Canto de amor y de guerra

I usually don't hold out much hope when it comes to movies about Mr. Lincoln's War. Hollywood seldom gets it right on all things Southern and/or Confederate. I think the leading lady's contempt for the Yankees was accurate. And I believe that the movie generally portrayed the Yankee attitudes accurately. The most I had a problem with in this movie was the liberal propaganda garbage at the end about us becoming a unified and indivisible nation. The reconstruction and the general attitudes for the South following the war contradict that concept completely.

I did notice a chronological error toward the beginning of the movie. When it is announced that war has been declared. Clay states that he is going to report to Richmond. At the beginning of the war a capital had not been established for the Confederacy, not to mention the first one was in Alabama. And even more importantly, Virginia had not yet seceded.

As a whole the movie was okay and I would give it an overall recommendation.

I am so ashamed to have nearly forgotten this William Cameron Menzies western. A weird - in the good way - western, as also was Gordon Douglas' RIO CONCHOS, about something that I won't reveal here, but an element that I should not have forgotten. It is amazing, exciting and offering a terrififc finale. A western that doesn't look like the others. I still don't understand why I have not reminded this western that deserved better. This kind of stuff is not usual, you won't find so many of this sort of material. This scheme also reminded me Stanley Kramer's PRIDE AND PASSION; and again I won't explain any further. I prefer you to watch this exceptional piece of work.

William Cameron Menzies is perhaps the best production designer in American motion picture history (Gone With the Wind, et alia) and his work as director applies the design principles which he espoused, such as with this film, including a prime emphasis upon cinema as a graphic art, a visual rather than literal interpretation of a script, filling that metaphysical space between scenario and direction with an artist's point of view, while avoiding a potentially incorrect objective sensibility. The narrative tells of a pair of best friends and West Point classmates, Georgian Clay Clayburn (James Craig) and Yankee Will Denning (Guy Madison) who are wearing officers' coats of opposing artillery units during the War Between The States, and of the inevitable military engagement between them, featuring a most dramatic segment involving the difficult placement of Confederate cannons atop a mountain overlooking Union rail supply lines, shot with Menzies' intriguing pictorial effects and unique camera angles. An independent King Brothers production under the aegis of RKO, DRUMS IN THE DEEP SOUTH is not replete with good performances, although Craig is solid as is his custom, while Barbara Payton, as Clayburn's lover, tries hard and is at the pinnacle of her short-lived beauty, with Dimitri Tiomkin's lush score properly evocative for this generally prescriptive film.

I watched DRUMS OF THE DEEP SOUTH for two reasons: because it's directed by visual genius William Cameron Menzies and it stars Guy Williams. Well, I wasn't disappointed by it. Even though it started slowly and this is basically a B-movie, the film eventually overcame those weaknesses because it contains one of the coolest things I've seen in a movie in a long time: a battle, with cannons, in and on Devil's Tower! The bulk of the film is about this battle and I was giddy as a kid on Christmas' Eve. Visually, the whole battle is effen brilliant! The story's setting is not in Wyoming, where Devil's Tower is actually located, but in Georgia and, like your typical B-movie, the script is filled with easy coincidences. Many will object to these things but I didn't care because the battle sequence is already up there as one of my favorite cinematic moments ever. Besides, historical and geographical inaccuracies in movies such as THE GOOD, THE BAD AND THE UGLY never prevented them from being regarded as great.

The score by Dimitri Tiomkin is excellent and provides the right amount of omph to the many battle or suspense scenes. Make no mistake about it, this is more of an action movie than a drama set in the South. The start of the movie is all drama and set-up but the last hour is all action and tension.

The actors are serviceable with Guy Williams being the stand-out. What a dashing actor. Unfortunately, his role is almost an afterthought. The story concentrates mainly on James Craig and Barbara Payton's love affair. The (spectacular) resolution of their love affair is surprisingly sad, and nearly elevates the movie from a standard B-movie to a grade-A one. Had the friendship between James, Barbara and Guy's characters been a bit more fleshed out, the human aspect of the story could have been as riveting as the visual aspects, which is what really makes this little gem shine. It's obvious that Steven Spielberg saw DRUMS OF THE DEEP SOUTH and was "inspired" to use the Devil's Tower as a setting for CLOSE ENCOUNTERS OF THE THIRD KIND.

The image & sound quality of the DVD was pretty bad. Hopefully, this movie will be released with a pristine transfer so we can finally see this cool William Cameron Menzies film as it was meant to be seen and heard.

I recently purchased a 4 DVD set, which included "Shoot Out", "Apache Rifles", "Sitting Bull" and "Drums in the Deep South." Like most westerns of its type, it has a very basic plot. Nonetheless, except for the beginning and the very end, I found it to be an interesting and captivating movie. It features elements of current love, love that once was but is no more, and of course, a pretty girl. Combine that with the added dramatic irony of two friends fighting each other without realizing it, and lots of fast paced action, it makes for a fairly good western movie. What I found to be very disappointing was that two DVD's (I exchanged it today for another copy of the same movie) both have glitches, such as the picture skipping a little bit (kind of a like a skipping CD or broken record, except it's pictures, not sound) and pausing here and there for no reason. Also, an amateur could have done a better job of restoring the colour (or was it adding colour to B&W). I'm glad to know at least, that I'm not the only one experiencing these problems.

I will not spoil the ending, but if I was a director re-doing the movie, I would revise the ending, or perhaps re-write it. And I found the dinner scene in the beginning to be rather lacking in action. Other than that, it was not too bad of a movie. In fact, fix the graphics and I'd really like it.

Corey Walker