACIÓN DE IMDb
3.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaIn the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station.
- Dirección
- Guionistas
- Elenco
Rik Van Nutter
- Ray Peterson (IZ41)
- (as Rik Von Nutter)
Gabriella Farinon
- Lucy (Y13)
- (as Gaby Farinon)
Franco Fantasia
- Sullivan
- (as Frank Fantasia)
José Néstor
- Venus Commander
- (as Jose Nestor)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'Space Men', directed by Anthony Daisies (aka Anthony M. Dawson of 'Cannibal Apocalypse' infamy), is a low budget, and I mean LOW budget, 60s Italian sci fi adventure. Anyone expecting a stylish gem ala Mario Bava's 'Planet Of The Vampires' will be sorely disappointed, and anyone expecting an Ed Wood worst-movie-ever-made laughfest will also not get what they expect. This movie is neither of the two, but if you take it for what it is - basically a simple 40s style pulp plot with special effects a smart 12 year old could build in their own backyard - it is a fairly enjoyable slice of silliness.
The wonderfully named Rik Van Nutter ('Thunderball') plays an arrogant (but actually quite decent underneath) space reporter who is sent as an observer on a space mission. He clashes with the arrogant (but actually quite decent underneath) ship Commander (Alain Dijon - 'La Dolce Vita'). The two also vie for the affections of the lovely Lucy (Gabriella Farinon) in between trying to save Earth from possible destruction by an out of control space ship. Yes, it's that kind of movie. Entertaining enough but nothing special.
The wonderfully named Rik Van Nutter ('Thunderball') plays an arrogant (but actually quite decent underneath) space reporter who is sent as an observer on a space mission. He clashes with the arrogant (but actually quite decent underneath) ship Commander (Alain Dijon - 'La Dolce Vita'). The two also vie for the affections of the lovely Lucy (Gabriella Farinon) in between trying to save Earth from possible destruction by an out of control space ship. Yes, it's that kind of movie. Entertaining enough but nothing special.
Very odd sci-fi film. Filled with quirky little details of some historical interest: The film is Italian and overdubbed in English; but if you watch the actors' lips carefully, they are mouthing the English words; so the film was intended for an English language market from the start.
The writers assume that the Russians will win the space-race of the time, hence the reporter refers to the spaceship crew as "cosmonauts).
The film claims to be shot in Technicolor; this simply cannot be the case. Occasionally the color red shows through, but much of it does look black and white. When Technicolor washes out, it takes on a light blue tint - other processes get very blue, light green, or, as here, simply washed out all together.
Gabriella Farinon is very easy to look at; she later did a very pretty spread for the Italian edition of Playboy Magazine (1975)(some of it can be searched for on the 'net), but her film career went pretty much nowhere.
The year is 1960; that may make this the first film ever to depict a black male as extremely intelligent, brave, wistfully philosophical, and treated by the other crew members as simply another crew member, no reference to race whatsoever. I'm afraid that would make this one of the most important films ever made, in terms of social history (which doesn't mean it's a good film - it isn't).
Director Antonio Margheriti, AKA Anthony M. Dawson, was extremely prolific; however, a filmography search, both here at IMDb and on Google, only discovers his fantasy films, and a small handful of westerns; but I remember his name popping up on almost every other spaghetti or sauer-kraut western produced in the '60s, at least until Sergio Leone came along (and radically changed that genre).
Yes, I can see the influence of this film on Kubrick's 2001; but beyond the film's essential pessimism, it's unclear why Kubrick would be impressed by a film so poorly made.
My viewing confirms a previous reviewer's note that the explosion of a spaceship is represented with brief stock footage of a car blowing up in a parking lot. Why?! Not the lowest budget imaginable for such a film can excuse this gaff - it would have been more effective to take the spaceship miniature and toss it on the ground - and then step on it.
Yet despite flaws like this, the writers seem to be determined to deploy science and technology (at least as it was popularly known at the time) in a fairly realistic manner.
A real stew of a film, made of leftovers as yet not fully cooked.
The writers assume that the Russians will win the space-race of the time, hence the reporter refers to the spaceship crew as "cosmonauts).
The film claims to be shot in Technicolor; this simply cannot be the case. Occasionally the color red shows through, but much of it does look black and white. When Technicolor washes out, it takes on a light blue tint - other processes get very blue, light green, or, as here, simply washed out all together.
Gabriella Farinon is very easy to look at; she later did a very pretty spread for the Italian edition of Playboy Magazine (1975)(some of it can be searched for on the 'net), but her film career went pretty much nowhere.
The year is 1960; that may make this the first film ever to depict a black male as extremely intelligent, brave, wistfully philosophical, and treated by the other crew members as simply another crew member, no reference to race whatsoever. I'm afraid that would make this one of the most important films ever made, in terms of social history (which doesn't mean it's a good film - it isn't).
Director Antonio Margheriti, AKA Anthony M. Dawson, was extremely prolific; however, a filmography search, both here at IMDb and on Google, only discovers his fantasy films, and a small handful of westerns; but I remember his name popping up on almost every other spaghetti or sauer-kraut western produced in the '60s, at least until Sergio Leone came along (and radically changed that genre).
Yes, I can see the influence of this film on Kubrick's 2001; but beyond the film's essential pessimism, it's unclear why Kubrick would be impressed by a film so poorly made.
