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IMDbPro

Discreción asegurada

Título original: No Questions Asked
  • 1951
  • Approved
  • 1h 20min
CALIFICACIÓN DE IMDb
6.7/10
1.1 k
TU CALIFICACIÓN
Arlene Dahl and Barry Sullivan in Discreción asegurada (1951)
An insurance lawyer unhappy with his rate of company advancement becomes a middleman in deals to recover stolen property from the Mob, thus earning a nice living. But his actions attract police attention and set him up for a double-cross.
Reproducir trailer2:44
1 video
27 fotos
CrimenDramaFilm NoirMisterioRomance

Un abogado de seguros descontento con el ritmo de ascensos de su empresa se convierte en intermediario en tratos para recuperar bienes robados a la Mafia. Pero sus acciones atraen la atenció... Leer todoUn abogado de seguros descontento con el ritmo de ascensos de su empresa se convierte en intermediario en tratos para recuperar bienes robados a la Mafia. Pero sus acciones atraen la atención de la policía y le tienden una trampa.Un abogado de seguros descontento con el ritmo de ascensos de su empresa se convierte en intermediario en tratos para recuperar bienes robados a la Mafia. Pero sus acciones atraen la atención de la policía y le tienden una trampa.

  • Dirección
    • Harold F. Kress
  • Guionistas
    • Sidney Sheldon
    • Berne Giler
  • Elenco
    • Barry Sullivan
    • Arlene Dahl
    • George Murphy
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    1.1 k
    TU CALIFICACIÓN
    • Dirección
      • Harold F. Kress
    • Guionistas
      • Sidney Sheldon
      • Berne Giler
    • Elenco
      • Barry Sullivan
      • Arlene Dahl
      • George Murphy
    • 34Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:44
    Official Trailer

    Fotos27

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    Elenco principal76

    Editar
    Barry Sullivan
    Barry Sullivan
    • Steve Keiver
    Arlene Dahl
    Arlene Dahl
    • Ellen Sayburn
    George Murphy
    George Murphy
    • Inspector Matt Duggan
    Jean Hagen
    Jean Hagen
    • Joan Brenson
    Richard Anderson
    Richard Anderson
    • Detective Walter O'Bannion
    Moroni Olsen
    Moroni Olsen
    • Henry Manston
    Danny Dayton
    Danny Dayton
    • Harry Dycker
    • (as Dan Dayton)
    Dick Simmons
    Dick Simmons
    • Gordon N. Jessman
    Howard Petrie
    Howard Petrie
    • Franko
    William Phipps
    William Phipps
    • Roger
    William Reynolds
    William Reynolds
    • Floyd
    • (as William Regnolds)
    Mauritz Hugo
    Mauritz Hugo
    • Marty Callbert
    Mari Blanchard
    Mari Blanchard
    • Natalie
    Robert Sheppard
    • Detective Eddie
    Michael Dugan
    • Detective Howard
    Howland Chamberlain
    Howland Chamberlain
    • Beebe
    • (as Howland Chamberlin)
    Richard Bartlett
    • Betz
    Robert Osterloh
    Robert Osterloh
    • Owney
    • Dirección
      • Harold F. Kress
    • Guionistas
      • Sidney Sheldon
      • Berne Giler
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios34

    6.71.1K
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    Opiniones destacadas

    8mls4182

    Entertaining offbeat noir

    This is definitely one of the better and original B noirs of the 1950s. An insurance lawyer skirts the edge of the law and eventually ends up in bed with the criminal element. Our favorite buxom bad broad, Arlene Dahl. Jean Hagen is good but deserved a better role as a bad girl. Sullivan is adequate but lacks the star quality that would have made this an A production.

    It has a few fun and original touches. I won't give them away.
    7salesdavew

    A mostly unpredictable classic case of film noir

    And God spoke: I need two people, of all my creations, who will be perfect for the leads in what I will call Film Noir. That's how Barry Sullivan and Jean Hagen were created. This film is indeed classic, even typical film noir, with the one big difference: It's quite original plot, which twists and turns like a mountain road. Director Harold Kress lays the story out in a crisp and uninsulting manner, expecting us to pick up subtleties and clues without obvious explanations. I suppose if I have to find issue, I'd say the picture seems to be slightly over edited, coming across at times like a long montage. All in all, really good movie, and, if you are a film noir nut, maybe even great. Dahl always gives the added obvious bonus of being stunning.
    7hitchcockthelegend

    Legal fencing!

    No Questions Asked is directed by Harold F. Kress and written by Sidney Sheldon and Berne Giler. It stars Barry Sullivan, Arlene Dahl, Jean Hagen, George Murphy, Richard Anderson and Moroni Olsen. Music is by Leith Stevens and cinematography by Harold Lipstein.

    Sullivan plays Steve Keiver, an insurance lawyer unhappy with his rate of company advancement. He hits on the idea of being a middleman in deals to recover stolen property from the Mob, thus earning a nice pay off for himself whilst the insurance company are saved money by not having to pay out. But sure enough his actions attract police attention and before he knows it he is up to his neck in double-crosses, frames and dames!

    Tone is set from the off as our protagonist is on the run from the police, it's a dimly lighted moist street and he begins his narration. From there we get the film flashback of how he has come to be a wanted man.

