La reina africana

A real gem of film-making! Bogart and Hepburn shine in this two-actors-adventure-movie and even without the breathtaking visual effects of todays' films, it outshines them in its simplicity and authenticity.

The plot is very good and straight and the situation where the two characters (polar opposites) interact is an eye candy for all film goers. Bogard's Oscar as well-deserved and Hepburn could won her fifth with that powerful performance. I consider the film a pioneer in war/jungle movies making and the fact that the "commandos" are so different (a Sunday school teacher and a drunk) makes it all the better.

If you have not seen it run and get it. You won't regret it.

The African Queen is a significant historical film in two respects. Along with King Solomon's Mines it was the first American film to show the real Africa to the American public. Previously our ideas about Africa were gleaned from studio backlot jungles created for Tarzan films and the like. The African Queen changed all that, no cheap studio sets would do any more.

But also, The African Queen dealt with romance among mature adults in their forties. A ne'er do well river pilot on a ramshackle boat and the spinster sister of a missionary, thrown together by the circumstance of war.

Humphrey Bogart, our intrepid river pilot, makes a scheduled stop to deliver mail to the mission run by Robert Morley and Katharine Hepburn. And he breaks the news to them that World War I has started. Almost as soon as he leaves them, German troops from East Africa come to call. Bogie comes back and he finds Kate with her dead brother. They bury him and skedaddle. And while skedaddling they conceive of a cockeyed plan to help in the war effort.

To say what it is and what happens would spoil the story, but let me say this. The original opening of the film with Bogart coming in as church services are being conducted for a few hundred uncomprehending native Africans is Director John Huston's comment on the usefulness of the lives Morley and Hepburn have led up to that point. What Hepburn and Bogart accomplish by the end of the film makes up for the waste that was Hepburn's life.

But The African Queen is a great romance as well. Bogart became a great romantic star in Casablanca and he upholds the tradition here, winning an Academy Award for Best Actor. Katie Hepburn doesn't seem to miss her usual partner Spencer Tracy not a bit, the part of Rose Sayer is a perfect fit. As was remarked, they're going to have stories to tell their grandkids.

When I watch The African Queen I'm reminded of what Bogart's friend Frank Sinatra sang in one of his best ballads about how Love Isn't Just For the Young. Kate and Bogie sure prove it here.

To face a script in which most of the plot revolves around the dialogue of only two people in one location must be terrifying. Thank goodness for Katharine Hepburn and Humphrey Bogart. John Huston's adaptation of C.S. Forester's The African Queen was solid. And the decision to film on location in Africa helped develop the concept of nature as a viable character within the plot helps solidify the film. But without Katharine Hepburn, and Humphry Bogart, this film could have been reduced to a nice little travelog on the beauty and terror of African and the pretty animals living there. Within The African Queen each character undergoes metamorphosis. Charlie Alnutt grows from an apathetic man who enjoys the inside of a bottle, to a courageous man. Rosie in turn allows herself to be human, and vulnerable perhaps for the first time in her life. With lesser actors these changes would have appeared rushed, unexplained,and a dull beginning to an inexplicable romance. But it isn't. It's a captivating film. Rosie's brittle smile, Charlie's face as his vices are destroyed, these are moments of brilliance in an incredible film. I highly recommend it.

It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.

This great classic has everything you could ask for - two fine stars who could carry the show by themselves, and a story full of adventure, drama, humor, and romance. It's a lot of fun to watch, and it is also a film you can admire for the expert way it was put together.

Bogart and Hepburn not only give great performances, they are also wonderful together, and they make the on-screen relationship between their characters believable and interesting - it's great to watch as it develops. The adventures that they find are that much more entertaining for the way that you come to care about them. The story itself is exciting, too, with a lot of ups and downs for the heroes. Topping it off are the wonderful settings, with a lot of fine shots of wild animals and jungle scenery - there is always plenty to look at, and it also sets off the action nicely.

Any one of a number of things would make "The African Queen" worth watching, and as a whole it is a terrific movie. It's a must-see for any fan of classic movies, and one that you can also enjoy watching numerous times.

This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.

However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.

The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.

Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)