Puños de hierro

This film is a remake of Iron Man of 1931 with Lew Ayres and Jean Harlow, also made in 1937 as Some Blondes are Dangerous, but here Evelyn Keyes, the blonde is not the central character. Jeff Chandler, Rock Hudson and James Arness are workers in a mine and also boxers. Chandler wins his fights when he hates and gets furious, he becomes an animal and also the public does not like him. Rock Hudson is the nice guy and Evelyn Keyes is Chandler's girlfriend and Stephen McNally his brother and also agent. The fight scenes do not look very real, specially when Chandler gets punched on the face, it does not seem to affect him, it is almost like he does not defend himself, he only cares about hitting. I think that in a real fight he would be knocked out in a couple of minutes fighting this way. The film is interesting, specially because of the presence of Hudson and Arness at the beginning of their careers.

In another few years coal miner turned boxer turned actor Charles Bronson would have been perfect to star in this film which was almost autobiographical in his case. Like Jeff Chandler in this film, Bronson was brought up in the Pennsylvania coal mining country and took up boxing before acting as a way out of some dire poverty.

Chandler plays coal miner Coke Mason who only wants to earn enough money to start a business and get married to Evelyn Keyes. But his brother Stephen McNally sees a future in Chandler's fists and wants to manage him.

Chandler has one thing that can't be taught. He has a murderous punch and a killer instinct in the ring. Lots of fighters have that, two of the most prominent were Jack Dempsey and Rocky Graziano. In fact in that aspect this version of Iron Man is close to the Graziano film Somebody Up There Likes Me.

The main weakness in the film is there is no real explanation for why Chandler is such an animal in the ring. Especially since one of the supporting characters is Rock Hudson who is from those same mines and also becomes a boxer, but he uses skill and speed and is a fan favorite. Chandler is as unpopular as one of Vince McMahon's patented wresting villains.

It's a good boxing film, but this version of Iron Man will never rank with a film like Champion where another prize fighter has a killer instinct.

Jeff Chandler is a coal miner who wants to open a radio store with his girl, Evelyn Keyes. His brother, Stephen McNally, manages him, as much as anyone can. In the ring, Chandler turns into an animal, barely held back from killing his opponents. Sports columnist Jim Backus keeps writing that he should be thrown out of boxing. When Miss Keyes and McNally pay off another boxer to throw the fight, and Chandler finds out, he walks out, determined to become the world champion and earn the respect of the booing crowds.

I haven't seen the 1931 version of this movie, in which Tod Browning directs Lew Ayres in the lead role, but this is as brutal a movie as the Production Code would permit. Carl Guthrie's camerawork makes Chandler look like an animal during the matches. While there's some pop psychology to explain Chandler's savagery, that is the point of this effective movie.

Bob

A well-cast Jeff Chandler, in his physical prime at about age 32, plays a Pennsylvania miner named "Coke" Mason who reluctantly becomes a boxer in order to earn some extra money. (He wants to use this money to marry girlfriend Evelyn Keyes and open up a radio store.) "Coke" is a mild-mannered fellow who proves to be an indifferent fighter until he's goaded into anger. Then, with an almost audible "click," he turns on his opponent in a murderous rage and attacks him without mercy. This streak of brutality quickly earns him the enmity of the crowd even as it causes his rapid rise in the standings. Meanwhile his friend and fellow boxer "Speed" O'Keefe (Rock Hudson) has the boyish good looks and clean-cut manner which make him a crowd favorite. Inevitably the two meet in the ring to decide the world heavyweight championship.

These ingredients could easily be combined into a serviceable B-movie but there's a problem here: the character played by Evelyn Keyes. The script can't decide whether she's the faithful girlfriend who's appalled by the violence of the boxing ring or instead the greedy golddigger who sees her boyfriend as a means to a life of wealth and comfort. This confusion about her character proceeds to muddle the script's conception of other characters. Stephen McNally as Chandler's ambitious brother also has the makings of a villain as does Joyce Holden as the "other woman." However, since Keyes might (or might not) be the story's real villain, these two characters are often left in a state of limbo -- not quite good, not quite bad. An air of indecision thus lingers over many parts of the movie and keeps it from having the desired impact.

The movie's fight scenes lack the gritty reality of those in, say, "Raging Bull," but this movie almost seems slanted at a female audience so instead of blood and bruises we get attractive "beefcake" shots of Chandler's and Hudson's bare torsos, gleaming with sweat and shaved of hair. (Knowing what we do now of these two actors' private lives, it's easy to imagine how much they enjoyed filming these "beefcake" scenes -- not to mention getting buck naked for the showers that followed!) Fans of "beefcake" get a bonus in also seeing James Arness stripped to the waist for an early fight scene with Chandler.

Though it's hard to imagine Rock Hudson as the heavyweight champion of the world, he has an eager, likable quality that hasn't yet been hardened by the movie-star status soon to settle around him.

This "Iron Man" is a re-make of a 1931 "Iron Man" starring Jean Harlow. Notes indicate that the Jean Harlow version was also re-made in 1937 under the title "Some Blondes Are Dangerous" but information on this movie seems to be missing from the files.

Finally, you can tell how old this movie is by one simple fact: virtually all the boxers in it are white!

A coal miner who dreams of his own radio shop is lured into a boxing ring where he becomes a kind of animal hated by the public. Box is a film genre that remains to this day committed to tradition. It underwent few changes in dramatic elements or peculiarities of plots. Old scripts used to tell the same stories. They hardly become outdated. (Take the Rocky franchise for example) Most often (like here) it's the story of a poor guy who finds self-fulfillment in fighting, in order to be successful. At the same time either old friends break with him or he with them. Finally, a decision must be made as to whether the hero will look back to his former values or allow success within such a brutal business lose him in every respect. Director Joseph Pevney has some interesting titles in his filmography, but Iron Man surely isn't the best one.