    We are in noirville so obviously we have a bona fide femme fatale (Dahl smouldering) who is greedy, immoral, manipulative and thinks nothing of crushing Keiver's dreams. If he's to go to his doom then she really will not give it a second thought - and yet he loves her and would have married her in a heartbeat. He's a classic noir dope, he just can't see the bad in the woman he so covets, which is all the more annoying since the lovely firm secretary Joan Brenson (Hagen excellent) covets him and he can't see the wood for the trees where the two ladies are concerned.

    We have a bunch of run of the mill villains, with one who has a kink involving how long he can hold his breath under water for, though we do get a robbery scene that comes to reveal some devilish cheek soon afterwards. The cops you kind of get miffed about since the whole scam that Keiver has set up is implausibly allowed to flourish. Yet when things go bad for Keiver later in the play, we enter a dark world, where even if the finale isn't pure film noir, we get some moody turns of events that softens any feelings of there being a damp squib at film's end. 7/10
    6samhill5215

    Some terrific lines

    Yes indeed, some terrific lines here, especially by Jean Hagen. She is the jewel of this passable noir. Watch for the scene where she shows up at Sullivan's apartment and the interaction with Arlene Dahl. Priceless and somewhat unexpected given the film's age. Some other good stuff as well, again considering the film's age. Like the holdup by two men disguised as women. Otherwise the main premise of the lawyer who acts as go-between criminals and insurance companies is a bit thin. The acting is fine if not exceptional. Barry Sullivan is convincing as the lawyer out for a fast buck to impress gold digging Arlene Dahl whose presence is enough as usual. But it's Jean Hagen who shines and makes this worth watching, at least for her scenes.
    7cgvsluis

    Wonderful film noir story with some great twists and turns...isn't it always a dame?

    "They turn a spotlight on you and then they narrow the search...You wonder how it happened and where it all really began. It started somewhere beyond the searchlights and sirens. You had ideals and you went to a top law school...I think it all started when I received a telegram that Ellen was coming home."-Steve

    This wonderful little film noir starts with our unsuspecting Steve picking up Ellen from the airport. These two are practically engaged to be married but Ellen starts working Steve with the idea that she doesn't want to raise her children in poverty like she was raised. Naïve and happy Steve goes right in and asks his boss for a raise...for which his boss gives him the runaround and a resounding no. Steve works for an insurance company who, like all insurance companies, is trying not to pay out claims.

    Desperate to save his company money and to try to get a raise, Steve embarks on a dangerous idea to hunt down the mobsters who stole furs from their client. Steve gets roughed up a bit, but his gamble works and one of the mobsters bites...returning the furs for $10,000 no questions asked. Steve earns $2,500, for which he buys a ring and rushes over to Ellen's...only to find out from her landlady that she is married and left for a honeymoon in Europe!

    Drowning his sorrows over his lost girl, one of the mobsters makes Steve an offer to make the insurance hustle a regular scheme.

    "You know what I like about you?...you never worry about me smearing your lipstick."-Steve.

    "Don't talk to any strange girls."-Joni.

    "Do we put a tail on him?"-Cop "I don't know, I think he looks pretty cute just the way he is."-Steve.

    "You're not talking to the sucker you left. Oh no! I took your advice and went out and got a liberal education. There are a few things they don't teach you in law school...like how to buy a penthouse. Well you were a great teacher and I've graduated. I can afford to send Stevie to Oxford only there isn't any Stevie."-Steve

    "See I'm too smart to stick around because I'm still sucker enough to be in love with you."-Steve.

    Good story and excellent film noir plot. If you are a film noir fan...this should be on your list to see.

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    Argumento

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    • Trivia
      This film flopped at the box office, resulting in a loss to MGM of $377,000 (about $4.6M in 2024) according to studio records. It did not even make back its negative cost, let alone expenses for duplication, distribution, and advertising.
    • Errores
      A policeman alerts patrol cars in the vicinity of "18th Street". In Manhattan all numbered streets are divided into East and West, so anyone giving an address would say "East 18th Street" or "West 18th Street," never the number alone.

      The reporting policeman's notification came from a police call box. The location of that box as well as the cop's "beat" would have allowed headquarters to know the general location. However, the broadcast policeman's failure to provide that general location would have led to all squad cars along the ~2 mile stretch of (East and West) 18th Street to be on alert.
    • Citas

      Detective Walter O'Bannion: [Keiver has duped Detective O'Bannion into getting the name of Ellen's new husband] Gordon Jessman. He and his wife are at the Granby.

      Steve Keiver: Thanks.

      Detective Walter O'Bannion: [naively earnest] Do we put a tail on him?

      Steve Keiver: I don't know, I think he looks pretty cute the way he is.

    • Conexiones
      Featured in Noir Alley: No Questions Asked (2018)
    • Bandas sonoras
      I've Got You Under My Skin
      (uncredited)

      Written by Cole Porter

      Sung along with jukebox by Jean Hagen and heard in score

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de noviembre de 1951 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • No Questions Asked
    • Locaciones de filmación
      • 909 Santee Street, Downtown, Los Ángeles, California, Estados Unidos(site of the pickup of the stolen furs)
    • Productora
      • Loew's
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 742,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 20 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Arlene Dahl and Barry Sullivan in Discreción asegurada (1951)
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