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Nihon no yoru to kiri

  • 1960
  • 1h 47min
CALIFICACIÓN DE IMDb
6.8/10
916
TU CALIFICACIÓN
Nihon no yoru to kiri (1960)
Drama

Agrega una trama en tu idiomaLong takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.

  • Dirección
    • Nagisa Ôshima
  • Guionistas
    • Toshirô Ishidô
    • Nagisa Ôshima
  • Elenco
    • Miyuki Kuwano
    • Fumio Watanabe
    • Masahiko Tsugawa
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    916
    TU CALIFICACIÓN
    • Dirección
      • Nagisa Ôshima
    • Guionistas
      • Toshirô Ishidô
      • Nagisa Ôshima
    • Elenco
      • Miyuki Kuwano
      • Fumio Watanabe
      • Masahiko Tsugawa
    • 3Opiniones de los usuarios
    • 18Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos24

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    Elenco principal11

    Editar
    Miyuki Kuwano
    Miyuki Kuwano
    • Reiko Harada
    Fumio Watanabe
    Fumio Watanabe
    • Haruaki Nozawa
    Masahiko Tsugawa
    Masahiko Tsugawa
    • Ôta
    Hiroshi Akutagawa
    • Prof. Udagawa
    Kei Satô
    Kei Satô
    • Sakamaki
    Rokkô Toura
    Rokkô Toura
    • Higashiura Toura
    Shinko Ujiie
    • Mrs. Udagawa
    Ichirô Hayami
    • Takumi
    Takao Yoshizawa
    Takao Yoshizawa
    • Katsuhiko Nakayama
    Akiko Koyama
    Akiko Koyama
    • Misako Nakagawa
    Nobuko Uenishi
    • Saito
    • Dirección
      • Nagisa Ôshima
    • Guionistas
      • Toshirô Ishidô
      • Nagisa Ôshima
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios3

    6.8916
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    Opiniones destacadas

    8Meganeguard

    Marx, blah, blah, Stalin, blah, blah, Revolution!

    Those who are familiar with the literature of Murakami Haruki are sure to be familiar with the Zenkyoto, Joint Struggle Councils, student movement that spread throughout Japanese universities during the 1960s resulting in the temporary halt of classes at a number of schools, including Waseda and Tokyo University. However, of course, the Zenkyoto was not the first leftist student movement in Japan. Another and better organized one was the Zengakuren which organized workers, students, and left-leaning intellectuals against the Japanese State.

    It is during this time that Oshima Nagisa's film _Night and Fog in Japan_ was filmed, 1960. Soon after the failed attempt to halt the signing of the AMPO, Japan-United States Security Treaty, a young protester named Reiko marries the older journalist Nozawa. However, all is not revolution and roses because other members of the group have beef not only with Nozawa, but with the group's leader Nakayama and his wife Misako.

    What follows is a series of flashbacks showing the days in which Ozawa, Nakayama, Misako, and several others were leftist students. Marxist ideologies are thick, but in fighting and lust are thicker, and the viewer witnesses several cases of personal disputes and the vacuous preachings of Nakayama who while talking about the equality of man seduces Misako away from Ozawa because of his wealth.

    This is an interesting movie, but it might be quite slow for some. Mainly the film consists of arguments between the characters, but for those interested in Japanese Leftist movements, this should prove quite entertaining.
    7crossbow0106

    Talking About A Revolution

    This movie begins with a wedding. Nice, right? No, not really. The guests all look kind of grim. Instead of lauding the bride and groom, they are speaking of the demonstrations against the Japan Security Treaty, a controversial act of its time. In the first scene the camera moves a bit haphazardly, which I'm certain is on purpose. Little lighting tricks like spotlights accentuate this tale of a group of youngish (all younger than 35, I'd say) fighting for their rights. This movie could have been a play, its staged that way. Whether you're interested depends on your sense of history. I admit to having little knowledge of the treaty, so this film makes the subject worth exploring. This film got the director fired from his film studio, so you know the film is gutsy. So, if you know about the treaty or want to learn, this is a well made film. It is just not for everyone.
    8Atavisten

    Personal disputes in a Marxist movement

    A record of a time in the university-based 'Zengakuren'(?)(thanks meganeguard)this.

    Economic and direct, this is almost two hours cut out of a student Marxist movement and its feuds. The setting is a wedding between two members which is happy and well until one comes from a demonstration with low attendance, the protesters were outnumbered by police, and fires out accusations against the bride and groom for falling out of the movement in favour of family idyll. From then on the disputes hail down in machine gun fashion ripping up 10 year old history which in fact doesn't stop, but just gets faded down at the end of the movie! Everyone is dead serious and strong-willed. We watch them with distance, not sympathizing with any. The settings in which this event takes place are as good as invisible. For great dramatic effect they get toned down by turning off the light and spotlighting the central characters (of which there are a few) instead. All is theater-style. Making it a play instead would make little difference.

    Specialist tackle, as this is exclusively about this movement and its key characters this is for those interested in leftist movements only!

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    Argumento

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    • Trivia
      This movie had a very troubled release in Japan. It was released in October 1960 and pulled from theaters after only three days by Shochiku. Director Nagisa Ôshima violently condemned the withdrawal in a public statement. The text reads as follows: 'I protest with indescribable anger against the massacre of Night and Fog in Japan. On behalf of us all, I, Toshirô Ishidô, all the members of the crew headed by Kô Kawamata, who participated in the film as if it was a personal matter, in this way giving depth to even the most difficult contents, all the actors, led by Fumio Watanabe who affirmed that his committed interpretation was much more than just professional, and all the people who were not directly involved in the making of the film but who collaborated to improve the result by offering criticism and suggestions as if it were one of their films, on behalf of us all, and of the pain and anger felt by everyone, I protest against the massacre of Night and Fog in Japan. Undoubtedly this massacre is an act of political repression. This is due to the fact that the film was withdrawn not because of disfavor from the audience. It is due to the way in which it was withdrawn. And if it does not depend on an act of political repression, then let us have the chance to present it to the public in just one theater, in a private association! Let the film be distributed!'
    • Conexiones
      Featured in The Man Who Left His Soul on Film (1984)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de octubre de 1960 (Japón)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • Night and Fog in Japan
    • Productora
      • Shochiku
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 47 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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