Canto de amor y de guerra

Was Menzies making "Gone With the Wind" light? Or the tragic counterpoint thereto? "Drums" is a surprise: nary an anachronistic weapon to be seen. I am so accustomed to seeing 1873 revolvers in movies about the War Between the States that this came as a shock. To see uniforms of some exactitude, especially for the artillery of all things, was refreshing indeed. I was also surprised by a very non-1950s ending. Really a far better "Civil War" motion picture than I had expected although I must say I found both the Confederate major and his lost love a bit cardboard. Madison chewed the scenery a trifle to make up for it. There were indeed plot twists and character touches although I missed any resolution for the Confederate colonel. Not at all a bad way to spend a couple of hours.

I watched DRUMS OF THE DEEP SOUTH for two reasons: because it's directed by visual genius William Cameron Menzies and it stars Guy Williams. Well, I wasn't disappointed by it. Even though it started slowly and this is basically a B-movie, the film eventually overcame those weaknesses because it contains one of the coolest things I've seen in a movie in a long time: a battle, with cannons, in and on Devil's Tower! The bulk of the film is about this battle and I was giddy as a kid on Christmas' Eve. Visually, the whole battle is effen brilliant! The story's setting is not in Wyoming, where Devil's Tower is actually located, but in Georgia and, like your typical B-movie, the script is filled with easy coincidences. Many will object to these things but I didn't care because the battle sequence is already up there as one of my favorite cinematic moments ever. Besides, historical and geographical inaccuracies in movies such as THE GOOD, THE BAD AND THE UGLY never prevented them from being regarded as great.

The score by Dimitri Tiomkin is excellent and provides the right amount of omph to the many battle or suspense scenes. Make no mistake about it, this is more of an action movie than a drama set in the South. The start of the movie is all drama and set-up but the last hour is all action and tension.

The actors are serviceable with Guy Williams being the stand-out. What a dashing actor. Unfortunately, his role is almost an afterthought. The story concentrates mainly on James Craig and Barbara Payton's love affair. The (spectacular) resolution of their love affair is surprisingly sad, and nearly elevates the movie from a standard B-movie to a grade-A one. Had the friendship between James, Barbara and Guy's characters been a bit more fleshed out, the human aspect of the story could have been as riveting as the visual aspects, which is what really makes this little gem shine. It's obvious that Steven Spielberg saw DRUMS OF THE DEEP SOUTH and was "inspired" to use the Devil's Tower as a setting for CLOSE ENCOUNTERS OF THE THIRD KIND.

The image & sound quality of the DVD was pretty bad. Hopefully, this movie will be released with a pristine transfer so we can finally see this cool William Cameron Menzies film as it was meant to be seen and heard.

I recently purchased a 4 DVD set, which included "Shoot Out", "Apache Rifles", "Sitting Bull" and "Drums in the Deep South." Like most westerns of its type, it has a very basic plot. Nonetheless, except for the beginning and the very end, I found it to be an interesting and captivating movie. It features elements of current love, love that once was but is no more, and of course, a pretty girl. Combine that with the added dramatic irony of two friends fighting each other without realizing it, and lots of fast paced action, it makes for a fairly good western movie. What I found to be very disappointing was that two DVD's (I exchanged it today for another copy of the same movie) both have glitches, such as the picture skipping a little bit (kind of a like a skipping CD or broken record, except it's pictures, not sound) and pausing here and there for no reason. Also, an amateur could have done a better job of restoring the colour (or was it adding colour to B&W). I'm glad to know at least, that I'm not the only one experiencing these problems.

I will not spoil the ending, but if I was a director re-doing the movie, I would revise the ending, or perhaps re-write it. And I found the dinner scene in the beginning to be rather lacking in action. Other than that, it was not too bad of a movie. In fact, fix the graphics and I'd really like it.

Corey Walker

I usually don't hold out much hope when it comes to movies about Mr. Lincoln's War. Hollywood seldom gets it right on all things Southern and/or Confederate. I think the leading lady's contempt for the Yankees was accurate. And I believe that the movie generally portrayed the Yankee attitudes accurately. The most I had a problem with in this movie was the liberal propaganda garbage at the end about us becoming a unified and indivisible nation. The reconstruction and the general attitudes for the South following the war contradict that concept completely.

I did notice a chronological error toward the beginning of the movie. When it is announced that war has been declared. Clay states that he is going to report to Richmond. At the beginning of the war a capital had not been established for the Confederacy, not to mention the first one was in Alabama. And even more importantly, Virginia had not yet seceded.

As a whole the movie was okay and I would give it an overall recommendation.

I had a really hard time figuring out whether to give this a 5 or a 6. The film has a few things going for it but on the other hand it has some definite problems. I finally settled on a 6. I gave it a point for quirkiness.

The casting of James Craig was obviously intended to evoke Clark Gable and Rhett Butler. Too obviously. Craig's vocal performance seemed to indicate that he also wanted to play up the Clark Gable angle. It was a bit distracting during the love scenes but he seemed to, thankfully, drift away from it during the action sequences.

Guy Madison was cast because he was easy to look at. But his performance was anything but easy to look at. His character gyrated wildly from manic damnyankee enemy to soft hearted friend of the family. I couldn't tell if he was possessed or just in serious need of some mood stabilizing drugs.

I never developed an empathy with the leading male and female characters. Every time they passionately kissed I kept thinking about her poor naive husband off surrounded by Sherman's Army while she played footsie with his alleged old best West Point friend.

The special effects were very interesting and quite well done. But its hard to imagine that anybody ever grew any cotton in the rocky scrub that looked remarkably like Southern California during wildfire season. If you are going to spend the special effects money to matte in a giant plantation house you can at least matte it into a rich green landscape rather than a rocky gulch.

I won't even mention (well actually I will) the fact that the main geographical feature of the movie is a hollowed out, honeycombed, Devil's Tower from Close Encounters. Only this one is smack dab in the middle of Georgia! The makers of this movie would have had better luck just using the real Stone Mountain and pretended it was hollow. I kept expecting the mother ship to hover over the mountain.

The explosive ending seemed to be the result of the writer suddenly realizing that he had to finish his script in the next two sentences. I can't say I've seen a film that only needs 2 seconds to wrap everything up and turn off the lights.

But there are a few good things that made this movie appealing. Your generic Civil War movie has a smashing good Cavalry charge in it and lots of dashing guys on horses waving swords and flags. You know they do. This film went WAY off the beaten path. The heroes of this film are the artillery.....yes....you heard it right.....the heroes are exclusively the Confederate Artillery. That deserves a rating point right there. They even got the Confederate artillery uniform colors right. Its not often you see a Civil War film where the difference between a Dahlgren gun and a Brooke's Rifle is essential to the plot. The artillery battles were handled quite skillfully.

This is essentially a fifties matinee action picture. But the makers did manage to insert a couple of quite beautiful moments into the film. For a moment, a hard-hearted, oppressive, damnyankee skulker becomes human when he presents a photograph of his two babies and thinks wistfully of his family and his farm. More than one character mentions that he didn't start the war, that he was just playing the role assigned to him on the great stage. A few quiet moments about the war's real meaning and effect in this odd little shoot 'em up.