Pepe

It seems as if the 195-minute print of this all-star oddity has forever been pulled from circulation. However the remaining 157-minute version is quite long enough. This movie has always been made fun of, but as misguided as it is, it is still entertaining, if only because it is so crammed full of guest appearances.

Here's who you get: Greer Garson trying to buy a prize horse; Edward G. Robinson playing himself though he is seen here as a famous film producer; Ernie Kovacs as an immigration inspector; William Demarest as a studio gate keeper; Zsa Zsa Gabor reading a copy of "The Interns" to promote Columbia's upcoming film version; Bing Crosby signing Cantinflas's tortilla and joining him in a few lines of "South of the Border"; Jay North playing Dennis the Menace; Billie Burke hitting Charles Coburn with a slingshot; Jack Lemmon dressed as Daphne from "Some Like It Hot" in a bizarre sequence involving a parking lot; Andre Previn at the piano while Bobby Darin sings a terrific number called "That's How It Went, All Right"; Michael Callan, Shirley Jones, and Matt Mattox doing a sizzling dance called "The Rumble"; Judy Garland (heard but not seen) singing "The Faraway Part of Town" on the radio; Ann B. Davis playing her "Shultzy" character from "The Bob Cummings Show" but here assigned to working as Edward G. Robinson's secretary; Donna Reed making cutesy banter with Dan Dailey about her then-current TV series; a trip to the Sands Casino in Las Vegas where we see Peter Lawford and Richard Conte standing around in the lobby, Sammy Davis Jr. doing impressions to "Hooray for Hollywood", Frank Sinatra and Dean Martin gambling, Cesar Romero hanging out at the slot machines, a dejected Jimmy Durante losing at cards, and Joey Bishop saying "son of a gun"; Hedda Hopper boarding a plane; a ghastly sequence in which a miniature Debbie Reynolds drunkenly dancing with Cantinflas on Dan Dailey's desktop to "Tequila"; a delightful moment when Dailey and Cantinflas join Maurice Chevalier in dancing to "Mimi"; Janet Leigh being surprised in the bathtub the same year as her "Psycho" shower; Tony Curtis getting pushed into an indoor pool; and Kim Novak giving advice on buying a wedding ring.

Somehow I find this hodgepodge strangely irresistible.

Now that I have read some put downs, I need to respond.

This movie 'PEPE' (1960) George Sidney, was just what tens of thousands of other movies is, and are supposed to do, that is to give you an escape.

Give you an escape from everyday blaze. It's funny, musical, short on a fabulous plot but wonderful to watch especially if you like to dream that maybe some small unknown would be able to brush elbows with the stars of the era, and save his ('son' as he says) to boot. What's so bad about that??

I'm sorry "Mario Moreno Reyes" Cantinflas did not get a fair shake from Hollywood he had such potential. In my book this is a must see.

I really want to write something good about this movie. I can't, though. I only saw it once, and once was more than enough. I was a teenager in Denver, Colorado, when "Pepe" previewed for the first time before an audience. A passel of studio bigwigs showed up at the Centre Theatre that evening, including, I believe, producer and director George Sidney. Cantinflas was a no-show; maybe he knew something.

Did you ever attend a movie where the audience greets it with...dead silence? Not the kind of silence for something cerebral, such as "2001: A Space Odyssey", but the kind of silence that lets you know you are watching a very slow, very long train wreck. And there were roughly 1,200 really silent people that night fifty years ago.

So why did I stick it out through the whole thing? Easy. The cameos. I would start looking for the exit when Edward G. Robinson would appear. Wow! This picture's got to get better now. Wrong. Ditto for Ernie Kovacs, and so on.

Since I viewed the preview print, I believe I saw the full 195 minute version. So what did the studio cut for general release? The only thing I clearly remember departing was a long, misbegotten animated sequence.

In retrospect I feel sorry for George Sidney, director of "The Harvey Girls", the 1948 "Three Musketeers", and "Kiss Me Kate". But the industry had changed a lot by 1960. He did his best to keep up, but "Pepe" has to be a nadir.

Some believe "Pepe" to be excellent family fare. If I compelled a child to watch the whole thing, even the cut general release version, I could probably be arrested for child abuse. You have been warned!

Now any film with as many stars as they gathered together for bit parts as Pepe will automatically get me watching it in any event. There's no way I'd give this a bad review.

But in terms of the film itself, it might well have been oversold back then. Cantinflas got rave notices for his performance as Passepartout in Around the World in 80 Days, but failed to win audiences in the English speaking world. So this time Cantinflas played the title role and Columbia Pictures gathered together just about every star who had a free minute or so to appear in this. When you consider that Around the World in 80 Days was also such an all star extravaganza, did any other performer in history ever command such support?

Not that he didn't deserve it. In Latin America, especially in his native Mexico, Cantinflas was a national icon. I think that it was no accident that all these stars wanted to appear with him, it certainly would boost their market value in the Latin American area to be identified with him.

Seeing this film again 46 years after it first came out and I did see it in the theater back in the day, I was struck with how similar the Pepe character was to Forrest Gump. Tom Hanks who got an Oscar for his performance of someone as guileless as Pepe also during that film ran into as many famous folks as Pepe managed to.

Columbia cheated a little bit by going to Las Vegas for part of the story. This was the height of the Rat Pack era and a whole lot of the cast from Ocean's 11 took time from filming that to do some ring-a-ding walk-ons here.

There are some nice musical numbers. Shirley Jones is in good voice singing the title song. A real treat is Cantinflas, Dan Dailey, and Maurice Chevalier doing a reprise of Mimi. My favorite though is a star that appears only by voice, but Judy Garland's The Faraway Part of Town which is heard over a radio should rank as one of the best songs she ever sang.

Seen almost a half a century later, I'd say Pepe was undeservedly panned by the critics back then and is worth looking at whenever it gets broadcast.

Cantinflas meets every star in Hollywood, in an attempt to recapture the 80 Days magic. No such luck. Cantinflas was asked to carry Pepe and simply wasn't up to the task, though it's perfectly acceptable all-star entertainment. Cameos by Tony Curtis, Janet Leigh, Dean Martin, Ernie Kovacs, and particularly Kim Novak, help make it more than watchable. In a way it's better than 80 Days, since Kim wasn't in that one. I stayed around for the next show to see Kim's cameo again. In those days you could remain in the theatre on one paid admission for as long as you wished.

In San Francisco, PEPE played at advanced prices, on continuous showings, no reserved seats. On March 14, 1961 I spent nearly seven hours in the St. Francis Theatre on Market Street. PEPE runs 195 minutes. Us Kim Novak fans are durable, and loyal - she's still one of my favorite stars. Wow.