El fuerte de la venganza

The film packs thrills , noisy action , horse pursuits , crossfire , high body-count , cavalry charges and it is fast-moving and quite entertaining . Standard Western about an expedition heading for Fort Defiance and along the way suffering native american attack .It's just after the Civil War , an ex-Civil War soldier called Ben Shelby (Ben Johnson) arrives looking for Johnny Tallon (Dane Clark) whom he plans to murder . Shelby was the only survivor of a battle due to the cowardice of Tallon, that's why he is hell-bent on killing the man whose surrender got his brother killed, but then discovers that a rancher wants him and his blind brother (Peter Graves) killed. Ater finds out a rancher wants that same man and his blind brother killed. Tallon and and his companions have to confront Navajo Indians who go on the warpath and must now battle together postponing the inevitable showdown . This is killer country ... and the story of the guns that won its glory ! All the fury of the last Great Indian Wars !Where "Kill or Die" Was The Indian Cry!...a hunted man and his hunter fight side by side...across the blood-mad terror of the Navajo empire!

The picture gets Western action , shootouts , US cavalry go riding , a love story between a blind man and an ex-prostitute , and it results to be an enjoyable tale . Set during the Arizona Indian Wars with the violent upheaval of brave Indian chiefs as : Cochise , Jeronimo , Vitorio , Mangas Coloradas , when fear and violence spread throughout the land .This one shows a campy , amusing and entertaining glimpse in the Wild West . It's a medium budget film with acceptable actors , technicians , functional production values and pleasing results . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes .vBursting with appealing characters, thought-provoking themes as the peculiar relationship among two attractive characters : a blind and a prostitute , sub-plots , symbols , and with very decent filmmaking and interpretation . There is an odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as the battles between the stagecoach passengers and Navajos . Nice production design creating an adequate scenario with luminous outdoors , plains , montains and rocky landscapes under a glimmer sun and atmospheric sets but in B-series style . It stars the always agreeable Ben Johnson as former Civil War solider bent on killing the man whose surrender got his brother killed, and Dane Clark as a gunfighter who eventually gets redemption , but is Peter Graves who steals the show as the good blind brother attempting to keep his first love . Peter drafted United States Air Force, he studied drama at the University of Minnesota and then headed to Hollywood, where he first appeared on television and later made his film debut in Rogue River (1951). Numerous film appearances followed, especially in Westerns . However, Graves is primarily recognized for his television work, particularly as Jim Phelps in Mission impossible (1966). He made movies of all kinds of genres , Sci-Fi, drama , Western , Warlike , comedy , such as : Stalag , Beneath the 12-mile reef , It conquered the world , Killers from space , The clonus horror , The court martial of Billy Mitchell , The winds of war , Sergeant Ryker , Cruise missile , Legend of the Sea Wolf , Scream of the Wolf, Texas across the river , The Guns and the Fury , The rebels , Survival run, Let's make up , The night of the hunter , The slipper and the rose , being especially known for his special appearances in : Airplane I and II and Men in Black 2 . Peter Graves died of a heart attack on March 14, 2010, just four days before his 84th birthday. His partenaire is the attractive but unknown actress Tracey Roberts . They are accompanied by a fine support cast , such as :vGeorge Cleveland , Ralph Sanford , Dennis Moore and Iron Eyes Cody as Brave Bear ; the latter played several Indian roles , in fact he claimed Native American descent, although he was actually of Italian descent, with ancestors from Sicily , he labored for decades to promote Native American causes, and was honored by Hollywood's Native American community .

The motion picture was well directed by John Rawlins . This B-Hollywood filmmaker had a long and important cinematic career. At the beginning he was an actor, stunt man, gag writer and assistant director . For a while he sidelined as a comedy writer, then became an editor and later directed second features for First National in Britain from the early 1930s. Returning to the US, he joined Universal (1938-46), where he turned out "B" pictures and serials, including installments of the "Dick Tracy" and "Sherlock Holmes" series. And directing various Westerns such as : The Arizona Ranger , Strange conquest, Overland Mail, Men of the Timberland , Rogue River , shark river , Mississippi Gambler , among others. He had similar assignments at RKO (1947-48) and United Artists (1951-53), before branching out into television dramas. Rating : 6.5/10 . Decent and better than average Western.

'Ft. Defiance' is a B-movie western that in terms of story is quite a cut above the typical Saturday matinée fare. But, this is a description of the Cinecolor process it was shot in.

3-strip Technicolor was the first technically viable, full color film process commercially available to the U.S. film industry. Although technically elaborate and expensive, for about a 15 year period (ca. 1935-50) it was also the only full color process available (Kodachrome, a reversal process yielding a positive image from the camera stock, was not regarded as suitable for studio film production).

During Technicolor's reign there were a number of alternative low-budget color film processes based on the 2-color principle of color reproduction. Although 3 primary colors are required to obtain a full color gamut, a surprisingly natural-looking color image can be achieved by using only 2 primary colors, basically, a warm primary and a cool primary.

Instead of dividing the spectrum into 3 bands (red, green, blue), it is split into 2 regions, representing the warm colors (red, orange, yellow) and the cool colors (green, blue, violet). In the photography, red and green color separation filters are used to obtain the 2 primary color images. Because of the technical complexity of full 3-color requirements, the first successful color motion picture processes (Kinemacolor and others) from the 1910's onward, were 2- color processes. Technicolor started out as a 2-color process itself.