My viewing confirms a previous reviewer's note that the explosion of a spaceship is represented with brief stock footage of a car blowing up in a parking lot. Why?! Not the lowest budget imaginable for such a film can excuse this gaff - it would have been more effective to take the spaceship miniature and toss it on the ground - and then step on it.
Yet despite flaws like this, the writers seem to be determined to deploy science and technology (at least as it was popularly known at the time) in a fairly realistic manner.
A real stew of a film, made of leftovers as yet not fully cooked.
I kinda like Assignment Outer Space. It's a real simple little sci-fi flick with your typically bad Italian effects. One scene made the movie for me though.
There's a scene where an astronaut tries to escape a crash by jumping down to one of Mars' moons (strangely similar to the big budget Mission to Mars). Suddenly, there's an explosion when his ship hits. Unfortunately, the person handling the mattes was apparently sleeping that day, because you see an explosion in front of a bunch of buildings and behind a Chevy. Here we are in deep space near the Red Planet and there's a Chevy on a street in Italy. One of the most jarringly funny scenes I ever saw in a grade z movie.
There's a scene where an astronaut tries to escape a crash by jumping down to one of Mars' moons (strangely similar to the big budget Mission to Mars). Suddenly, there's an explosion when his ship hits. Unfortunately, the person handling the mattes was apparently sleeping that day, because you see an explosion in front of a bunch of buildings and behind a Chevy. Here we are in deep space near the Red Planet and there's a Chevy on a street in Italy. One of the most jarringly funny scenes I ever saw in a grade z movie.
Thanks to junk-monkey (liam@merriol.freeserve.co.uk) for the review I read on one screen while watching the movie on the other. Read his excellent review for proper details. This is just a "me too' rider on that.
A quandary on the scoring: 3 out of 10 for stand-alone entertainment, but 7 for teaching value. It's great for analysis.
I'm teaching my 9 yr old daughter the basics of film-making, and so far this is the best "how to do a low budget job without spending money on a continuity girl" effort I've yet found.
You really _could_ make this film at home with a few mates, a roll of black paper and the contents of a junk radio surplus store for props and scenery. You'll also need some fishing line and a couple of plastic construction kits with burning candles stuck up their orifices, some mud and a source of smoke - a cigar, or a pinch of dry ice. Because of that, for the stated instructional purpose, I loved the film. and even though it's not "Dark Star," it must have helped pave the way
The kid's about to do a remake starring teddy bears and a washing-up liquid bottle with fins stuck on. It should be no less convincing.
I downloaded it from a public domain collection.
Would I buy it? Probably not for more than £1.00
A quandary on the scoring: 3 out of 10 for stand-alone entertainment, but 7 for teaching value. It's great for analysis.
I'm teaching my 9 yr old daughter the basics of film-making, and so far this is the best "how to do a low budget job without spending money on a continuity girl" effort I've yet found.
You really _could_ make this film at home with a few mates, a roll of black paper and the contents of a junk radio surplus store for props and scenery. You'll also need some fishing line and a couple of plastic construction kits with burning candles stuck up their orifices, some mud and a source of smoke - a cigar, or a pinch of dry ice. Because of that, for the stated instructional purpose, I loved the film. and even though it's not "Dark Star," it must have helped pave the way
The kid's about to do a remake starring teddy bears and a washing-up liquid bottle with fins stuck on. It should be no less convincing.
I downloaded it from a public domain collection.
Would I buy it? Probably not for more than £1.00
I saw it on a Saturday matinee double feature sometime in the '60s. And then completely forgot the name of it. The one thing I remembered was the spaceship with the dead crew and the deadly forcefield that destroyed any ship remotely near it. Which of course was not enough to base a search on.
And it didn't help that I thought Ed Platt played a role in it, as the spaceman who dies trying to stop the deathship.
I lucked out when I bought a $5 DVD of it on a lark and, lo and behold, it was the film I'd been looking for!
Anyway, if you want to see a great example of a scifi space flick prior to 2001, give this a try.
And it didn't help that I thought Ed Platt played a role in it, as the spaceman who dies trying to stop the deathship.
I lucked out when I bought a $5 DVD of it on a lark and, lo and behold, it was the film I'd been looking for!
Anyway, if you want to see a great example of a scifi space flick prior to 2001, give this a try.
¿Sabías que…?
- TriviaWith the international (including Italy) success of large-scale, effects-laden science-fiction spectacles from Japan, such as Ishirô Honda's Misterios del espacio (1957) and Guerra entre planetas (1959), Italian producers had hoped to duplicate their success with this, Italy's first big space opera.
- ErroresSome of the gauges/meters seen are for tape recorders (% wow and dB meters) and would have nothing to do with the navigation or operation of a spacecraft.
- Citas
Lucy (Y13): They serve the purpose of changing hydrogen into breathable oxygen and they're as necessary here as the air is on Earth.
Ray Peterson (IZ41): But I still say, they're flowers.
Lucy (Y13): If you like.
Ray Peterson (IZ41): Do you sell them?
Lucy (Y13): I'm afraid not.
Ray Peterson (IZ41): But, maybe we could make a deal.
- ConexionesFeatured in Out of this World Super Shock Show (2007)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Assignment: Outer Space
- Productoras
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- Tiempo de ejecución1 hora 13 minutos
- Mezcla de sonido
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By what name was Space Men (1960) officially released in India in English?
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