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Agrega una trama en tu idiomaTennis prodigy Florence Farley is torn between romance and her mother's ambitions.Tennis prodigy Florence Farley is torn between romance and her mother's ambitions.Tennis prodigy Florence Farley is torn between romance and her mother's ambitions.
- Dirección
- Guionistas
- Elenco
Bob Alden
- Photographer
- (sin créditos)
Herman Belmonte
- Match Spectator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Hard, Fast and Beautiful (1951)
You might not think a tennis movie--that is, a movie about a young girl making her way up the tennis ladder to the championships--would go very far. And this is the main focus for the first half of it. But in the background some relationships are developing, and here is the real meat of this B-movie, with its slightly suggestive title.
At the core is a fairly new kind of stereotypical family, the kind broadened in 1950s television from the Donna Reed Show to My Three Sons to the Brady Bunch--a suburban utopia. Husband and wife in this case are politely happy, and the wife, played brilliantly by Claire Trevor, in particular is secretly frustrated. When her daughter begins her rise in the tennis world, and falls in love with the local pretty boy (a nice guy, too), she starts to be jealous, or at least to see what she's been missing in her own life. And then the power man comes along, a mover and shaker in the tennis world who see the daughter's talent and also the mother's hunger and charm.
It can only get interesting from there, and it does.
The tennis scenes are not terrible, but there are too many of them, I think, and we don't totally care who wins the matches. But again, this is backdrop, and as the ball is hit hard and fast, we see the subplots brood and get interesting, within the limits of the code still holding sway for another decade.
This is an Ida Lupino movie. You might not think it matters that a woman directed a fairly formula kind of film, but there are slight tilts to the attitudes that seem only possible by having a woman (and a woman like Lupino) in charge. And the characters who really rise to the most complexity are women, the daughter to some extent limited by her role as a young and naive whiz, but the mother, for sure. Between Trevor and Lupino we have an interaction that comes alive on screen.
You might not think a tennis movie--that is, a movie about a young girl making her way up the tennis ladder to the championships--would go very far. And this is the main focus for the first half of it. But in the background some relationships are developing, and here is the real meat of this B-movie, with its slightly suggestive title.
At the core is a fairly new kind of stereotypical family, the kind broadened in 1950s television from the Donna Reed Show to My Three Sons to the Brady Bunch--a suburban utopia. Husband and wife in this case are politely happy, and the wife, played brilliantly by Claire Trevor, in particular is secretly frustrated. When her daughter begins her rise in the tennis world, and falls in love with the local pretty boy (a nice guy, too), she starts to be jealous, or at least to see what she's been missing in her own life. And then the power man comes along, a mover and shaker in the tennis world who see the daughter's talent and also the mother's hunger and charm.
It can only get interesting from there, and it does.
The tennis scenes are not terrible, but there are too many of them, I think, and we don't totally care who wins the matches. But again, this is backdrop, and as the ball is hit hard and fast, we see the subplots brood and get interesting, within the limits of the code still holding sway for another decade.
This is an Ida Lupino movie. You might not think it matters that a woman directed a fairly formula kind of film, but there are slight tilts to the attitudes that seem only possible by having a woman (and a woman like Lupino) in charge. And the characters who really rise to the most complexity are women, the daughter to some extent limited by her role as a young and naive whiz, but the mother, for sure. Between Trevor and Lupino we have an interaction that comes alive on screen.
Claire Trevor stars and owns this movie about a woman who decides that the best
way to get the good things in life is through her daughter's skill with a tennis
racket. Sally Forrest is the daughter who if she had her own way would settle
down with Robert Clarke the boy next door and play tennis for fun. Stan Musial
had a great philosophy in that he knew it was time to quit when he no longer
had fun just playing the game. Too many don't feel that way.
And too many live vicariously through their children. The best portrayal of that phenomenon was Jo Van Fleet in I'll Cry Tomorrow. But Lillian Roth's stage mother had nothing on Trevor as she guides and manipulates Forrest and her career.
Hard, Fast And Beautiful also joins the ranks of films that takes a solid look at our peculiar view of amateur and professional sports and the problems that causes.
The scene when Trevor and Forrest finally level with each other is a classic. So is the deathbed scene with them and her beloved but weak father Kenneth Patterson. Look for Carleton G. Young as well as the tennis coach also hoping to live off the Forrest gravy train.
Most of all this is for fans of Claire Trevor.
And too many live vicariously through their children. The best portrayal of that phenomenon was Jo Van Fleet in I'll Cry Tomorrow. But Lillian Roth's stage mother had nothing on Trevor as she guides and manipulates Forrest and her career.
Hard, Fast And Beautiful also joins the ranks of films that takes a solid look at our peculiar view of amateur and professional sports and the problems that causes.
The scene when Trevor and Forrest finally level with each other is a classic. So is the deathbed scene with them and her beloved but weak father Kenneth Patterson. Look for Carleton G. Young as well as the tennis coach also hoping to live off the Forrest gravy train.
Most of all this is for fans of Claire Trevor.
This movie turns its characters' souls inside-out, but never deviates from its pacing or its sports theme. Interesting performances punctuate an early 50's version of a woman trying to find her own way by eschew popular convention. The studio ending forced upon Lupino blunts some of the intended effect.
The acting and the viewpoint had me riveted in my seat in the first half of this little potboiler, before it turns turgid and never recovers. The tennis scenes are well done. This is one of those movies that seems headed for greatness, but in the end disappoints the viewer.
Despite the title, it's not a J.D. story....HARD: the egotistic, driven opportunist mother (Claire Trevor), FAST: the vacillating but easily influenced ace tennis player daughter (Sally Forrest), and BEAUTIFUL: the always polite, handsome boyfriend with the patience of Job (Robert Clarke) That just about sums it up. Viewers will marvel over how the girl's caring father is completely left out of the whirlwind tours and trips to Europe and ignored while pursuing her career. Outside of her devoted boyfriend, he's the only one who truly cares about her. It takes far too long for the girl to wise up and put her mother in her place, but it's worth watching to finally see it happen.
¿Sabías que…?
- TriviaAt the 34-minute mark, Florence is playing a match in Seabright, New Jersey. In the crowd, Robert Ryan and director Ida Lupino (both uncredited) are shown applauding her.
- ErroresFlorence looks at her new necklace in the mirror while she is wearing it. The words I LOVE YOU CHAMP are seen in the mirror. They ought to have been backwards.
- ConexionesFeatured in Howard Hughes: His Women and His Movies (2000)
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Detalles
- Tiempo de ejecución1 hora 18 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Madre contra hija (1951) officially released in India in English?
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