El fin del rey del crimen

As the title states, the film follows the rise and fall of the 1920's narcissistic gangster, Legs Diamond.

Warner Bros. certainly knew how to make gangster movies—Little Caesar (1930), Public Enemy (1931), High Sierra (1941)-- but this entry is a long way from these classics. It's a decent enough crime drama, but lacks the grit and menace of the classics. As a result, the story unfolds in entertaining but unmemorable fashion. Danton tries hard, snarling when he needs to, yet he may be a little too sleekly handsome to be convincing. After all, Cagney, Bogart, etc. were hardly matinée idols, and in a way that didn't clash with their expressions of toughness. Neither, however, is the movie helped by casting the faintly comical character Jesse White (Butch) as Legs' chief rival.

Too bad the movie doesn't make better use of Warren Oates who's kind of shoved aside as Legs' sickly brother. He would have made an excellent toughie as his career later showed. Also, it's worth noting the film was directed by western ace Buddy Boetticher, who certainly knew how to drive action and suspense in his Ranown cycle of westerns. Here, however, he doesn't appear particularly engaged.

For some reason the late 50's and early 60's were fascinated with real life gangster stories— Al Capone (1956), The Untouchables (1959-1963), Murder Inc. (1960), et. al. This 100- minutes is one of that cycle. But oh well, no matter what the movie's shortcomings, at least the girls provide plenty of eye candy.

I have never seen a bad action/western movie that was directed by Budd Boetticher and this crime/biography on the real 1920-30's mobster Legs Diamond is no exception. I am a bit surprised that the handsome and suave Ray Danton who plays the real life 1920-30's criminal Jack 'Legs' Diamond falls into a role that he was born (and die) to play.

I assume the film took some liberties with the storyline to keep the film flowing smoothly (which it does) such as "Legs" nickname being derived from his supposedly excelling on the dance floor. Legs did actually have a brother in real life named Eddie who is played to perfection by the classic character actor Warren Oates.

Also true to form where the many unsuccessful assassination attempts on Jack "Legs" Diamond's life, and his womanizing ways which is another reason that the handsome and suave actor Ray Danton was perfect for the role. The film adds even more credibility by adding an abundance of classically trained actors to the ensemble which includes Simon Oakland, Jesse White, Frank DeKova, as well as the beautiful actresses Karen Steele, Dyan Cannon and Elaine Stewart. It wasn't a fluke that the Director Budd Boetticher chose Ray Danton to play the lead role of Legs Diamond. Danton was born to play the role.

I believe the film is a grossly underrated crime/biography film and the black and white filmography only adds to the films historical value. I give the film a much deserved 7 out of 10 IMDb rating.

Danton passed away at the early age of sixty (60) from a kidney failure which otherwise would have allowed him to advance his film career as a veteran film actor.

The Rise and Fall of Legs Diamond is Budd Boetticher's cold look at a cool customer. The low temperature extends to Lucien Ballard's crisply composed black-and-white cinematography and to Ray Danton's chilly assumption of the title role. With his `matinee-idol' looks and devil-may-care attitude, he prefigures another kind of `cool' that would arrive on screen a year or so later, that of James Bond.

Like Bond, Diamond thinks faster than anybody around him; his quick wits and ready charm get him out of scrapes as a jewel thief who came down the Hudson from Albany to try his luck in Manhattan. But that luck fails him and he ends up doing a short stretch; when he gets out, he resolves to steal from only those who `can't call the police' - other criminals. And he starts his way up in the Arnold Rothstein operation.

His fatal flaw is that he cares for nobody but himself, using people ruthlessly. The women in his life (Karen Steele, Elaine Stewart and the young Dyan Cannon) suffer particularly from their sub-zero lover, but even his sickly brother (Warren Oates) ends up cast out into the blizzard. Diamond's estrangement increases apace with his sense of his own invincibility; having survived, against all odds, a spray of bullets, he convinces himself that he can't be killed. He's wrong.

Though he's right for Boetticher's conception of the part, Danton had less of a career than he might have. He appeared in a few late films in the moribund noir cycle (as the psychotic killer in The Night Runner and as the Aspirin Kid in The Beat Generation) but, after this film, worked mostly in European cinema (by which such names as Fellini, Bergman or Godard should not be inferred).

Boetticher has a few noir credentials as well (Behind Locked Doors, The Killer is Loose) but seems uneasy in how, on the cusp of Camelot, to spin this jazz-age tale. He opts for detachment, structuring the movie as a choppy series of vignettes - almost tableaux - that don't flow (several of the incidents clamor for more explanation, but he leaves us to fill in the missing pieces). And finally, neither director nor actor gives a sound accounting of the changes in Diamond: How the winsome scoundrel of the opening turns into the cold-blooded shark of the finish.

For the record, this film is historically inaccurate: not for the events, but for the true life character portrayals and interactions.

For instance, there is no evidence in the record of the time that Arnold (The Big Bankroll) Rothstein ever formally met with Jack "Legs" Diamond. Nor is there any record of Diamond having anything to do with Rothstein's girlfriend or his gangland assassination.

Despite these gaps in historical fact, this is one of the most highly entertaining ( of the 1960's crop) of films ever made of that era. In fact many film critics hold to the opinion that most, if not all, of the gangster films of the sixties, were poor attempts to copy the style and success of this one. The production is tightly written, well paced and beautifully filmed by a director (Bud Boetticher) who knew his way around black and white photography. And they couldn't have picked a better subject of the Prohibition Era than Jack "Legs" Diamond.

Jack Diamond was not called "Legs" because he worked for a short time as a dancer, but for the fact that he was initially a highly successful 'snatch and run' thief in the garment district. But he did eventually get caught and served a stint in prison. But forget the historical inaccuracies and enjoy this never boring gangster film.

Ray Danton, one of the most highly underrated actors of his time, gives a riveting fast paced portrayal of Diamond that will be hard to surpass. Not only is he believable in the outrageous stunts he pulls, but he just as easily exposes a manic and tragic side to his character as well: all without missing a beat.

This unusual film also allows you to see some of the screens most memorable character actors at their best. But most of all, you get to see two soon to be famous actors on their way up.

This was actress Dyan Cannon's first film, in a memorable role as the character,Dixie. And soon to be veteran character Warren Oates makes his third appearance in the movies as "Legs" Diamond's brother, Eddie. A careful study his early acting skills in this role, clearly defines why he went on to become one of the most endearing and recognizable character actors of all time.

Trust me on this one, fans. Whether you like Depression Era gangster films or not, you will be constantly entertained by this one. Don't miss it!

I am no expert on the life of 'Legs' Diamond, but I assume that the studio took great liberties with presenting his life story. This is because I've seen several other gangster films made between 1958-1962 and all of them seemed to play fast and loose with the facts. I think a lot of this was because of the TV show "The Untouchables". Its success spurred on these gangster biopics and like most of the biopics, the TV show played VERY fast and loose with facts....all because they were meant as entertainment first...and last.

Ray Danton plays the leading role. While Danton was a very good looking and smooth character, photos of the real 'Legs' show that he was far from the sexy hunk who could charm women. So, Danton was poor when it came to looking like Diamond...but was great for attracting females to the theaters to see him!

The story is a somewhat predictable tale of a monster who was bigger than life and had bigger than life ambitions....and the expected fall. After all, this IS in the title of the movie! So is it any good? Yes. The story is violent, exciting and never lets up....so it should keep your interest. Excellent direction sure didn't hurt this film, either!