[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
Atrás
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro
Celos mortales (1951)

Errores

Celos mortales

Editar

Continuity

When Shelley gets her car stuck in the mud and first sees the house, the view is from some distance away from the house and the fence. However, in the next shot when she gets out of the car, the house is much closer, and the car is right next to the fence.
In the early morning hours following a late-night torrential downpour, the desert roads are already dry and dusty.
When the car crashes, the view from inside the car shows a single-rail fence on the left. However, in the exterior shot, the car is going the opposite direction with a double-railed fence on the car's right. Also, the oncoming car is on a straight stretch of highway, but in the daytime shot of the crash scene, the site is on a blind curve through a cut in a hill.
When asking Richard Trevelyan if he wants some fried chicken, Shelley Carnes presents the box his direction. On the next cut, the box is sitting squarely on her lap, away from him.
Towards the end when Liza and String drive off at night, the sky is obviously a daytime sky. In preceding and succeeding shots, when Liza and String, Shelly, and Trev and Harvey are standing in outside doorways with the sky in the background, the sky is black (as a nighttime sky should be).

Factual errors

Shelly drives through the rain to a part in the road, then later gets stuck in the mud. She sees a house and makes her way to the door stoop. Once in the house, she comments on Texas hospitality (thereby placing the movie in Texas). But there are Joshua trees where the road parted, as well as in front of the house, and Joshua trees are found only in the Mohave Desert (southeastern California, southern Nevada, southwestern Utah, western Arizona, and northern Baja California).

Incorrectly regarded as goofs

The morning after the rainstorm, the car's windshield is shiny clean. Note that Pedro has been out and the convertible roof is down and he is helping to load the luggage so he could have cleaned the windshield if it needed cleaning.

Revealing mistakes

Liza began as the sole not guilty vote on the jury in Richard Todd's murder trial. She managed to persuade five others to join her, causing a 6-6 deadlock, which allowed Todd to go free. However, as she was known to be friends with both Todd and his wife, the victim, and an employee of a dude ranch owned by his partners, the Nolans, the judge would have dismissed her from the jury pool, and she would never have been on the one hearing the case.
After first meeting Richard at the ranch house, Shelley goes to her room carrying a candlestick that has a hidden electric bulb in it - in the side facing her - providing far more light that just the candle's flame alone. If one looks closely, the electric cord to the candlestick is visible as she walks over and sets it down.
Having never seen her before, J.D. Nolan (Frank Conroy) greets Shelley Carnes (Ruth Roman) by name when he greets her in the room with Nolan's wife Myra (Kathryn Givney).

Audio/visual unsynchronised

When Shelley is in the kitchen with Liza and String, and mentions a doctor in Kansas, the audio suddenly changes in volume and doesn't match her lips, indicating it was dubbed in later.

Contribuir a esta página

Sugiere una edición o agrega el contenido que falta
Celos mortales (1951)
Principales brechas de datos
By what name was Celos mortales (1951) officially released in India in English?
Responda
  • Ver más datos faltantes
  • Obtén más información acerca de cómo contribuir
Editar página

Más de este título

Más para explorar

Visto recientemente

Habilita las cookies del navegador para usar esta función. Más información.
Obtener la aplicación de IMDb
Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
Sigue a IMDb en las redes sociales
Obtener la aplicación de IMDb
Para Android e iOS
Obtener la aplicación de IMDb
  • Ayuda
  • Índice del sitio
  • IMDbPro
  • Box Office Mojo
  • Licencia de datos de IMDb
  • Sala de prensa
  • Publicidad
  • Trabaja con nosotros
  • Condiciones de uso
  • Política de privacidad
  • Your Ads Privacy Choices
IMDb, una compañía de Amazon

© 1990-2025 by IMDb.com, Inc.