CALIFICACIÓN DE IMDb
7.3/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.A young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.A young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.
- Dirección
- Guionistas
- Elenco
Monte Landis
- Fleetsnod
- (as Monty Landis)
Opiniones destacadas
A classic, (and very, very funny) British comedy that seems to have slipped through the net, (despite having been picked up and remade last year with Billy Bob Thornton). Aficianados, of course, love the film with a passion and for good reason since it represents a high point in the careers of Ian Carmichael, Terry-Thomas and director Robert Hamer, (sadly this was the last thing Hamer did).
It's based on the Oneupmanship books of Stephen Potter, in themselves classics of British humour, and here Potter is played by the great and inimitable Alastair Sim, though Sim takes a back seat in this one. Surprisingly, the writers Hal E Chester and Paricia Moyes, who adapted Potter's books, have managed to pull together something of a coherent plot rather than just a series of sketches as initially nerdy Carmichael starts putting Sim's Dark Arts into practice as he goes head-to-head with the dastardly Thomas for the virtue of Janette Scott. Anyone who has ever wondered what the point of Terry-Thomas was need look no further than here. He's a comic fireball and he ignites every scene he's in. Seek this one out.
It's based on the Oneupmanship books of Stephen Potter, in themselves classics of British humour, and here Potter is played by the great and inimitable Alastair Sim, though Sim takes a back seat in this one. Surprisingly, the writers Hal E Chester and Paricia Moyes, who adapted Potter's books, have managed to pull together something of a coherent plot rather than just a series of sketches as initially nerdy Carmichael starts putting Sim's Dark Arts into practice as he goes head-to-head with the dastardly Thomas for the virtue of Janette Scott. Anyone who has ever wondered what the point of Terry-Thomas was need look no further than here. He's a comic fireball and he ignites every scene he's in. Seek this one out.
Humilliated in sport,losing his girl to a cad, and always taken advantage of-Henry Palfrey decides enough is enough and enrols himself at the College Of Lifemanship to learn self improvement strategies.
School For Scoundrels is inspired by a trio of parody self-help books written by Stephen Potter called Gamesmanship, Lifemanship & Oneupmanship, with the subsequent result being a deftly charming satire backed up with very knowing comedy. Taking the lead role of Henry Palfrey is Ian Carmichael, though a star of many funny and successful British comedies, Carmichael is not someone I would normally term as a confident leading man, but here he does well and I think that is probably down to having the ebullient Terry-Thomas to feed off.
Terry-Thomas is here in full caddish rapscallion mode as Henry's love rival Raymond Delauney, a devilishly funny character who firmly has us begging Henry to get the better of him come the end. Some delightful laughs to be had here, from the duos tennis matches, to Henry's turning of the tables on an unscrupulous car salesmen. School For Scoundrels is never ever less than a funny movie.
However the film is far from perfect, Alistair Sim isn't given that much to do as Henry's mentor, Professor Stephen Potter, and this ultimately feels like a wasted opportunity. The direction is also pretty patchy, which when I delved further is sadly understandable. Robert Hamer was the perfect choice to direct because nestling on his CV is the majestic Kind Hearts And Coronets. But Hamer was fired shortly after filming began after lapsing back into alcoholism (he would die three years later), so the film was completed by Hal Chester and Cyril Frankel.
Frayed edges aside though, School For Soudrels still holds up well today, and when one witnesses the poor standard of the 2006 remake, this 1960 offering is something of a comedic gem to be cherished forever and always.
Hard cheese old boy 8/10
School For Scoundrels is inspired by a trio of parody self-help books written by Stephen Potter called Gamesmanship, Lifemanship & Oneupmanship, with the subsequent result being a deftly charming satire backed up with very knowing comedy. Taking the lead role of Henry Palfrey is Ian Carmichael, though a star of many funny and successful British comedies, Carmichael is not someone I would normally term as a confident leading man, but here he does well and I think that is probably down to having the ebullient Terry-Thomas to feed off.
Terry-Thomas is here in full caddish rapscallion mode as Henry's love rival Raymond Delauney, a devilishly funny character who firmly has us begging Henry to get the better of him come the end. Some delightful laughs to be had here, from the duos tennis matches, to Henry's turning of the tables on an unscrupulous car salesmen. School For Scoundrels is never ever less than a funny movie.
