La venus de oro

An ok film and great for Mitzi Gaynor fans. It seemed like a Calamity Jane wanna be... but Dennis Day, a pretty bland performer (albeit with a really good voice) and Mitzi are not a match for Howard Keel and Doris Day and an MGM production. It's the usual Hollywood totally fabricated biography, 90% fiction, so don't expect this to be a true story. One of the great things about Mitzi was that although she wasn't in the league of Cyd Charisse or Vera Ellen as a dancer....at least she did her own singing which made her a true all-around performer (her voice is not all that powerful, but it is pleasing). At 19, when this was filmed, her energy is boundless and when she's onstage, particularly with Dennis Day, he becomes invisible.She is cute, talented and this really was her first chance to strut her stuff.

This is a film I went to the cinema and watched on its release.... Throughout the 51 years since then this is the film that has stayed in my memory.

I found the plot quite enthralling - the action criss crossed from the Civil War to the theatre and the lives of all those involved. The drama and the joys were all there. The cast were all good in the roles and there was a wide range of Hollywood names of that era. The musical numbers were toe tapping and will run through your mind after you have watched it ... main numbers are Golden Slippers and Dixie which you sing for days afterwards (in my case 51 years afterwards).

The costumes were what you expected of a large Hollywood musical of the era - colourful and glorious.

Sadly it seems to be a film that is lying in the vaults forgotten but it would be nice if it could be re-released....if only to see a young Dale Robertson...

A most fictionalized biography of 19th century star Lotta Crabtree is the subject of Golden Girl. Having just read the Wikipedia article concerning Crabtree a real version of her life would be a truly great picture.

Mitzi Gaynor of whom it has been said came along just a tad too late and missed the real golden era of Hollywood musicals during the 30s and 40s plays the title role. She was one of the best dancers of the female gender ever to hit the big screen and there was no need to dub her singing voice. Mitzi would have been a much bigger star a bit earlier, she had all the right talents.

Her romance with courtly southerner Dale Robertson was a pure fiction, but Robertson is just fine in a role tailored for his talent and speech pattern.

Sharing the singing duties with Gaynor is Dennis Day taking time off from the Jack Benny program. Dennis gets to sing the song Never which got an Oscar nomination.

James Barton and Una Merkel play Lotta's parents and Barton who was an old song and dance man himself and scored a big hit on Broadway in Paint Your Wagon around this time gets a nice number with Gaynor. The name Crabtree suits Merkel's complaining character. Wikipedia says that the real Lotta Crabtree's parents were from Great Britain, but there sure is no trace of any of that kind of accent with Barton and Merkel.

Golden Girl is fine musical entertainment even though it's not a patch on the real story of Lotta Crabtree.

How could I have lived 61 years & not properly appreciated the talent & beauty of Mitzi Gaynor?

She was great...she has the rare ability to present innocence, freshness, and be quite sexy....what a lady.

The story of the Bella Union, or at least some of it was fascinating to me.

I only wish there had been something said of her visit to Tombstone Arizona, the Birdcage Theater, which also hosted Eddie Foy, shortly after Wyatt Earp & Doc Holliday spent evenings in the, then new, Birdcage.

Could anyone elaborate on the historical accuracy of her relationship with a Southern Officer? Since she never married, it leaves one wondering.

This movie, along with South Pacific will initiate many searches/viewings of Mitzi Gaynor movies.

Does anyone here have any further info on Mitzi Gaynor's present activities....still making appearances?....healthy?

Mitzi gets to strut her stuff in this almost wholly fictional biography of pioneering actress Lotta Crabtree. The actual story of Lotta's life, touring mining camps, forging what became early American theatre in the West and becoming a major philanthropist, was far more interesting than this surface collection of period inappropriate musical numbers tied tenaciously to a silly love story that never happened and makes Lotta seem foolish and naive.

Mitzi was a fantastic dancer and a pert personality and those two traits are much in evidence throughout the film so if you like her you'll like this. There is also the wonderful Una Merkel as Lotta's mother adding a bit of dash to the proceedings but she's the only member of the supporting cast that makes any impression.

A colorful movie but worthless as if you're interested in Miss Crabtree's story.