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Peligro

Título original: Cry Danger
  • 1951
  • Approved
  • 1h 19min
CALIFICACIÓN DE IMDb
7.3/10
3 k
TU CALIFICACIÓN
Rhonda Fleming and Dick Powell in Peligro (1951)
Ex-con Rocky Mulloy seeks the real culprit in the crime for which he was framed in a night world of deceptive dames and double crosses.
Reproducir trailer1:49
1 video
62 fotos
CrimenDramaFilm NoirThriller

El ex convicto Rocky Mulloy busca al verdadero culpable del crimen por el que fue inculpado en un mundo nocturno de damas engañosas y dobles intenciones.El ex convicto Rocky Mulloy busca al verdadero culpable del crimen por el que fue inculpado en un mundo nocturno de damas engañosas y dobles intenciones.El ex convicto Rocky Mulloy busca al verdadero culpable del crimen por el que fue inculpado en un mundo nocturno de damas engañosas y dobles intenciones.

  • Dirección
    • Robert Parrish
    • Dick Powell
  • Guionistas
    • William Bowers
    • Jerome Cady
  • Elenco
    • Dick Powell
    • Rhonda Fleming
    • Richard Erdman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    3 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Parrish
      • Dick Powell
    • Guionistas
      • William Bowers
      • Jerome Cady
    • Elenco
      • Dick Powell
      • Rhonda Fleming
      • Richard Erdman
    • 54Opiniones de los usuarios
    • 38Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 1:49
    Trailer

    Fotos62

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    Elenco principal32

    Editar
    Dick Powell
    Dick Powell
    • Rocky Mulloy
    Rhonda Fleming
    Rhonda Fleming
    • Nancy Morgan
    Richard Erdman
    Richard Erdman
    • Delong
    William Conrad
    William Conrad
    • Louis Castro
    Regis Toomey
    Regis Toomey
    • Gus Cobb
    Jean Porter
    Jean Porter
    • Darlene LaVonne
    Joan Banks
    • Alice Fletcher
    Jay Adler
    Jay Adler
    • Williams
    Renny McEvoy
    Renny McEvoy
    • Taxi Driver
    Lou Lubin
    Lou Lubin
    • Hank
    Benny Burt
    Benny Burt
    • Bartender
    Hy Averback
    Hy Averback
    • Bookie
    • (as Hy Averbach)
    Gloria Saunders
    Gloria Saunders
    • Cigarette Clerk
    Leon Alton
    Leon Alton
    • Bartender
    • (sin créditos)
    Robert Bice
    Robert Bice
    • Castro's Gunman
    • (sin créditos)
    Ralph Brooks
    Ralph Brooks
    • Nightclub Patron
    • (sin créditos)
    Paul Cristo
    • Waiter
    • (sin créditos)
    Sayre Dearing
    Sayre Dearing
    • Cop
    • (sin créditos)
    • Dirección
      • Robert Parrish
      • Dick Powell
    • Guionistas
      • William Bowers
      • Jerome Cady
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios54

    7.32.9K
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    Opiniones destacadas

    8bmacv

    A peevish Powell seeks redress in Los Angeles' post-war underbelly

    Among the male stars of the noir cycle, Dick Powell was the most peevish. When Humphrey Bogart smart-talked, it was with a wry bonhomie; when Robert Mitchum did it, it was with mumbled nonchalance. But when Powell snaps back a retort, you know he's got his dander up. This drastic change from his earlier days as happy-go-lucky hoofer began with his assumption (the first) of Philip Marlowe in Murder, My Sweet and continued in Cornered, Johnny O'Clock, To the Ends of the Earth, and The Pitfall. His prickly temper informs Robert Parrish's Cry Danger, the last true noir he would appear in before affecting a pipe and cardigans in The Bad and the Beautiful.

    Carrying a grip with the weight of the world in it, Powell steps off a train in Los Angeles; he's just spent five years in prison for a robbery and murder for which he took the rap. Luckily, a war-wounded and hard-drinking Marine (Richard Erdman), with whom he was supposedly drinking when the job was pulled, surfaced to give him an alibi. But Powell has never met this old buddy before.

