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La noche avanza

Título original: The Family Secret
  • 1951
  • Approved
  • 1h 25min
CALIFICACIÓN DE IMDb
6.2/10
461
TU CALIFICACIÓN
La noche avanza (1951)
CrimeDrama

Un abogado se enfrenta a una difícil decisión cuando su hijo mata accidentalmente a su mejor amigo sin testigos presentes, y se produce una ruptura cuando su madre y su padre ofrecen solucio... Leer todoUn abogado se enfrenta a una difícil decisión cuando su hijo mata accidentalmente a su mejor amigo sin testigos presentes, y se produce una ruptura cuando su madre y su padre ofrecen soluciones contradictorias al dilema de su hijo.Un abogado se enfrenta a una difícil decisión cuando su hijo mata accidentalmente a su mejor amigo sin testigos presentes, y se produce una ruptura cuando su madre y su padre ofrecen soluciones contradictorias al dilema de su hijo.

  • Dirección
    • Henry Levin
  • Guionistas
    • Marie Baumer
    • James P. Cavanagh
    • Francis M. Cockrell
  • Elenco
    • John Derek
    • Lee J. Cobb
    • Jody Lawrance
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.2/10
    461
    TU CALIFICACIÓN
    • Dirección
      • Henry Levin
    • Guionistas
      • Marie Baumer
      • James P. Cavanagh
      • Francis M. Cockrell
    • Elenco
      • John Derek
      • Lee J. Cobb
      • Jody Lawrance
    • 12Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos60

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    Elenco principal45

    Editar
    John Derek
    John Derek
    • David Clark
    Lee J. Cobb
    Lee J. Cobb
    • Howard Clark
    Jody Lawrance
    Jody Lawrance
    • Lee Pearson
    Erin O'Brien-Moore
    Erin O'Brien-Moore
    • Ellen Clark
    Santos Ortega
    • District Attorney George Redman
    Henry O'Neill
    Henry O'Neill
    • Donald Muir
    Carl Benton Reid
    Carl Benton Reid
    • Dr. Steve Reynolds
    Peggy Converse
    • Sybil Bradley
    Jean Alexander
    Jean Alexander
    • Vera Stone
    Dorothy Tree
    Dorothy Tree
    • Marie Elsner
    Whit Bissell
    Whit Bissell
    • Joe Elsner
    Raymond Greenleaf
    Raymond Greenleaf
    • Henry Archer Sims
    Onslow Stevens
    Onslow Stevens
    • Judge Geoffrey N. Williams
    John Baer
    John Baer
    • Boy at Birthday Party
    • (sin créditos)
    Amanda Blake
    Amanda Blake
    • Telephone Girl
    • (sin créditos)
    Harry Cheshire
    Harry Cheshire
    • Dr. Black - Coroner
    • (sin créditos)
    Joseph Crehan
    Joseph Crehan
    • Bailiff
    • (sin créditos)
    Paul Dubov
    Paul Dubov
    • Deputy District Attorney
    • (sin créditos)
    • Dirección
      • Henry Levin
    • Guionistas
      • Marie Baumer
      • James P. Cavanagh
      • Francis M. Cockrell
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios12

    6.2461
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    Opiniones destacadas

    4mossgrymk

    the family secret

    If you really want to expose a bad actor's badness then put him or her up against a great actor. Like Ava Gardner opposite Bogie in "Contessa". Or Natalie Trundy juxtaposed with Dean Stockwell in "Careless Years". Or John Derek, in this snorer, next to Juror #3.
    7Rodrigo_Amaro

    Gripping theme, but slightly problematic

    A small conflicted family drama about a young man (John Derek), son of a wealthy and retired lawyer (Lee J. Cobb), trying to find ways to escape justice after accidentally killing his best friend during an argument. His whole family end up knowing about his secret and they'll find ways to either help him out in one or the other - the father advises the son to surrender himself because he might get a fair trial with the friendly prosecutor, of whom he's applying for a working position; but the mother is more desperate and feels that since no one found out about him maybe they can hide the truth from everyone. But the real challenge comes to the man himself, tormented each step of the way with his heavy conscience. Is there ever a way out?

    "The Family Secret" is one of those typical crime drama where the society's morals and values are put into questioning and it's all thrown back at us in those kind of scenarios where you can imagine yourself being put to the test in finding solutions or alternatives in dealing with everything or facing the consequences. Nothing wrong with this concept since it has resulted (and still do) many great films over the decades but it all depends on a number of factors such as the story and elements presented - and how it all ties everything together - and the casting as well. Obvious there's some bumps along the way and fullfilment and enjoyment on it can affect some viewers.

    Mr. Cobb is an honorable actor that always bring quality and presence with his roles wheter being in classic masterpieces such as "On the Waterfront" or "12 Angry Men", or in lesser known films such as this one, "The Man in the Grey Flannel" or "The Man Who Cheated Himself". As the father, he carries a powerful emotional weight while trying to solve his son's problems yet always advising him that he should turn himself to authorities, and when a third party is accused of the murder and her wife wants to hire Cobb as the lawyer things get desperate for everybody involved.

