El tigre

Rather lame western. Director Nugent fails to play up whatever suspense may lurk in what amounts to a meandering screenplay. On the whole, the story bounces around without building. Thus we're left with a turgid storyline spread across three or four main characters. Rooney arrives in Mexico accompanied by Preston in order to learn more about his brother Stack who's living below the border. Trouble is the area's beset by outlaws led by mysterious El Tigre, and soon the new arrivals are caught up in outlaw shenanigans. Fortunately, locals Hendrix and Torvay are on hand to help out.

At this point, Rooney was still a headline name but with a diminishing career. I expect that's one reason he shares so much screen time with Preston and Stack who are on their way up the ladder. Then too, the diminutive Hendrix is an apt leading lady since she and Rooney make a good visual pairing. Still, the former Andy Hardy appears unsure how to play his part in a western while Nugent appears no help. In fact, some of Rooney's behavior border on the distractingly comical. Also, that fine personality actor Robert Preston is wasted in a role a hundred lesser actors could have filled. Only Stack manages to register in a more strongly written role. Maybe the movie's best part are the settings which look authentically south of the border. And catch the blacksmith's infernally scary workshop. Too bad the rest of the movie doesn't measure up to those few impactful moments. Fortunately, Rooney would soon move on to more appropriate roles.

A good cast helps make this crime/western feature work, and makes up for story that is usually predictable and is sometimes too implausible not to become noticeable. Mickey Rooney and Robert Preston are particularly well cast in their roles, and a relatively young Robert Stack also gets the most out of his character.

Rooney plays a young New Yorker who heads to the southwest to find his brother, only to find out that his former idol has changed significantly. Rooney believably plays up the part of the tough little guy who won't be pushed around just because he's smaller than everyone else, and it adds something to many scenes. Preston fits well into the role of the straight-shooting ranger, and Stack is effective as the brother.

Most of the rest of it is just adequate, although the three leads do a good job of carrying the action. José Torvay helps out in a couple of scenes, and while the sets are quite plain, they do at least set a generally believable atmosphere.

Clumsey easterner Mickey Rooney travels to Mexico to make a surprise visit to older brother Robert Stack, only to discover he's a smooth-talking, black-hearted under boss to a bandit that's terrorizing the locals and robbing banks north of the border. Trouble arises when he inadvertently brings along Texas Ranger Robert Preston.

Despite the movie being a fairly straight-faced affair, Rooney plays like it's a comedy most of the time. Meanwhile, Stack is dead serious and seriously mean, prompting one of the characters to suggest that he's possessed by evil spirits! The combination of the two actor's performances make the film seem pretty odd.

On the whole though, this is an entertaining adventure, with some good suspense scenes, as well as nice, picturesque Mexican scenery and decent production values.

Also, there's a neat psychological twist in the final scene. Maybe Stack is possessed after all.

The cast brings this routine "Oater" up to watchable standards. Based on the novel by Brand "South of Rio Grande" this is the story of a youngster (Rooney) searching for his brother in the wild west. The plot is predictable and at times the director lets the action sag a bit, however, as with most of Rooney's 'transition' flicks this one is good, just to see how The Mick tries to get away from his Andy Hardy stereotype. Worth a watch.

This ‘B’ Western is the working definition of an “oater”: designed as a vehicle for the diminutive but energetic Mickey Rooney, his character is somewhat overbearing – that of a New Yorker who goes to Mexico in search of his elder brother, nicknamed “The Pride Of Tenth Avenue” (played by Robert Stack), only to find him to be not as upstanding and hard-working as he had been led to believe. In fact, Stack’s the right-hand man of a notorious bandit – dubbed “El Tigre”; when confronted by Rooney, Stack confesses to being indebted to the Mexican…but when ultimately revealed, the latter’s true identity greatly dismays Rooney (a clue: Stack and the bandit never appear together in the same scene!). Anyway, the film is unassuming and pretty forgettable but, at the same time, watchable enough; on the plus side is an appropriately foreign look (the production company took the trouble of shooting on location, albeit in a studio – the hacienda setting, incidentally, would soon become a staple of Mexican horror efforts!), as well as the imposing and reliable presence of Robert Preston as the Ranger out to capture “El Tigre”. The feminine angle is represented by petite Wanda Hendrix, coveted by Stack but who finally ends up with Rooney – content, for once, to be able to get a girl his own size instead of the usual “6-foot whales” from back home!