Suspect

I tried it because it was in my gigantic library and I did not remember it at all. And the cast seemed interesting to me too. Peter Cushing, Donald Pleasance, Ian Bannen.... But what a deception, at least for myself. Now, I totally respect that some viewers appreciated this John Boulting's movie. But it is not that a suspense provider, it is rather so talkative, as so many UK thrillers of this period. And 84 minutes is too long for such a plot. One hour would have been far enough. That said, it remains a rare film, hard to find, but that is not enough to make it worth watching if you search something awesome to waste time.

This little movie shows it origins as a filler for the Boulting Brothers who found themselves with 17 days of studio time on their hands (thanks Kevinolzak's earlier review for that snippet!). I watched it for the cast. Spike Milligan in a very strange role as the janitor/security man and Sam Kydd in a less unusual role as a police/MI5 operative. Think kitchen sink drama meets black and white John Le Carre adaptations meets scientific dilemma. Thorley Walters is the stand-out here as the slightly eccentric MI5 investigator piecing the puzzle together. Oh, and the movie also helps explain why there are fewer women than men in the STEM scientific fields. A period piece but worth an hour and a half of your time. To prepare for it, get in a pot of tea or a couple of bottles of warm and weak beer, some cigarettes or a pipe, and make sure to you wear a cardigan and/or a tweed jacket. Lots of fun if watched in the correct way!

Watching this one made me wonder about the contrast between the state and morality. I found this ahead of its time considering the year it was made. In the proceeding decade from that, attitudes of being fancy free were in the forefront of people's minds, yet big brother was stewing in the background. It also delves into the human psyche as a side issue. I guess it's all about government interference in science, and how scientists respond to it. The former is selfish through paranoia and the latter feels the powers that be can not see the human side that would be for the benefit of all mankind.

This is a film that was made by the Boultings at about the time they were preparing I'm Alright Jack.It contains some pretty odd characters.Virginia Maskell who was engaged to amputee Ian Bannen but is still living with him.Bannen himself playing the amputee who for some reason has to have most things done for him despite the fact that even in the sixties prosthetic limbs were available.There is also the secret service portrayed by Nigel Stock as bumbling but effective.At the time this film was made the country was getting over the shock of the defections to Russia and the errors made by the secret service.Donald Pleasance is effective as the seedy go between.Peter Cushing also stands out as the head of the department,whilst Tony Britton makes the best of a rather thankless role.A very interest and almost unknown film.

1960's "The Risk" (British title "Suspect") was a lower budgeted effort from Roy and John Boulting, made in 17 days on a wager since they had three weeks of studio time booked and had finished their most recent production ahead of schedule. Leading its distinguished supporting cast is third billed Peter Cushing as Professor Sewell, heading a close knit group of research scientists whose findings on bacteria and germ warfare are ready to be published, but quickly silenced by their concerned government, afraid that enemies could use their findings against humanity. Sewell and his staff are outraged, but it's the less experienced youngsters who prove to be too impatient, endangering the entire project by allowing themselves to become pawns of a war veteran (Ian Bannen) embittered by the loss of both arms. The little known leads, Tony Britton and Virginia Maskell (a tragic suicide in 1968), are easily overshadowed by their veteran co-stars, especially Thorley Walters as security chief Prince, Sam Kydd his number one aide, and Donald Pleasence as the mysterious Bill Brown, who insists he can find a way to publish the report. On such a short shooting schedule that would do Roger Corman proud, it's the experienced players that keep the plot simmering. Between classic turns in "The Flesh and the Fiends" and "The Brides of Dracula," Peter Cushing enjoys a rare change of pace, a bespectacled, older man of reason in gray hair and mustache, tinkering with props such as a pipe and stop watch. His final speech touching upon responsibility to the law is a moving one: "you are young enough to be sure that you are right, I am old enough to be sure of only one thing, that I can be wrong."