Boda real

If you like lighthearted, fluffy, feel-good films then this movie could be up your alley. The dancing is superb and very creative, and the singing from both Jane Powell and Fred Astaire is wonderful. Jane Powell is amazing in her role, very convincing. Fred Astaire shines as well. The only things wrong with this movie is a) as other people have commented, is the boring love interests. They seem very wooden, there's no chemistry, they don't sing and dance. Basically, they suck and could have been much better casted. The second thing is that a few of the songs are pretty boring, but I loved "Too Late Now" and "How could I believe you.." Very clever. Great dancing, great stars, beautiful costumes, great acting (from Jane Powell and Fred Astaire) and lovely songs! I really enjoyed watching this movie.

The Royal Wedding is one of my family's favourite Astaire movies, next to Easter Parade. Jane Powell, as his sister, does a wonderful job with her beautiful operatic voice. Many people do not realize that she was also a singer, not just a dancer, until they watch Seven Brides for Seven Brothers, which she also starred in. Peter Lawford does his usual job as playboy-royale, but thankfully does not sing. Astaire's dancing feat of climbing all over his hotel room is unparralled. No one else could do it and still look good! A great family film.

Typically enjoyable Fred Astaire vehicle from the 50's and if not on a par with the wonderful "The Bandwagon", "Royal Wedding" certainly deserves a podium position for its vibrant colours (in some scenes, you almost think you're seeing all seven colours of the rainbow in the shot!), fine cinematography (London is faithfully rendered with cobbled streets, red buses and postboxes, even a pea-souper before the "Clean Air" Act was passed later in the decade), topped of course by Astaire's superb dancing. Okay, he's way too old to be Jane Powell's brother and the plot is wafer thin as per usual with Fred's flicks, but his dancing both solo, including the celebrated "Dancing on the Ceiling" scene (later updated by director Donen in the 80's for pop star Lionel Richie's hit song of the same name), but including almost as good scenes dancing with the ship's gym equipment and in another scene, the room furniture, including his hatstand and in concert with the young vibrant Powell, he shines. She can dance by the way... The songs didn't quite connect with me apart from the riotously funny "How Could you Believe Me When I Said Loved You when You Know I've been a Liar all my Life"(surely a country and western song-title from heaven!), but then Fred hasn't the greatest voice and Powell's light operatic warblings don't move me much either. In the minor parts, a young Peter Lawford lords it up, improbably, as an - ahem - English lord, while Sarah Churchill, the great war leader's niece, no less, seems a tad plain both in appearance and her minimal dancing efforts. The humour, centring mainly on the different takes on the languages from the US and UK perspectives, is somewhat forced too but maestro Donen exerts a sure hand at the helm, from the stylish "wedding invitation" titles to the fly-away pan-out shot over London at the close. A pleasant underrated musical comedy with which to while away an afternoon or evening.

Typical Fred Astaire,in other words great entertainment.Over the years the listing of favorite Astaire numbers has become a favorite pastime of many. This movie contains more than found in any other single show. The dance with clothes tree and using the wall and ceiling are precious. However there is another that is never mentioned that is on my list that delights me no end. How could you believe me when I said I loved you when you know I've been a liar all my life is one of the gems of American entertainment. To borrow an opinion from George Burns. the American musical composers and the theater and movie industry in which they showed their wares is America's greatest contribution to world culture.Royal Wedding is so typical of years of magnificent productions.

Jane Powell (as Ellen Bowen) was a surprisingly adept partner for Fred Astaire for those of us who know her best as a brilliant soprano songstress. She kept up with him, step for step. She's probably best known for her fabulous voice as showcased in SEVEN BRIDES FOR SEVEN BROTHERS, but she brought in the wonderful tune, "Too Late Now," here in ROYAL WEDDING. Astaire was his typical debonair self, and his role is reminiscent of that in THREE LITTLE WORDS.

The plot of ROYAL WEDDING is easy to follow and serves as a great backdrop for Astaire and Powell and their respective musical talents. And yes, Sarah Churchill is Winston's daughter. Worth seeing more than once.