CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
Durante la Guerra de Corea, una división estadounidense es forzada a refugiarse, mientras, en el frente, solo algunos combatientes intentan repeler a las fuerzas enemigas.Durante la Guerra de Corea, una división estadounidense es forzada a refugiarse, mientras, en el frente, solo algunos combatientes intentan repeler a las fuerzas enemigas.Durante la Guerra de Corea, una división estadounidense es forzada a refugiarse, mientras, en el frente, solo algunos combatientes intentan repeler a las fuerzas enemigas.
- Dirección
- Guionistas
- Elenco
Howard Banks
- Doggie
- (sin créditos)
Paul Burke
- Doggie
- (sin créditos)
George Conrad
- Zablocki
- (sin créditos)
Glen Corbett
- Lieutenant
- (sin créditos)
James Dean
- Doggie
- (sin créditos)
John Doucette
- Colonel - 18th Infantry
- (sin créditos)
John Drexel
- John
- (sin créditos)
Patrick Fitzgibbon
- Paddy
- (sin créditos)
Robert Knapp
- Chuck
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This Korean war(1951-1953) drama is the fare of American GIs in Korea early 1951 and stands as one of the best warlike film . A band of Chinese troops follows a soldiers group posing as a regiment. Then, they take refuge into a cave stronghold but the group is besieged. They simply do their best to survive a terrifying situation. But the superiors are murdered and the corporal Demmo takes command.
The film is dedicated to the queen of battles-the United States Infantry. The producers give grateful thanks to the Department of the Army for its encouragement , advice and active cooperation in the preparation and production of this picture. The film is based on true events, a Chinese communist offensive formed by 350.000 soldiers who vanquished 8º Army commanded by Ridgway and withdraw across southern. Posteriorly, American Army and UN multi-national troops undergo a contra-offensive and retrieve lost territory until 38 parallel.
This is a conventional story bolstered considerably by director Fuller's flair for warlike drama and action. Dark and thoughtful and hurriedly made, the movie gains strength as it goes on, and shows a tremendous grasp of the tale as an unit. Excellent performance by male leads, boasting and most restrained acting by Richard Basehart as the corporal taking the command responsibility. Top-notch Gene Evans as brave sergeant and excellent secondaries, Craig Hill, Skip Homeier, Michael O'Shea and appearance an uncredited James Dean. Samuel Fuller's most fluid and strongest film-making lies in his war pictures from ¨Steel helmet,Fixed bayonets, Merril's marauders, Hell and high water, and specially : Big red one¨ all are tremendously exciting and stirring. Rating : Better than average. Well worth watching.
The film is dedicated to the queen of battles-the United States Infantry. The producers give grateful thanks to the Department of the Army for its encouragement , advice and active cooperation in the preparation and production of this picture. The film is based on true events, a Chinese communist offensive formed by 350.000 soldiers who vanquished 8º Army commanded by Ridgway and withdraw across southern. Posteriorly, American Army and UN multi-national troops undergo a contra-offensive and retrieve lost territory until 38 parallel.
This is a conventional story bolstered considerably by director Fuller's flair for warlike drama and action. Dark and thoughtful and hurriedly made, the movie gains strength as it goes on, and shows a tremendous grasp of the tale as an unit. Excellent performance by male leads, boasting and most restrained acting by Richard Basehart as the corporal taking the command responsibility. Top-notch Gene Evans as brave sergeant and excellent secondaries, Craig Hill, Skip Homeier, Michael O'Shea and appearance an uncredited James Dean. Samuel Fuller's most fluid and strongest film-making lies in his war pictures from ¨Steel helmet,Fixed bayonets, Merril's marauders, Hell and high water, and specially : Big red one¨ all are tremendously exciting and stirring. Rating : Better than average. Well worth watching.
Fixed Bayonets completes director Samuel Fuller's one-two of 1951 movies about the Korean War, the other being the equally (maybe even slightly better) gritty and gripping The Steel Helmet. For those unfamiliar with Fuller's style, let's just say it is as far removed as possible from what Hollywood passes for war movies the past 20 years. No sentimentality and schmaltz here, just a straight-forward and fine-tuned soldier movie, from the boys, for the boys.
Fuller, a war veteran himself, takes a no-frills, realistic approach. With a tight script that weaves themes of courage and confronting one's fears into superb suspense and action scenes that have stood the test of time admirably, Fixed Bayonets does exactly what it says on the cover. The miniature work is decent enough and the studio backlot that passes for the Korean mountains completes the illusion without distractions. It's still a low-budget b-movie but it's holding well at the seams. The acting is all-around solid with Gene Evans once again stealing the show as the gruffy, no-nonsense Sgt. Rock.