As with other 2-color processes (Trucolor being its main competitor) the Cinecolor process used Mitchell cameras adapted for bi-pack filming where 2 rolls of film are run through the camera simultaneously. The camera's magazines had 4 chambers, 2 feed and 2 take-up. Each roll of black & white film captured one of the 2 'primary' images.

A Cinecolor film print contained 2 primary color images, a reddish-orange and a cyan, printed on opposite sides of the film base. In making splices, the projectionist had to scrape emulsion off BOTH sides of the film so the cement could form a proper bond. Focus was achieved by focusing at the center of the film base as a compromise (instead of on the emulsion).

When Kodak and other companies introduced single-strip negative-positive color film systems around 1950 -- which meant that standard production cameras could be used for full- color filming without special adaptations or apparatus -- the raison d'etre for 2-color systems was eliminated, with 'Ft. Defiance' being among the last of its kind. 3-strip Technicolor itself survived only a few more years as a production process, although the lab continued providing imbibition film prints to the industry for more than a decade afterwards.

Like other 2-color processes, Cinecolor suffered from a limited palette, where bright greens, yellows, and purples were not achievable. Most other colors could be represented with fairly reasonable approximations. It also suffered from a bit of variability in color densities. Nevertheless, it was the most natural looking of all the 2-color processes.

Considering its 2-color limitations, what's remarkable about Cinecolor is how natural-looking it could be.

Some other 2-color Cinecolor titles are: Black Gold (1947) Albuquerque (1948) Strawberry Roan (1948) Flight to Mars (1951) Flat Top (1952) .

Fort Defiance is directed by John Rawlins and written by Louis Lantz. It stars Dane Clark, Ben Johnson, Peter Graves and Tracey Roberts. Music is by Paul Sawtell and cinematography by Stanley Cortez.

Plot has Clark as sharp shooting Johnny Tallon, a feared man he may be, but after a dreadful incident in the Civil War he is a wanted man. Upon returning to the family ranch where his blind brother Ned (Graves) resides, he finds one of his pursuers, Ben Shelby (Johnson), has befriended Ned and become more of a brother to Ned than Johnny ever was. With the Indians on the warpath and saloon impresario Dave Parker (Craig Woods) out to kill of the Tallon family, something's got to give...

There's a degree of complexity on show with the writing here, where the family strife and fall out from the Civil War makes for an always interesting viewing. Also refreshing to find that Graves' blind character is not a heart string tugging token, it's a meaty portrayal by Graves, the character not trying to garner sympathy. There's a richness to the key characterisations in general, ensuring that at least when the story treads familiar Westerns pathways (Indian attacks shoehorned in - Roberts' token saloon gal love interest) all outcomes are anticipated with interest.

The location landscapes are gorgeous, which renders the use of Cinecolor as being annoying. The pronounced reds and blues detracting from the natural beauty of the surroundings, though thankfully the print shown on TCM-HD is of a decent quality. The action sequences are only competently staged, but there's enough gun shots and stunt working bodily thunder to perk up the pic, while acting across the board is on the good side of good.

Strong plotting and super scenery help to keep this one above average and thus worth seeking out by Westerns lovers. 6.5/10

The first half is a fine slice of emotional clarity, that stubborn homestead squatting like a tiny island on an ocean of redrock. The movie itself turns on Peter Graves's sightless Ned. If he's not likably appealing, then the plot doesn't work. But fortunately Graves hits the right notes without being maudlin, so we understand why others would sacrifice to help him. And when Ben (Johnson) finally turns around to help, we know there's more to family than blood kin.

I wish the second half were as streamlined and inventive. But instead, it falls back on a series of clichés. What purpose, for example, is that gunning down of Parker's men except to show how fast Johnny (Clark) is. Then there's the badly clichéd Indian attack. Sure, it's panoramic and I assume that was the real purpose. However, the attack is unimaginatively staged as though the circling Redmen have no other desire than to give the Whites some live target practice. It's like they have no military sense at all. And instead of the stereotypical good- hearted hooker, why not pair the sightless Ned with a homely girl. For glamour obsessed Hollywood that would have been a real departure. In a lesser Western, such shopworn episodes are expected. But for a movie that starts off so well, these are clichés pulling events down to the merely routine.

Nonetheless, the acting is first-rate, and I especially like George Cleveland's grizzled old Uncle Charlie. The chemistry between Ned and Ben and him is simply superb, and when he collapses in the doorway, there's a genuine sense of loss unusual for any Western. Then too, was there ever a better cowboy than the under-stated Ben Johnson with his authentic western twang. His gradual reconciliation with Johnny is both compelling and believable. I'm only sorry that this story of family parts finally fitting together just misses being a real sleeper.

It's just after the Civil War and Ben Shelby arrives looking for Johnny Tallon whom he plans to kill. Shelby was the only survivor of a battle due to the cowardice of Tallon. Thinking Tallon dead, another man who lost a brother at the same battle arrives to kill Tallon's blind brother. Tallon arrives to find Shelby and his brother fleeing. Then they are attacked by Indians and Shelby and Tallon must now fight together postponing the inevitable showdown.

Fort Defiance is an enjoyable western, due to the good performances, direction, cinematography and a tense, yet quiet atmosphere, and exciting blazing action as Shelby and the Tallons square off against vengeful white men and their Native American neighbors. Loved Dane Clark's witty comeback and his fast guns. Ben Johnson is excellent as always, but I reckon Peter Graves steals the scene as a blind man. The first half is slightly plodding, but picks up when the villainous Ned Parker and his gunnies turn up. It's then uphill all the way.