Pandora

The story of the Flying Dutchman is given a sumptuous production here, directed by Albert Lewin. Set in the 1930s, Hendrick van der Zee, the captain of a yacht, appears in the Spanish seaport of Esperanza. There he meets the mysterious and beautiful Pandora, a man magnet who has every man in the village, it seems in love with her. Pandora herself has never been in love, but there is incredible chemistry between her and Hendrick. Hendrick is soon found to be the 17th century Flying Dutchman, cursed to wander the world forever, unless he meets a woman willing to die for him.

Lewin does a good job both on the screenplay and direction, though both have flaws, and the music is a little overpowering at times. The film moves slowly in places. But the casting is wonderful. The only woman who could have played Pandora in 1951 was Ava Gardner, stunningly beautiful and sexy with that low, husky voice and incredible face. And let's not forget her figure which was dressed in dazzling costumes throughout the film. James Mason is handsome and mysterious as Hendrik, and the entire production is gorgeous to look at.

If you're an Ava Gardner or James Mason fan, don't miss this marvelous showcase for their talents. And do they make a fantastic looking couple or what?

I was an usher in the Paramount Theater in Wilkes-Barre Pennsylvania when this film came out. That's when ushers were ushers! I must have seen the picture 30 times while working. The picture was not popular at the time -- and I had a heck of a time understanding it. But I do remember being fascinated by the scenery. The film was initially promoted as "Pandora and the Flying Dutchman" -- but when it came to the Paramount, they changed the name to "The Loves of Pandora". I have no clue why that change was made -- but I remember that the revised title as it appeared on the screen was sort of "home made" and not of the quality of a new film. Were they experimenting with changing the name to get more patrons? I have not read anything about this anywhere on the internet. I have always been curious about this picture and intend to rent it to see it now that I'm 75 years old and may understand it at this stage of my life -- a full 58 years after seeing it at the Paramount.

Mention Pandora and the Flying Dutchman to a modern audience and you will be met with blank looks...To a public who thrive on Terminator 4,5,6,etc I suspect this film would be completely unknown.Good reason then for enjoying it (and it's type of film) quietly, while letting the rest get on with Hollywood's more obvious offerings. Unfortunately we don't have actors of the quality of James Mason anymore whose presence here is completely convincing as the otherwordly Dutchman of the title. The photography, clever placing of prop statues on moonlit beaches and raised camera angles viewing the coastal location in a surrealist style all help to create the fantasy illusion that echoes the art of the time....(Dali) etc. More than anything the film works precisely because it was made then.....if it was remade today it simply wouldn't work the people aren't around anymore who would make it work in the 'digital' age. Incidentally the 'voiceover'narration works very well..(as it also did in the maligned original version of Blade Runner....now never shown) In all a great film with a haunting quality....not as well known as it should be.

For many reasons, I love it. First, off course, for Ava Gardner and James Mason. Second, for seductive perspective about the legend of the Flying Dutchman. In same measure, for the true romance, old fashion, dramatic, gentle, softy, powerful, magical. For the painting, reminding so much the art of de Chirico , for Rubayyat and for the flavor of tauromachia in very inspired manner. For delicate poetry and for all the flavors, from sea to blood. A beautiful, in real profound sense, film.

There is much to enjoy in this legendary tale. The story is well told and quickly grabs the viewer. I thought the Spanish setting was perfect and the land speed record and bullfighting scenes in the main convincingly shot. The extraordinary use of Technicolor gives the whole picture an almost dream like ethereal look and many scenes have an almost surreal quality. The whole cast are splendid with Ava Gardner particularly spellbinding - I can't think of any actress today who could carry her role as convincingly.