    Pity that except Cobb and other veterans, the youngers in the movie make it a very distracting experience to the point it can almost make it unberable at parts. Major problem comes with John Derek, since there's no appeal to him, neither to the character who keeps finding romance on two ways which is confusing, almost pointless at parts. He's somewhat engaged with a tedious rich girl but at the same time he keeps charming his own secretary at work - none of them really want them, there's always some rebuttal of theirs on him yet he keeps chasing both of them until some enlightment comes to his head, and all that while the investigation and a possible murder trial pending that he also keeps obsessing. Didn't care for the girls acting either, too bland.

    The heart of the matter which is the whole case and the ethics within the household is what makes "The Family Secret" a positively enjoyable and thrilling experience where you keep on the edge to find out how everything's gonna get solved. It's a small film with some big questioning, and it's all up to us in the audience to be the judge of their actions, the family mostly. Maybe some conclusions and some actions are wronged because of the egotist and spoiled manners of the young man.

    A real pity that the actual crime isn't shown on the opening scene neither the friend is given a face (audiences like that, to form a bond between a character or even form an emotional bond with the victim) and most of that's said as motivation (though an accident) gives the impression that a lot more was going between those two guys. It's never mentioned and it makes audiences make some theories about it - quite valid.

    Go with little expectations, except that Mr. Cobb surely delivers again a stellar performance that makes everything the more enjoyable as possible. 7/10.
    6HotToastyRag

    Feels like late-1940s

    The beginning of The Family Secret immediately hooks you in: John Derek, the teenage son of Lee J. Cobb and Erin O'Brien-Moore, comes home early from a night on the town. He washes mud off his tires and changes his clothes before greeting his parents and their dinner guests. We find out soon why he's so morose and cryptic: he's just killed his childhood friend. It was self-defense and accidental, but he still fled from the scene and tampered with evidence. Lee, an upstanding citizen and prominent lawyer, knows his son will do the right thing and confess immediately. Erin wants to cover it up. John's entire life would be ruined, she argues, and it wouldn't bring the dead boy back. As you can tell from the title, John decides to take his mother's advice.

    With exception to the jazz music played in some scenes, this feels like a noir from the 1940s. There's a lot of voice-over narration explaining things that don't need explaining, and the scene construction and direction feel very much a part of the silver screen rather than the golden age. Plus with solid character actors from that era like Whit Bissell (who will tug win your sympathy as he struggles with his weak heart), Henry O'Neill, Carl Benton Reid, and Harry Cheshire, it sets the mood of the late 1940s. I rented it to see a solid, fatherly performance from Lee (but I didn't mind the eye candy of John either) and it was nice to see him in a good-guy role, unlike On the Waterfront and The Trap. If you like this one, check out a similarly themed drama also starring John Derek, Knock on Any Door.
    7ksf-2

    right versus wrong

    Twenty five year old john derek. When david may be in serious legal trouble, his parents (lee cobb and erin obrien moore) can't agree on what to do. Dad is an attorney, and certainly knows the law inside and out. To make matters worse, it involves their best friends. Small role for familiar face whit bissell. Some heavy issues in this suspense drama.... having the courage to do the right thing, as well as damaged family communication. Right versus wrong tackled in the 1950s in films. It's very well done, although they could have left out the over the top drunk scene where david acts like a total jerk. Cobb was nominated for two films in the 1950s, and appeared in the HUAC congressional hearings. Directed by henry levin. Directed a couple biggies, but looks like he never got the oscar. Check out john derek's story on wikipedia; he sure covered a lot of ground.
    6SnoopyStyle

    starts with good premise but...

    David Clark is in trouble. He had killed his best friend in self-defense. He confesses to his lawyer father Howard Clark (Lee J. Cobb). They are set to come clean to the D. A. but another man gets arrested for murder. It's the dead man's bookie and Howard gets the job to defend him.

    I like the starting premise but I don't like David. It's a complicated role and the actor doesn't seem to be up to the task. He has to play both innocent and guilt. Mostly, he's playing snarky and cold which leaves me a bit cold. He should be running around and changing the evidence. The plot needs twists and turns. This could have centered around Lee J. Cobb instead. He's the veteran actor and the more capable one. I would also get rid of the narration. When done well, this premise has generated plenty of good tense shows. There is so much potential but I don't see it being maximized. The final turn is more a morality play than a surprise twist. The opening premise is full noir but the movie turns into a bland 50's morality lesson.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The round television in the Clark's house is a Zenith "porthole" model, made from 1948 to 1951, with screen sizes ranging from 10 to 19 inches.
    • Errores
      When Joe seems to have medical problems on the stand, he sets his glass of water on the judge's desk as the judge calls for a recess. But, in the next shot, a bailiff takes the glass from Joe and sets it down on the judge's desk again.
    • Citas

      Charlie: I bet you folks though I was never going to get here.

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    Preguntas Frecuentes14

    • How long is The Family Secret?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de abril de 1952 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Family Secret
    • Locaciones de filmación
      • Hollywood, California, Estados Unidos
    • Productora
      • Santana Pictures Corporation
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 25 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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