Secretos de contraespionaje

These sort of espionage stories are not favorites of mine unless done with a storyline that is not too convoluted, as is sometimes the case in these kind of spy thrillers. But if they're taut and suspenseful throughout, I can forgive too many complications. Fortunately, the cat-and-mouse game played here is understandable enough and crackles with suspense and tension.

MAN ON A STRING is a spy thriller based on the true-life adventures of a real counter-spy Boris Morros (dubbed Boris Mitrov here), played by ERNEST BORGNINE. While the plotting is far from simple, it's easy enough to enjoy the air of menace and danger that permeates the entire story without getting bogged down into the details of entrapment that always accompany these spy stories.

It moves at a brisk pace under the direction of Andre deToth (for awhile, he was a husband of Veronica Lake in the '40s), and all of it is filmed on locations in East and West Germany. KERWIN MATTHEWS is Borgnine's fellow spy assigned to guide him through the various activities, COLLEEN DEWHURST does well in her second film after a couple of TV roles, and GLENN CORBETT is excellent as a government agent.

It's rather talky for the first hour and then builds to a tense climax among the deserted buildings of East Germany when Mitrov's activities become known to the Russians, which leads to a shootout scene that caps the ending in a satisfying and suspenseful way.

Borgnine gives a solid performance and the film itself is well worth watching.

There's a narration that gives it an almost documentary approach, somewhat like another film produced by Louis De Rochemont, THE HOUSE ON 92nd STREET.

Summing up: Crisp, exciting spy thriller.

Had no idea if I was going to enjoy this film from 1960, but I had a good idea that Ernest Borgniine, ( Boris Mitrov) would put his heart and soul into his role and he did just that through out the entire film. This was a true story concerning a man who was called Borris Morras, and in this picture was called Boris Mitrov a double agent between the United States and Russia during the Cold War Era. Boris Mitrov is a successful Hollywood producer who was born in Russia and got himself involved with Russian Spys who were willing to bring his father and brothers back from Russia to his home in Los Angeles. However, Boris Mitrov is being watched by our Government Agents and they decided to enlist Boris to become a double agent for the United States in order to be cleared of the charges for espionage against the U.S. There is plenty of suspense and this story takes many twists and turns.

André De Toth's Man on a String is a well made film despite its modest budget. The story is based on a real person and is mostly believeable, except perhaps for some of the derring-do in the finale, which I doubt happened. It conveys the tense vibe of the Cold War before the Berlin Wall was erected. The careful and meticulous espionage here, and the manipulation of individuals on both sides, is convincing. The photography is excellent and I didn't mind at all the many process shots of Moscow, as filming on location there was not possible for this subject matter ! Ernest Borgnine gives a fine performance.

"Man on a String" stars the great Ernest Borgnine ("The Wild Bunch") as Boris Mitrov, a character inspired by the real-life Borris Morros. Boris is a Russian-born American citizen running a film studio who is essentially blackmailed into becoming a counter-spy. This will see him travel to both Berlin and Moscow to gather information for the amusingly dubbed "C. B. I." (the "Central Bureau of Intelligence"!).

"Man on a String" is largely notable for taking a documentary-style approach, complete with narration, by both Clete Roberts ("The Swinger") and Borgnine himself. The Roberts narration mostly tells us things we can already see for ourselves, while Borgnines' voice-over is more interesting as he observes the progress of his homeland and its citizens decades later. Overall, the film is generally entertaining, although it's largely dialogue and performance driven, only working in some action and suspense during the finale. But this finale is quite good, as we see the unarmed Boris running for his life and we wonder *how* he can possibly get out of a life-or-death situation.

Borgnine is thoroughly engaging here, and is ably supported by fantasy star Kerwin Mathews ("The 7th Voyage of Sinbad") here wearing a suit and tie as Boris' "assistant" at the studio. The excellent supporting cast also includes Colleen Dewhurst ("The Dead Zone"), Alexander Scourby ("The Big Heat"), Glenn Corbett ("Chisum"), Russian-born character actor Vladimir Sokoloff ("The Magnificent Seven"), who's endearing as Boris' father, and Ed Prentiss ('Trackdown').

Partly working as a travelogue, the globe-hopping also helps to make this espionage thriller decent entertainment, and in fact the film employed four different cinematographers for its four main settings. The efficient direction is courtesy of Hungarian-born Andre De Toth, who made his mark as a filmmaker with such efforts as the original "House of Wax" and the film noir classic "Crime Wave".

Seven out of 10.

There are Things that Highlight this Low-Budget Spy Drama based on a True Account.

Ernest Borgnine in a Rather Restrained Performance that doesn't quite Capture the Suspense and Intrigue Needed to Fully Flesh Out the Super-Serious Story.

But it has some Intrigue with Agents on Both Sides Everywhere except Under the Bed.

Gadgets Galore Proliferate Scenes with Tape Recorders, Cameras, and a Myriad of Privacy Penetrating Hardware Showcased Regularly Through this Detailed Drama.

It Depicts the Soviets in Full Force Plotting Their way to World Domination.

The Second Half Kicks-In after a Slow and Talky Start.

There are Interesting Plot Devices as Director De Toth Builds Suspense with Odd Scenes of Behind the Scenes at KGB.

Above Average and Definitely Worth a Watch for Anyone Attracted to Cold-War Espionage Films.

And this was Before the James Bond Films made all of this Big-Box-Office.