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Bob Hope is the Lemon Drop Kid, a race-track tout who incurs the wrath of gangster Moose Moran when he convinces Moose's ditsy mistress to bet on what turns out to be the slowest horse in the race. Given until Christmas to raise the ten grand, the conniving kid sets up a fake 'Old Dolls Home' as part of a fake Santa Claus charity scam. This is a Christmas movie, so needless to say the larceny and gangland shenanigans of the first half gives way to a sentimental final reel. The film is loosely based on the eponymous Damon Runyon story but, other than character names like 'Gloomy Willie' and the frequent use of the term 'dolls', lacks a real 'Runyonesque' feel. As always, Hope's impeccable timing and delivery gets the most out of the material and the film is pretty funny at times (including the obligatory meta-reference to Bing Crosby, Hope's usually comedic foil). All in all, a fun family Christmas-film that introduced the classic seasonal charmer 'Silver Bells'. One additional plus: the film features the great Tor Johnson of 'Plan 9 from Outer Space' (1957) and 'The Beast of Yucca Flats' (1961) fame.

The Lemon Drop Kid is directed by Sidney Lanfield (Frank Tashlin uncredited) and based on the short story of the same name written by Damon Runyon (Edmund Beloin adapting). It stars Bob Hope, Marilyn Maxwell, Lloyd Nolan, Jane Darwell, Andrea King & Fred Clark.

It's perhaps a bit unfair to call it purely a Christmas movie? But watching it during the festive holiday season itself more than doubles the impact of the viewing. Bob Hope is The Lemon Drop Kid, a scam artist who during one of his cons at the race track finds himself in debt to a gangster for $10,000. If he doesn't find the money by Christmas day then he's going to be done for in a very grizzly way. We then follow the intrepid Hope on his various escapades to get the money; no mater how morally corrupt it be! A charity scam in the name of an old peoples home brings about much mirth and frivolity, and as the film twists as much as Hope does in his energetic scenes, it leave us with a delightful feel good seasonal offering. The lead cast are fine, with Hope in his element with the material to hand, while Marilyn Maxwell is perfect foil for Hope in the lead female role that calls for gusto and sentiment to be layered equally. While the final cherry on this lovely yuletide cake comes with the Hope/Maxwell rendition of "Silver Bells" that underpins the Christmas flavour of the piece.

It's unlikely to impress hardcore Runyon followers, and those that don't buy into Hope's form of comedy are probably best to avoid it. But for many folk, myself included, The Lemon Drop Kid is a 10/10 film, particularly at the Crimble season.

Our entire family from great grandmother on down to the great grandchildren love this movie. It will never be outdated. It is funny, decent and there is never a dull moment. This movie is truly a classic and such a refreshing change from the liberal nonsense that the industry is spewing out today.

This is one of my favorite holiday movies. It is a great example of Runyan's work. I would recommend it for the whole family! It is a nice departure from the usual holiday sentimentalism. The dialog is peppered with typical Runyan phrases that truly capture the "Guys and Dolls" types and yet still has the Bob Hope send up comedy typical of his "Road" pictures. The musical numbers add to the picture without making it into a big budget Hollywood show. Jane Darwell, William Frawley and Lloyd Nolan are really enjoyable. Even though some of the comedy it perhaps a bit ethnic oriented, it really isn't offensive. My family and I would rather watch this than any other "wonderful" holiday movie.

Hope's films always spun on his zany sense of humor. In this, a redo of a Damon Runyon story (see Little Miss Marker), Hope is at his best. I noted with interest the comments of one reviewer who bristling with politically correct indignation, accuses Hope of everything from Sexism to nearly murder. True, they were not as tuned into the careful not to offend anyone scene we are now but most of this stuff is pretty mild. Besides, being a senior citizen myself, I was hardly offended. The list of wonderful studio character actors in this film is delightful. Fred Clarke who was at his best as a villain or sleeze ball gives a delightful show as a gangster. And, then there's Marilyn Maxwell: her singing of "Silver Bells," gave us a new Christmas carol that is sung every holiday season. I'm sorry that some of our other reviewers were piqued by this film. I think it has held up well and I still delight at Hope's antics. I guess that dates me. I was in junior high when I saw this film. I loved it then and love it now.