    Nonetheless, they throw their lot together and rent an armadillo-like trailer in a run-down park, where the wife of his old partner (Rhonda Fleming) lives, too. Powell has scores to settle, beginning with big-time bookie William Conrad who, he reckons, owes him $50-grand. Conrad pays off in classic mob fashion, by giving him a tip on a fixed race. The payoff money puts the police on his tail, as its marked bills are part of the take from the old robbery. But all traces of the illegal book have vanished, so Powell can't prove his innocence. He starts stalking Conrad for revenge, even though he's dodging pot-shots in the trailer park, while the duplicity that ensnared him lies much closer to home....

    Cry Danger has a number of points in its favor, chief among them the pitiless photography of Joseph Biroc (it's decidedly the low-rent side of the City of Angels). Parrish keeps hustling the story along, nonetheless slowing down enough to allow Erdman a craftily underplayed, memorable performance (the same can't be said of Fleming, who simply lacks the wherewithal to function convincingly as femme fatale). There's a high quotient of violence, too – particularly when Powell extracts a confession from Conrad through a one-sided game of Russian Roulette. Somehow, though, the ingenuity of the earlier part of the picture starts to peter out near the end, turning its oddly low-key ending into something of an afterthought.
    8ashew

    The Second Time Around

    Like the old Sinatra song, things can be far better the second time around. The first time I saw "Cry Danger" it was shortly after a viewing of "Murder, My Sweet" and it just couldn't compare to that classic. I recently viewed the movie again and I must say that "Cry Danger" was a lot of fun.

    The real stars of the movie are 1) the dialogue, and 2) Dick Powell's delivery of that dialogue. Bogart and Mitchum are blue collar guys who deliver these kinds of one-liners beautifully...and it stings...but Powell has an air of elegance and intelligence wrapped in a white collar, so when he gets caustic, condescending, sarcastic, and nasty, it seems to hurt even more. And it hurts so good. There is nothing more delicious to Noir fans than Powell letting rip with a great one-liner. And the more casual he is, the more "tossed away" the line is delivered, the more we grin with satisfaction. It's just a thing of beauty.

    The supporting cast is good, with just about everyone pulling their weight admirably. William Conrad, Regis Toomey, and Rhonda Fleming are in fine form. I was expecting twists, turns, and deceit from Erdman's character, but after an interesting reveal in the beginning of the film, his character seems to be abandoned and left only to provide some comic relief. That missed opportunity aside, though, the script is fun and moves along briskly.

    The direction is just fine, though not as dark as I would have liked it...but that is a minor complaint. There is a rawness and realism to these B films that I find much more rewarding than a lot of the glossy A films produced.

    8 out of 10 for a thoroughly enjoyable hour and a half crawl through the seedy underbelly of Tinsel Town.
    ike395

    The real noir Los Angeles

    This film was shot on location in and around the Bunker Hill area of Los Angeles in the 1950's. The seedy trailer park, the crummy cocktail bars, and the Union Station (built in 1939) are the backdrop for a much better than average tale of revenge. Dick Powell gets off a train at the Union Station after spending 5 years in prison for a crime he didn't commit. He is met by a cop (Regis Toomey) that thinks he not only did the crime, but that he has stashed the loot. Also on the welcoming committee is Richard Erdman as an alcoholic former Marine that provided Powell with an alibi that got him out of prison. Rhonda Fleming plays the wife of a pal of Powell's that remains in prison for the crime. Powell intends to prove not only his innocence, but that of his buddy.

    Add to the mix William Conrad as a bad guy with his own agenda and you have a better than average noir. The dialog between Powell and Erdman is dark and funny at the same time. The cinematography captures a part of Los Angeles that fell under the urban renewal wrecking ball that ripped the soul out of this part of the city. Not the greatest film noir ever made, but one of my favorites. Why isn't this film out on DVD?
    Ripshin

    Another excellent Powell Noir

    Somehow, I missed this little gem over the years.

    Excellent location filming, combined with a compelling script and great acting - a definite must-see for "film noir" fans. My only complaint is the somewhat stale performance by Rhonda Fleming - I think they needed somebody a bit more "earthy" for the part. Richard Erdman and Jean Porter are excellent in their supporting roles.

