Pollyanna

A period piece that boasts about "The Glad Game?" Ready to tune out? So was I, until I got what was happening. This movie is profound, not only in its execution of story, but in the relevant, lovely message it naturally brings, as opposed to the message it sells. I've viewed it 5 times and each time, I am newly informed as to how I can adjust my attitude for a better way of life. I come from a school of thought where sunny is ridiculed and message movies are tedious, so the lead is an obvious target of disdain. Stay with Pollyanna awhile and watch her reform all the bitter, crusty malcontents on the planet into fans with a straightforward logic and uncanny point of view. A true heroine.

Filling the tiny, but oh so impressive feet of Mary Pickford in one of her most acclaimed silent screen classics was quite a chore for Walt Disney. But in an impressive American screen debut, Hayley Mills launched her career in a most impressive way as Pollyanna.

Pollyanna, who is now an orphan, comes to live with her aunt Polly played by Jane Wyman who is one reserved New Englander. She's the richest woman in town and pretty much everyone kowtows to her. But when the eternally optimistic Hayley Mills comes to live in that town, her infectious spirit seems to effect everyone and everything around her.

Pollyanna is one of Disney's best live action films, Mills and the rest of the cast make it believable without being maudlin. Disney gave Mills and Wyman an impressive roster of players in support that include, Donald Crisp, Leora Dana, Karl Malden, Nancy Olson, James Drury, Reta Shaw, Mary Grace Canfield, and Kevin Corcoran as Mills's partner in juvenile hijinks.

Two people deserve special mention. One is Adolphe Menjou because this turned out to be his last film. He plays Mr. Prendergast the old miser who lives alone and miserable, but who softens at the warmth Pollyanna brings in his life. The second is my favorite here, Agnes Moorehead, who plays crotchety old Ms. Snow, one of those old folks who seem to enjoy being sick and miserable. Her scene at the end with Hayley Mills is the most touching of all in the film.

Pollyanna like George Bailey in It's A Wonderful Life both never realizes all the good she's done in that town and like Jimmy Stewart's character faces a crisis. But all her friends rally to her in an It's A Wonderful Life type climax.

Walt Disney does a wonderful job in recreating that era before World War I in small town America, very much like The Music Man. Pollyanna is what they mean by fine family entertainment, as good now as it was when I first saw it in theaters in 1960.

In fact it might just make one curious enough to check out the Mary Pickford silent version.

As Pollyanna would say, the movie is simply "gorgeous"! In my 57 years I've seen this movie more times than I should admit. Just watched it again on Hallmark and felt compelled to offer my first comments on IMDb.

Everyone can feel down, lonely or put upon at one time or another. "Pollyanna" is just the right medicine for those ailments. I realize this is early Disney, but that is a positive attribute, not an indictment. Cheezy? How about "touching" instead? The cast, the performances, the setting, and most of all, the message are right on.

The film makes me laugh and cry every time I view it. How could you possibly ask for more? Guess I'm just a soft touch. Highly recommended for all but the terminally cynical.

Many different movies have been made out of Eleanor Porter's novel throughout the years. The story of the young Pollyanna, adopted by her strict aunt after the death of her parents, bringing back a long lost joy to an entire village is rather well known. Still, this Walt Disney version is both very charming and moving. It is probably thanks to David Swift excellent craftsmanship as a director, portraying some interesting characters while alternating with success funny or lighter moments with deeply moving ones. It may be thanks to a beautiful cast of experienced actors such as Jane Wyman (as the strict aunt), Karl Malden (as the flaming priest), Adolphe Menjou (as the recluse Mr Pendergast) or Agnes Moorehead (as the hypochondriac Mrs Snow). It could also be related to the beautifully optimistic message of joy and friendship. Yet, it is certainly due the exceptional on-screen presence of young British actress Hayley Mills. Her performance, only surpassed, in my opinion, by the one she delivers in The Parent Trap, earned her an Academy Award and allows her to deliver the spontaneity, curiosity and joy of living characteristic of Pollyanna. With such a package of qualities, this movie may do more than bring the best out of its character by bringing the best out of ourselves thanks to a little bit more than two hours of happiness.

It is well worth taking another look at POLLYANNA if you and your family have not seen it for a long time. You will be delighted to realize just how subversive this intelligent witty film is. In fact Pollyanna's surname IS Wittier. People who carp that this is a syrupy sweet film and moan about Disney saccharine movies are missing the point. POLLYANNA is a sly film about misuse of power, loneliness, bullying and meanness using a good natured teen to counterpoint a town of adults who have lost their way in their own lives. She has to be a strong opposite in order for each adult to have a revelation about their own unpleasant behavior. The key adult is her Aunt Polly who has not had sex for a long time, as a result she is bitter and bossy and all the town is afraid to stand up to her. Aunt Polly's sexual frustration is pointed out several times because, in a family film as sharp as this you can have very adult situations wrapped in gauze and acceptable as a character flaw. Pollyanna simply by being positive (and clever and funny) has a profound affect on everyone in need of re awakening. Pollyanna even takes on the hypocrisy of the church and the contents of the bible: One astonishing and powerful scene is in an open field on a very hot day with the church Pastor (a terrific Karl Malden) is practicing his latest fire and brimstone scare campaign. Pollyanna visits him and by being her intelligent self politely demolishes his mindset. He is found later by his wife collapsed with a overwhelming awareness of where he has been wrong. He then becomes a catalyst for motivating the town to stand up to Aunt Polly's sabotage of all their lives. What is so deliciously refreshing about POLLYANNA is that is it simple courtesy and commonsense from the mouth of a confident blossoming 13 year old girl (as 'the future') ...the milk mustache scene is completely THERE in mid screen for any slow learners. The direction is terrific and hilarious and there are many big laughs in small moments scattered through the film; Jimmy and the fish, Pollyanna imitating a cow chewing, the granny playing the drums, Pollyanna being handed sandwiches while hiding in a bush in the conservatory.... loads of crowd pleasing moments for a big audience of families to relish. Particularly moving is the whole subplot about the prisms of light. Agnes Moorehead has a hilarious turn as a hypochondriac who comes good and helps find Pollyanna a doll. Many many matching emotional moments all through this film. Adolph Menjou also has a great spot as the town scary man supposedly with a cellar full of slaves and rats. So take my advice and look for the wickedly funny jokes at the expanse of the status quo and have a wonderful time laughing and wiping tears with your kids and you embrace every magnificently produced sly comedy moment of this utterly clever heartwarming film. POLLYANNA is a complete success. Even vintage car enthusiast are included in the delighted audience for this film. The very funny opening scene of the naked boy swinging on a rope will alert you to the fact this is a film with a very wicked agenda. The production values of antiques costumes and gorgeous visuals are as lavish as MY FAIR LADY. And thank your lucky stars that it wasn't remade with Lindsay Lohan as THE PARENT TRAP was.