Having worked as a journalist for New York newspapers in his younger years, Fuller understands the importance of story above all. Sure, he's not exactly the epitome of subtle - the inner monologues for example should have been avoided altogether. But I'm willing to ignore that because his movies have a sense of urgency and conviction that is hard to find: he's a man with a story to tell, he grabs you by the shoulder and says "this is how it happened, now watch this". And "this" is not about the politics or dramatization of war but war itself, men killing other men in some snowy hills in the middle of nowhere.
Fuller, a war veteran himself, takes a no-frills, realistic approach. With a tight script that weaves themes of courage and confronting one's fears into superb suspense and action scenes that have stood the test of time admirably, Fixed Bayonets does exactly what it says on the cover. The miniature work is decent enough and the studio backlot that passes for the Korean mountains completes the illusion without distractions. It's still a low-budget b-movie but it's holding well at the seams. The acting is all-around solid with Gene Evans once again stealing the show as the gruffy, no-nonsense Sgt. Rock.
Having worked as a journalist for New York newspapers in his younger years, Fuller understands the importance of story above all. Sure, he's not exactly the epitome of subtle - the inner monologues for example should have been avoided altogether. But I'm willing to ignore that because his movies have a sense of urgency and conviction that is hard to find: he's a man with a story to tell, he grabs you by the shoulder and says "this is how it happened, now watch this". And "this" is not about the politics or dramatization of war but war itself, men killing other men in some snowy hills in the middle of nowhere.
Another Sam Fuller nitty gritty, down-to-earth where the rubber meets the road movie. There is nothing extra in this movie. Every word every action is meaningful. I wish more directors today would study Sam Fuller. It seems that only Quentin Tarantino ever heard of Sam.
The premise of this film is a little unlikely- Korea early in the war and one infantry platoon is assigned to hold off three Chinese and North Korean Divisions while the rest of the U.S. Division regroups. While it is more likely that a larger US force would have had such an assignment the small number of men comprising a single platoon makes for some real character development. There are some great characters here. Fuller wrote some real life into them. I believe Fuller was a combat vet from WWII so he knows what he writes- the fear, the rage, the fear again. There are lots of nice little bits here- the frozen foot while holding up in a cave. No one is sure whose foot it is that is being revived as all their feet are frozen. I had to throw another log in the woodstove after that scene.
If you are interested in war movies without flag waving and corny dialog this movie is for you.
The premise of this film is a little unlikely- Korea early in the war and one infantry platoon is assigned to hold off three Chinese and North Korean Divisions while the rest of the U.S. Division regroups. While it is more likely that a larger US force would have had such an assignment the small number of men comprising a single platoon makes for some real character development. There are some great characters here. Fuller wrote some real life into them. I believe Fuller was a combat vet from WWII so he knows what he writes- the fear, the rage, the fear again. There are lots of nice little bits here- the frozen foot while holding up in a cave. No one is sure whose foot it is that is being revived as all their feet are frozen. I had to throw another log in the woodstove after that scene.
If you are interested in war movies without flag waving and corny dialog this movie is for you.
This film is about a small group of soldiers who are given the unenviable task of slowing down the oncoming Korean/Chinese army in order to allow the rest of the army to bid a hasty retreat. It is assumed that few, if any, of these brave men will survive and it's all a matter of digging in and waiting for the inevitable.
Writer/Director Sam Fuller was the first to make a Korean War film when he made STEEL HELMET. This film was made with a minuscule budget, yet was a terrific war film due to his excellent touch--along with acting of wonderful roguish actors, such as Gene Evans. Well, only months after creating this film, Fuller is back with FIXED BAYONETS! and in many, many ways the film is highly reminiscent of the earlier film. Both featured a small group of brave American soldiers who have become separated from the rest of the army. As a result, they are forced to make a brave stand against the odds. And, like STEEL HELMET, you see little bits and pieces about each man--often just before they are killed. Of the two films, I definitely preferred STEEL HELMET because it managed to do so much with the tiniest budget and because it seemed more original. FIXED BAYONETS! was almost like a retooling of the original format.
