La espada de Montecristo

It's a pretty good movie, with swordplay, secrets, murder, and horseback riding...reminiscent of the old Zorro movies. There's a bit of romance, too.

Good over all.

If you have ever wondered how a costume action movie from Columbia Pictures could look like without the awful Sam Katzman as a producer, with this Phil Karlson's, you have the answer. The difference is obvious if you compare with the other numerous Katzman productions from this era for directors William Castle, Henry Levin... Here the budget is openly larger and you see it on screen. It is as good as the pirates movies made by Sidney Salkow; and the awful music - always the same I guess - from Katzman movies is absent.... John Derek is excellent here and Anthony Quinn exquisite too. A rare Phil Karlson's early material not to miss if you can. Forget the predictable plot.

In a strange combination of The Mark of Zorro and The Count of Monte Cristo, John Derek stars as a masked hero out for revenge for his father's murder in Mask of the Avenger. There's really no suspense, though, because in the beginning scene, Anthony Quinn is revealed to be the murderer. It would have added a little intrigue, even if it were just fifteen minutes or so, if John didn't know who killed his father.

There's also a watered-down romance between John and Jody Lawrance added into the plot. With the cheesy script, B-movie production values, and tv-esque music, this movie isn't one I'd recommend adding to your list. There are so many other better 1950s adventure movies to choose from.

Italy in 1848 is the setting for MASK OF THE AVENGER, which borrows heavily from every Zorro-like swashbuckler or "Count of Monte Cristo" film ever made. Columbia's fledgling stars, JOHN DEREK and JODY LAWRENCE play the romantic leads with ANTHONY QUINN lending his presence to a colorful supporting role. He was on the verge of his own big-time stardom.

Derek is the masked aristocrat who must engage in swordplay with military tyrant Quinn. Although given Technicolor and some appropriate sets, it has the look of a second-rate epic indistinguishable from a dozen other such stories.

Nor is it any help that JODY LAWRENCE is a strictly one-note actress who brings nothing but a pretty face to her role as the lovely heroine.

JOHN DEREK fares slightly better but it's no more than a cardboard, by-the-numbers sort of adventure done countless times in more inventive ways. This one stirs up only a moderate amount of interest and can be easily forgotten.

Obviously designed to give Derek's teen-age fans a thrill since he gets solo billing over the title.

During the European revolutionary fervor of 1848, Italian Captain Renato Dimorna tries to avenge his father's death, goes against the corrupt local military governor Larocca and prevents an Austrian military invasion.

Mask of the Avenger has all the required elements: horses, intrigue, treachery, ambitious villainous plans, derringer-do, fancy costumes, and colourful sets. It's quite a fun swashbuckler in the Zorro/Monte Cristo fashion. It's nothing new, but it's lively, has a plot that keeps one interest and has a good climax. Anthony Quinn - no surprise - plays the villain who kills John Derek's father and John Derek is energetic as the hero. Jody Lawrence makes for a spirited heroine. Arnold Moss plays Quinn's sidekick who suspects that Derek is the masker avenger.