However the film is far from perfect, Alistair Sim isn't given that much to do as Henry's mentor, Professor Stephen Potter, and this ultimately feels like a wasted opportunity. The direction is also pretty patchy, which when I delved further is sadly understandable. Robert Hamer was the perfect choice to direct because nestling on his CV is the majestic Kind Hearts And Coronets. But Hamer was fired shortly after filming began after lapsing back into alcoholism (he would die three years later), so the film was completed by Hal Chester and Cyril Frankel.
Frayed edges aside though, School For Soudrels still holds up well today, and when one witnesses the poor standard of the 2006 remake, this 1960 offering is something of a comedic gem to be cherished forever and always.
Hard cheese old boy 8/10
10mundsen
Don't hesitate: this jolly little movie is pretty much impeccable.
An excellent script, which never falters. And a BOFFO cast of British actors. The quintessential role for Terry-Thomas (tho' "Magnificent Men" is a close second).
But also fine turns from Alistair Sim, John Le Mesurier, Hugh Paddick, Peter Jones. Hattie Jacques does an hilarious voice-parody of Joan Greenwood. Janette Scott is VERY good in a thankless "skirt" role; what a charming personality.
Old car fans will love this. The sport-cars and the mocked-up vintage "Swiftmobile" are worth the price of admission alone. (Sadly, the production designer / props chaps are as yet uncredited at IMDb: perhaps the information is lost.) Very nice camera-setups. Amusingly cheesy sets. A really excellent score from John Addison that is up to Georges Auric's standard.
This has a very jolly, intimate ambiance: a sense of small scale. Feels rather like the b&w Tati movies.
Ahem. Unlike many British comedies, I can really see the attraction of remaking this: the material is so damned good that it could use another go-round, without necessarily insulting the original.
An excellent script, which never falters. And a BOFFO cast of British actors. The quintessential role for Terry-Thomas (tho' "Magnificent Men" is a close second).
But also fine turns from Alistair Sim, John Le Mesurier, Hugh Paddick, Peter Jones. Hattie Jacques does an hilarious voice-parody of Joan Greenwood. Janette Scott is VERY good in a thankless "skirt" role; what a charming personality.
Old car fans will love this. The sport-cars and the mocked-up vintage "Swiftmobile" are worth the price of admission alone. (Sadly, the production designer / props chaps are as yet uncredited at IMDb: perhaps the information is lost.) Very nice camera-setups. Amusingly cheesy sets. A really excellent score from John Addison that is up to Georges Auric's standard.
This has a very jolly, intimate ambiance: a sense of small scale. Feels rather like the b&w Tati movies.
Ahem. Unlike many British comedies, I can really see the attraction of remaking this: the material is so damned good that it could use another go-round, without necessarily insulting the original.
This is the ultimate Terry Thomas film. He gets to act out being the most wonderful cad, stealing girls off poor saps arms, driving open top sports cars are a furious pace, and generally getting the chance to utter 'hard cheese old boy'. Carmicheal is excellent, bewildered to begin with and slowly learning the dark arts of Upmanship. I implore all to see this film, as always the golden rule is - if a film as Alistair Sim in it, its got to be worth a look. Currently avialable on a 2 film DVD release, with another UK B&W comedy classic. Buy and enjoy.
I cannot remember how many times I have watched this film now - it takes me back to a time of charming English etiquette which, being too young, I never witnessed. The range of social situations through which we are taken in the apprenticeship of 'Lifemanship' are hilarious, and in a gentle and exquisitely-understated way. Ian Carmichael is, of course excellent, but my all-time hero, Terry-Thomas, is on the toppest of forms delivering the "Look's like a Polish stomach pump" and "Oh I say, smashing cricket stroke" lines with his unshakeable aplomb. A nostalgic treasure of a film.
¿Sabías que…?
- TriviaA first screenplay was written by Peter Ustinov, who was also the first choice for Dennis Price's role as Dunstan Dorcester. He may have contributed to the script in collaboration with the credited Patricia Moyes, who had, at one time, been his secretary.
- ErroresAfter the restaurant meal, Delauney apologizes that he can't give them both a lift because he only has his two-seater, so he offers to take April home in his two-seater. Later, though, both men travel in the car to the second tennis match, apparently intending to collect April on the way.
- Citas
Mr. Potter: Remember, gentlemen, and mark this well - he who is not one up is always one down.
- ConexionesEdited into Heroes of Comedy: Terry-Thomas (1995)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- School for Scoundrels or How to Win Without Actually Cheating
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 37min(97 min)
- Color
- Relación de aspecto
- 1.66 : 1
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