FIXED BAYONETS! had a larger budget and cast than the previous film, though it still was a very economically made film--mostly due the use of character actors instead of big-name stars. Once again, the exceptional Evans was on hand to play, what else, a battle-hardened and wise non commissioned officer. Richard Basehart, a wonderful actor, played co-lead with Evans and that was a good thing, as he was as capable as any actor in Hollywood but was still relatively unknown (i.e., cheap). Look closely, and you might spot James Dean in a small role and there are many other exceptional actors that give the film lots of color and gritty realism. Because of all these factors, FIXED BAYONETS! is still a very good film and Fuller is really in his element with these war films--probably because he lived the life himself during WWII. No major surprises--just a realistic, simple and effective war film.
Writer/Director Sam Fuller was the first to make a Korean War film when he made STEEL HELMET. This film was made with a minuscule budget, yet was a terrific war film due to his excellent touch--along with acting of wonderful roguish actors, such as Gene Evans. Well, only months after creating this film, Fuller is back with FIXED BAYONETS! and in many, many ways the film is highly reminiscent of the earlier film. Both featured a small group of brave American soldiers who have become separated from the rest of the army. As a result, they are forced to make a brave stand against the odds. And, like STEEL HELMET, you see little bits and pieces about each man--often just before they are killed. Of the two films, I definitely preferred STEEL HELMET because it managed to do so much with the tiniest budget and because it seemed more original. FIXED BAYONETS! was almost like a retooling of the original format.
FIXED BAYONETS! had a larger budget and cast than the previous film, though it still was a very economically made film--mostly due the use of character actors instead of big-name stars. Once again, the exceptional Evans was on hand to play, what else, a battle-hardened and wise non commissioned officer. Richard Basehart, a wonderful actor, played co-lead with Evans and that was a good thing, as he was as capable as any actor in Hollywood but was still relatively unknown (i.e., cheap). Look closely, and you might spot James Dean in a small role and there are many other exceptional actors that give the film lots of color and gritty realism. Because of all these factors, FIXED BAYONETS! is still a very good film and Fuller is really in his element with these war films--probably because he lived the life himself during WWII. No major surprises--just a realistic, simple and effective war film.
There are millions of square miles in Korea covered with rugged jagged peaks and layers of ice and snow. In this film entitled, " Fixed Bayonets " the story relates the thoughts and deeds of a select group of soldiers out of a larger division who act as a Rear Guard in such a desolate frozen environment. Anyone who has ever served in the military, can tell you, fighting with a massive army allows one to believe in eventual victory. However, when the force is reduced to a mere handful, as in this case, soldiers quickly become keenly aware of the certainty of death. Furthermore, a single soldier is duty bound to obey orders as they are perceived to be necessary for the survival of all. Indeed, warriors tend to minimize their fears when being led by competent Officers and leaders. Herein is the crux of our movie. Learning he is forth on a list of Platoon leaders, a young Corporal (Richard Basehart) dreads the possibility of Command. Advising him on the eventuality is an experienced veteran called Sgt. Rock. As the Platoon is slowly encroached on by Seasoned North Koreans, death in the ranks is inevitable and with each loss the worry of Corporal Denno becomes more acute. The movie is a soldier's tribute to the often forgotten Police Action, but one which is nevertheless a reminder of the terrible price America paid in the 1950s. Gene Evans, Paul Burke, Glenn Corbett, John Doucette and a very young James Dean are the cast of the film. ***
¿Sabías que…?
- TriviaAccording to Gene Evans, Samuel Fuller wanted to shoot a long line of tired, retreating soldiers, but on that particular day when there were a lot of action pictures being shot, virtually all the extras were otherwise engaged, so 200 chorus boys, who had just finished working on the Fox lot and were available, were pressed into service. In order to get them to march more realistically, according to Evans, Fuller got the craftspeople to outfit them with 50-pound weights to make them look more like tired, retreating soldiers.
- ErroresThe medic and Corporal Denno attempt to go through an enemy mine field standing up, whilst slowly feeling ahead for mines with their feet. This would be suicide, since stepping on a hidden mine would cause it to explode. The correct method is for troops to lie prone and carefully probe the ground in front of them at an angle, using a bayonet, rod, or other implement.
- Citas
Cpl. Denno: Some men are afraid of high places. Some are afraid of water. And some are afraid of being responsible for the death of a lot of other guys.
- ConexionesFeatured in The Typewriter, the Rifle & the Movie Camera (1996)
- Bandas sonorasIndiana
(uncredited)
Music by James F. Hanley
Lyrics by Ballard MacDonald
Sung by a chorus when the troops are first pulling out
Played occasionally in the score
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- How long is Fixed Bayonets!?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 32 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was A bayoneta calada (1951) officially released in India in English?
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