Durante la Primera Guerra Mundial en África, el capitán alcohólico de una embarcación es persuadido por un misionero que usa su barco para atacar a un buque de guerra enemigo.Durante la Primera Guerra Mundial en África, el capitán alcohólico de una embarcación es persuadido por un misionero que usa su barco para atacar a un buque de guerra enemigo.Durante la Primera Guerra Mundial en África, el capitán alcohólico de una embarcación es persuadido por un misionero que usa su barco para atacar a un buque de guerra enemigo.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 7 premios ganados y 9 nominaciones en total
Harry Arbour
- German Sergeant Major at Kungdu
- (sin créditos)
Errol John
- Undetermined Role
- (sin créditos)
Joseph Layode
- African Sergeant
- (sin créditos)
Gerald Onn
- Petty Officer
- (sin créditos)
John von Kotze
- German Officer
- (sin créditos)
Opiniones destacadas
This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
The acting by Bogart is brilliant and Katharine Hepburn is as good.It´s exciting and VERY funny.It also have a great direction by John Huston and even if a few of the action scenes feels old and maybe some of the special effects is not fantastic Humphrey Bogart really deserved his Oscar but Katharine Hepburn is as good.The dialogue between them is wonderful.4,5/5
To me this film will always be the validation of Humphrey Bogart's long and distinguished career. His portrayal of the hard drinking Charlie was what made this film what it was. Also, he showed just how great an actor he was when he was able to match up against the woman who is generally considered to be the greatest actress in film history, Katherine Hepburn. Also, this film will always be recognized for having the perfect mix of action, romance and comedy and it will always be a classic.
To face a script in which most of the plot revolves around the dialogue of only two people in one location must be terrifying. Thank goodness for Katharine Hepburn and Humphrey Bogart. John Huston's adaptation of C.S. Forester's The African Queen was solid. And the decision to film on location in Africa helped develop the concept of nature as a viable character within the plot helps solidify the film. But without Katharine Hepburn, and Humphry Bogart, this film could have been reduced to a nice little travelog on the beauty and terror of African and the pretty animals living there. Within The African Queen each character undergoes metamorphosis. Charlie Alnutt grows from an apathetic man who enjoys the inside of a bottle, to a courageous man. Rosie in turn allows herself to be human, and vulnerable perhaps for the first time in her life. With lesser actors these changes would have appeared rushed, unexplained,and a dull beginning to an inexplicable romance. But it isn't. It's a captivating film. Rosie's brittle smile, Charlie's face as his vices are destroyed, these are moments of brilliance in an incredible film. I highly recommend it.
It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.
It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.
An amazing romance-adventure classic highlighted by the brilliant performances of Bogart and Hepburn. Oscar winner Bogart's Charlie is a broken man who finds true hope and happiness in Hepburn's Rose. Rose finds love and meaning from Charlie. It's adorable to see them call each other "Missus" and "Mr. Almont" even when we know that they love each other. Even when they have their "first quarrel" near the end of the picture, we know that their lives have changed forever as a result of the other person. It's a film about true love. This is also a very funny film, which was a shock to director Huston. Bogart's stomach growling scene early on in the film is a hoot. More humor commences as both stars play off of each other wonderfully. The scenary is beautiful. No film has captured the essence and importance of nature better than this classic. This is the film that sparked other romance adventures such as "Romancing the Stone" and "Six Days and Seven Nights." Before you view those newer installments, you better check out the one and true original classic.
¿Sabías que…?
- TriviaSources claimed that everyone in the cast and crew got sick except Humphrey Bogart and John Huston, who said they avoided illness by essentially living on imported Scotch whiskey. Bogart later said, "All I ate was baked beans, canned asparagus and Scotch whiskey. Whenever a fly bit Huston or me, it dropped dead."
- ErroresThe propeller on the boat is made of bronze (stainless steel hadn't been invented yet). Bronze cannot be easily welded, even with the proper equipment, but he welds a new blade to the propeller. (In the book, Allnut makes a replacement blade out of iron, and rivets it to the bronze propeller.)
- Citas
Captain of Louisa: By the authority vested in me by Kaiser William the Second I pronounce you man and wife. Proceed with the execution.
- Créditos curiososOpening credits prologue: GERMAN EAST AFRICA September 1914
- ConexionesEdited into Spisok korabley (2008)
- Bandas sonorasGod of Grace and God of Glory (Cwm Rhondda)
(uncredited)
Words by Harry Fosdick
Music by John Ceiriog Hughes
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Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total a nivel mundial
- USD 46,305
- Tiempo de ejecución
- 1h 45min(105 min)
- Relación de aspecto
- 1.37 : 1
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