Pague o muera

In the early 1900's police detective Lieut. Joseph Petrosino (Ernest Borgnine) forms a special squard to combat the menacing Black Hand in New York City in this tough and convincing drama based on actual events. Hardworking store keepers are threatened with torture, death and destruction if they don't come across with "protection" money. Other than Borgnine's fine performance there's good support from Zohra Lampert (an actress who should have risen to the top), Al Austin, John Duke, Renata Vanni and John Marley (Hollywood mogul Woltz in "The Godfather"). The essence of the period is captured with the stunning black and white photography.

Smoothly done crime drama based on an actual New York crime fighter. Police Lt. Petrosino (Borgnine) is proud of his Italian heritage, but rues presence of Mafia elements in New York's Little Italy. Thus he dedicates himself to cracking open the secret web that extracts money from honest shopkeepers. There is, of course, some violence but it's not spread on thickly, which keeps the story in central focus. Petrosino's personal life is somewhat complicated by an Italian girl (Lampert) whom he's attracted to. (At least that gets a pretty girl into what's otherwise an all male cast!) Trouble is he's middle-aged while she's attracted to a younger guy. So, all in all, will he be able to get beyond crime's chokehold on the neighborhood and maybe help his private life at the same time.

Borgnine delivers in robust fashion appearing in most every scene. His cop is likable, maybe too much so for the toughness he must display—but that's debatable. Lampert's a pleasant surprise as the neighborhood girl. I can see why the cop was stuck on her. Too bad actress Lampert didn't have an A-list career; she certainly had the talent. It's also a strong supporting cast of ordinary looking guys that fit their part, including familiar stalwarts like Simon and Marley. There's also a general and well-placed refusal to glamorize anybody or anything. Little Italy thus comes across as a struggling ethnic neighborhood looking for a chance to enter the American mainstream, but held back by criminal elements carried over from the old country.

All in all, it's an engaging movie with a few surprises that holds interest despite a lengthy runtime. Just as importantly, it shows that a lead actor doesn't have to be handsome in order to win an audience.

(In passing— It was about this time (1960) that the similarly themed The Untouchables with Robert Stack started its popular run on TV (1959-63).)

To me Pay or die was one of the greatest pictures of all time, I am very sorry it hasn't been shown much since 1969. Ernest Borgnine is one my favorite actors, and this picture really describes what really went on in the early 1900's on the Lower East Side of NYC.

It's a picture that should be shown more often and available on DVD everywhere, and also one you can rent from your video store.

I would like to see this picture shown more often on TV especially on the fox movie channel or Turner Classic movies or even if PBs shows it.

This movie was the best movie pre-Godfather, and Ernest Borgnine gave a great performance as Lt.Joseph Petrocino

This is a fine old film about the beginnings of the mafia in America. Their nemesis was the Italian squad of the NYPD of which my grandfather was a part and whose notes and case books were used in the making of the film. The mafia at the time was called the black hand and was made up in this country of cheap hoods who mostly ran protection rackets on the small business owners of little Italy. They were backed by the dons in Sicily and the Italian squad's task was to shut the rackets down. They tried hard but the squad was pretty much broken up after the death of Lt. Petrosino in Sicily. This film shows the good and bad guys of the time and what my grandfather called, very un-pc,"one guinea killing another".

This movie stars Ernest Borgnine in a straight dramatic role, and he pulls it off quite well. Set in New York City in 1906, newly arrived Italian immigrants are preyed upon by the Black Hand (La Mana Nera), which eventually became the Mafia. Borgnine plays lieutenant Petrosino, an immigrant himself, who realizes that the new immigrants will not cooperate with the police because the police in Italy were corrupt, and they expect the same in their new country. Petrosino realizes that he needs a squad of men - immigrants themselves - who speak the language, and can convince the people that things are different here. The Police Comissioner - who happens to be Teddy Roosevelt - agrees with him, and he gets his Italian Squad. Some violence ensues, as the Squad goes about breaking the power of the Black Hand, including a plot to kill Enrico Caruso, the greatest tenor of his time. Zhora Lampert plays the role of Petrosino's girlfriend, and later wife with excellent restraint, and the final scenes (this is a true story) are wrenching.