    It was rare in 1951, to see so many actual locations in a film, but this is obviously a low-budget enterprise. Plus, the nature of "noir" is almost always to utilize reality, as opposed to artifice. I did notice some sloppiness with the usage of studio sets; the interiors of the trailers were, of course, sets, and many times when characters exit, the blank studio wall is clearly visible.

    One goof occurs when Powell's character drops off Fleming at her office. As the car drives away, the cameraman is clearly visible in the window's reflection. Of course, who knew then that a viewer would eventually be able to freeze-frame a shot?

    Great film.....highly recommended.
    7blanche-2

    Good noir set in low-rent '50s Los Angeles

    Dick Powell, Rhonda Fleming, Regis Toomey, Richard Erdman, and Jean Porter star in "Cry Danger," a 1951 film directed by Robert Parrish.

    Powell plays Rocky Mulloy, an ex-con, recently released from prison after an alibi appears that clears him of a robbery/murder. The alibi is a Marine (Erdman) named DeLong who says that he and Powell were drinking together at the time the job was pulled.

    In truth, Powell didn't commit the crime. However, he has never seen this Marine before in his life. The Marine wants money from the robbery.

    The two rent a trailer in a trailer park, where the wife (Rhonda Fleming) of his ex-partner, who is still in prison, lives. She's actually an old girlfriend of Rocky's and the two are still attracted to one another.

    Rocky goes after a bookie (William Conrad) who cheated him and unknowingly bets on a fixed race, is paid in the robbery money, which sends the police after him.

    It's good to read the comments for this film and realize that many people appreciate the versatility and talent of Dick Powell. He was many things to many people - a wonderful singer, a great tough guy, a savvy businessman, a good director, and a marvelous producer who launched Sam Peckinpah and Aaron Spelling. Not all of his later films were "A" productions, but he was always excellent.

    The performances by Erdman and Conrad are very good. Rhonda Fleming is her usual beautiful self, and Jean Porter plays a lively party girl.

    This is a good noir that captures the atmosphere of post-war LA, the down and out side of it. It's exciting and a little unpredictable, too, enough to keep you watching.

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    7.4
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    La senda tentadora
    7.1
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    Página negra
    7.4
    Página negra
    Incógnito
    7.1
    Incógnito
    Tensión
    7.3
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    Pasiones de fuego
    7.2
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    Pushover
    7.1
    Pushover
    Estrecho margen
    7.6
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    Dama y policía
    6.5
    Dama y policía
    Lágrimas tardias
    7.3
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    Tu hogar es mi corazón
    7.2
    Tu hogar es mi corazón
    Mañana es otro día
    7.1
    Mañana es otro día

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      In an interview with Tom Weaver, Jean Porter said the film was "directed by Dick Powell, and he wasn't given director credit. Dick gave Robert Parrish the director's credit, but Dick did all the directing."
    • Errores
      As Rocky drives away after dropping Nancy off at work, the cameraman and camera are reflected in the car's rear window glass.
    • Citas

      Darlene LaVonne: You drinkin' that stuff so early?

      Delong: Listen, doll girl, when you drink as much as I do, you gotta start early.

    • Conexiones
      Edited from El crimén del museo (1946)
    • Bandas sonoras
      Cry Danger
      Music by Hugo Friedhofer

      Lyrics by Leon Pober

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    Preguntas Frecuentes

    • How long is Cry Danger?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de noviembre de 1951 (México)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on "DK Classics" YouTube Channel
      • Streaming on "Frederique di Placido" YouTube Channel
    • Idioma
      • Inglés
    • También se conoce como
      • Cry Danger
    • Locaciones de filmación
      • New Grand Hotel - 257 Grand Avenue, Bunker Hill, Downtown, Los Ángeles, California, Estados Unidos(Crosley Hotel - exteriors and interors)
    • Productoras
      • Olympic Productions Inc.
      • Wiesenthal-Frank Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 19 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Rhonda Fleming and Dick Powell in Peligro (1951)
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